[SACD-R][OF] Rudolf Kempe, Munich Philharmonic Orchestra - Ludwig Van Beethoven: The 9 Symphonies - 1974/2012 (Orchestral)


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Rudolf Kempe, Munich Philharmonic Orchestra
Ludwig van Beethoven: The 9 Symphonies
- Формат записи/Источник записи: [SACD-R][OF]
Наличие водяных знаков: Нет
Год издания/переиздания диска: 1974/2012
Жанр: Orchestral
Издатель(лейбл): EMI / Esoteric
Продолжительность: 05:48:25
Наличие сканов в содержимом раздачи: Нет-Треклист:
Disc 1 (ESSE-90061):
Symphony No. 2 in D Op. 36

1] I. Adagio molto - Allegro con brio
2] II. Andante cantabile con moto
3] III. Menuetto (Allegro molto e vivace)
4] IV. Adagio - Allegro molto e vivace
Symphony No. 3 in E flat, 'Eroica' Op. 55
5] I. Allegro con brio
6] II. Marcia funebre (Adagio assai)
7] III. Scherzo (Allegro vivace)
8] IV. Allegro molto - Poco andante - Presto
Disc 2 (ESSE-90062)
Symphony No. 4 in B flat Op. 60

1] I. Adagio - Allegro vivace
2] II. Adagio
3] III. Menuetto (Allegro vivace)
4] IV. Allegro ma non troppo
Symphony No. 5 in C minor Op. 67
5] I. Allegro con brio
6] II. Andante con moto - Piu mosso - Tempo primo
7] III. Allegro -
8] IV. Allegro - Presto
Disc 3 (ESSE-90063)
Symphony No. 2 in D Op. 36

1] I. Adagio molto - Allegro con brio
2] II. Larghetto
3] III. Scherzo (Allegro) - Trio
4] IV. Allegro molto
Symphony No. 6 in F 'Pastoral' Op. 68
5] I. Allegro ma non troppo (Awakening of cheerful feelings on arriving in the country)
6] II. Andante molto moto (Scene by the brook)
7] III. Allegro (Merry gathering of the country folk)
8] IV. Allegro (Storm and tempest)
9] V. Allegretto (Shepherds' Song. Happy and thankful feelings after the storm)
Disc 4 (ESSE-90064)
Symphony No. 7 in A Op. 92

1] I. Poco sostenuto - Vivace
2] II. Allegretto
3] III. Presto - Assai meno presto
4] IV. Allegro con brio
Symphony No. 8 in F, Op. 93
5] I. Allegro vivace e con brio
6] II. Allegretto scherzando
7] III. Tempo di menuetto
8] IV. Allegro vivace
Disc 5 (ESSE-90065)
Symphony No. 9 in D minor 'Choral' Op. 125

1] I. Allegro ma non troppo, un poco maestoso
2] II. Molto vivace - Presto - Molto vivace - Presto
3] III. Adagio molto e cantabile - Andante moderato
4] IV. Presto - Allegro molto assai (Alla Marcia) - Andante maestoso - Allegro energico, sempre ben barcato-Munich Philharmonic Orchestra
Conducted by Rudolf Kempe
Philharmonischer Chor Munchen (Sym. 9)
Munchner Motetten Chor (Sym. 9)
Hans Rudolf Zobely, chorus master (Sym. 9)
Urszula Koszut, soprano (Sym. 9)
Brigitte Fassbaender, contralto (Sym. 9)
Nicolai Gedda, tenor (Sym. 9)
Donald McIntyre, bass (Sym. 9)-Контейнер: ISO (*.iso)
Тип рипа: image
Разрядность: 64(2,8 MHz/1 Bit)
Формат: DSD
Количество каналов: 2.0
Доп. информация: ■ Product ID: ESSE-90061 – 90065 (5 discs)
■ Format: SA-CD/CD Hybrid
■ Label: EMI Classics
■ DSD mastering
■ Box set / Deluxe Digipak packaging
■ Limited edition (1,500 sets)
Recording
Producer: David Mottley
Recording Engineer: Wolfgang Gülich
Re-mastering (2011)
Producer: Motoaki Ohmachi (Esoteric Company)
Mastering Engineer: Kazuie Sugimoto (Victor Creative Media Co. Ltd. Mastering Center)
16-19, April, 1973 (Symphony No.1 & No.2)
23-26, June, 1972 (Symphony No.3 & No.6)
15-20, December, 1972 / 27-30, April, 1973 (Symphony No.4)
20-23, December, 1971 (Symphony No.5 & No.7)
15-20, December, 1972 (Symphony No.8)
31,May - 4,June, 1973 (Symphony No.9)
Bürgerbräu, Munich
Источник (релизер): Stas (PS³SACD)
Спасибо за помощь: Gorovik (PS³SACD)
http://www.sa-cd.net/showtitle/7645

Об альбоме (сборнике)

Classical masterpiece collection
The reissue of classical music masterpieces by ESOTERIC has attracted a lot of attention, both for its uncompromising commitment to recreating the original master sound, and for using hybrid Super Audio CD (SACD) technology to improve sound quality. This series marks the first hybrid SACD release of historical recording selections. These new audio versions feature ESOTERIC’s proprietary re-mastering process to achieve the highest level of sound quality.

