Maurizio Pollini Frederic Chopin: Etudes, Op. 10 & Op. 25-Формат записи/Источник записи: [SACD-R][OF] Наличие водяных знаков: Нет Издание: Limited edition Год издания/переиздания диска: 1972/2011 Жанр: Piano Издатель(лейбл): Deutsche Grammophon / Universal Japan Продолжительность: 00:55:56 Наличие сканов в содержимом раздачи: Нет-Контейнер: ISO (*.iso) Тип рипа: image Разрядность: 64(2,8 MHz/1 Bit) Формат: DSD Количество каналов: 2.0 Доп. информация: Deutsche Grammpophon – UCGG-9041 (2011 SHM) Analogue recording originally released 1972 as LP Deutsche Grammophon – 2530 291 Recording Engineer – Heinz Wildhagen Photography By Paolo Gianbarberis Producer, Recording Supervisor – Rainer Brock Источник (релизер): ManWhoCan (PS³SACD) http://www.amazon.co.jp/%E3%82%B7%E3%83%A7%E3%83%91...HM4C073M6TCXD4XH-Треклист:
12 Etudes, Op.10:
01-No.1 in C major: Allegro 02-No.2 in A minor: Allegro 03-No.3 in E major: Lento, ma non troppo 04-No.4 in C sharp minor: Presto 05-No.5 in G flat major: Vivace 06-No.6 in E flat minor: Andante 07-No.7 in C major: Vivace 08-No.8 in F major: Allegro 09-No.9 in F minor: Allegro molto agitato 10-No.10 in A flat major: Vivace assai 11-No.11 in E flat major: Allegretto 12-No.12 in C minor: Allegro con fuoco
12 Etudes, Op.25:
13-No.1 in A flat major: Allegro sostenuto 14-No.2 in F minor: Presto 15-No.3 in F major: Allegro 16-No.4 in A minor: Agitato 17-No.5 in E minor: Vivace 18-No.6 in G sharp minor: Allegro 19-No.7 in C sharp minor: Lento 20-No.8 in D flat major: Vivace 21-No.9 in G flat major: Allegro assai 22-No.10 in B minor: Allegro con fuoco 23-No.11 in A minor: Lento – Allegro con brio 24-No.12 in C minor: Molto Allegro, con fuoco
-Maurizio Pollini, piano-
Об альбоме (сборнике)
MWC says: Fryderyk Franciszek Chopin wrote these Etudes, they are not easy to play. If there is a perfect performance of them, then this may well be it! Amazon product review: You can not get much further from the conventional image of Chopin as a purveyor of attractive salon trifles than Pollini’s various recordings of the Polish composer’s works; Pollini was already making his name as an interpreter of 20th-century music at its most radical, with his classic performances of Schoenberg & Boulez, & he brought to Chopin a tigerish approach that shakes up listener certainty. The Etudes were always 1 of Chopin’s more startling productions, pieces which instruct & challenge the pianist with the technical problems they pose, but which also test innate musicality; each of them is in its different way a short passionate statement which has to be made to please the ear; Pollini brings a steely intensity to the more dramatic studies – the Revolutionary Etude, Op.10 No. 12, for example, or Op 25 No. 10 -.. & in the more lyrical ones is plangent without being tearstained Even those listeners who like their Chopin more delicate & charming will find Pollini’s approach a refreshing alternative, & those who tend to dismiss Chopin altogether will perhaps be persuaded entirely to reconsider ~ Roz Kaveney Acoustic Sounds product review: Both sets of Chopin’s etudes can be as fiendishly difficult for the performer as they are mesmerizing for the listener, yet Maurizio Pollini makes them sound as if they pose no problems whatsoever for him in this 1972 recording. Every 1 of the etudes is played with easy precision, energy, & an entirely enjoyable musicality that demonstrates why Chopin’s etudes are no mere exercises & are as suited to the recital hall as to the practice room. The Op. 25 No. 5 Etude in E minor has some tricky finger acrobatics in it, but Pollini brings out a singing melody all the same in the middle section, while adding a bit of dancing animation to the outer sections. The melody of the famous Etude No. 3 in E major is lyrical & warm, which highlights precisely the challenge posed by Chopin in these brief pieces: bring out an effective melody while mastering an exact technique through repetition. The recording also shows why Pollini is 1 of the most respected Chopin interpreters of all time.
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