ESOTERIC equipment used for re-mastering

The criterion of re-mastering is to faithfully capture the quality of the original master tapes. ESOTERIC’s flag ship D/A converters, model D-01VU, Rubidium master clock generator model G-0Rb and ESOTERIC MEXCEL interconnect cables and power cords, were all used for this re-mastering session. This combination of highly advanced technology greatly contributed to capturing the high quality sound of the original master tapes.
Experience by yourself…
Experience the legendary performance in this new Super Audio CD/CD format. Not only for new followers, but also for well experienced followers of these recorded materials. All will be equally impressed by the “soul” hidden within the notes, but never before found in previously released recordings in any format.
sa-cd.net Review by Joseph Ponessa February 14, 2012 (11 of 14 found this review helpful)
Performance: Sonics:
My twelve top Beethoven symphony sets (in chronological order, not order of preference) are:
Furtwängler SACD (the simultaneous CD release is not bad),
Karajan SACD (from the 1960s),
Kempe SACD,
Masur SACD (in multi-channel),
Bernstein LP/Laserdisc (not CD or SACD),
Gielen DVD,
Barenboim DVDA (superior to Abbado's DVDA cycle from a year later),
Abbado DVD (now on CD too),
Asahina SHM-SACD (in stereo),
Järvi SACD/LP (a bit better than the DVD from a year later),
Gazarian SACD,
Thielemann BD.
This new Kempe set goes head-to-head with Masur, both being from the 1970s, both recorded for quad LP release. Esoteric have done a marvelous job of remastering, and perhaps the decision to release in stereo only has helped them put the dots and dashes of the disc format to best use. This ties for the best all-around historic analogue remastered cycle. The Kempe set has robust sound and authentic-sounding strings, but the Masur has more ear-candy with the multi-channel sound and more hall resonance (at the Dresdner Kulturpalast).
Reviewers at the time of the original Kempe LP release were unimpressed, but competition was fierce at that time. People who had conducted Beethoven for many decades were releasing cycles as the culmination of their life's work, whereas since the 1980s people have rushed to get a cycle into the hopper at early stages of their careers.
For many years I have owned the Ninth Symphony from Kempe's set, on a CD that I picked up in Austria in 1990. Comparing that with this new release is like night and day. There is so much more music there now, and musicality too. Kempe takes his time with Beethoven (the Ninth is 68 minutes, faster than Furtwängler but slower than Toscanini or many recent conductors). He also takes the first, third and fourth repeats in the Vivace of the Ninth, extending the movement to eleven minutes. This spaciousness benefits as the SACD reveals some of the hall ambience that was missing on the CD (from the Bürgerbräu in Munich). For people who want their Beethoven on modern instruments, by one of the best of the Beethoven orchestras, conducted by one of the best Beethoven conductors, in the best sound available today, this set rises towards the head of the pack. Although only a thousand copies were pressed, there seem to be a few left here and there. The Beethoven collector will want one of these, trust me. The general listener will find an embarrassment of riches at much lower cost elsewhere--in addition to the above, the SACD sets by Kegel, Haitink, Herreweghe, Vänskä, van Zweden, the RPO (various conductors) and the soon-to-be-released Vriend and Wand, and too many CD sets even to begin mentioning.

sa-cd.net Review by ThierryN July 7, 2012 (4 of 8 found this review helpful)

Performance: Sonics:
I own the following versions of LVB symphonies:
Abbado ( CD + 9 in HD)
Barenboim (only 9 in HD)
Bernstein
Bloomstedt
Chailly
Harnoncourt
Jochum
Kleiber (only 5&7 in HD)
Klemperer
Krips
Kubelik
Mackerras
Ormandy
Rattle
Solti
Steinberg
Tilson Thomas (only 5 in HD)
Wand
From the music persoective, I place this Kempe interpretation in my top 3.
You get together the "raw material becoming music" of Beethoven, the breath, the structure and architecture in support, poetry when relevant, a wonderful detailed balance between instruments even when music is dense and poweful. Tempi seem just right because you never ask yourself about them or never feel the need to compare with others. You are just "taken" by the performance, moved, shaken, thrown on walls, taken back like a piece of wood on an ocean. You are taken by the music, you want it or not. And the feeling, even I listened to all the above versions for many decades,, that the music is just being built in front of your eyes and ears.
From the sound perspective, oh my G... Esoteric made a wonderful work.

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