[SACD-R][OF] Sergei Rachmaninov - Complete Works for Piano and Orchestra - 2004 (Classical, Orchestral)

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Sergei Rachmaninov / Complete Works for Piano and Orchestra (Stephen Hough, Dallas Symphony Orchestra, Andrew Litton)
Жанр: Classical, Orchestral
Страна-производитель диска: USA
Год издания: 2004
Издатель (лейбл): Hyperion
Аудиокодек: DST64 2.0, 5.1
Тип рипа: image (iso)
Битрейт аудио: 1/2.8224 MHz
Продолжительность: 2:24:41
Источник (релизер): PS³SACD Posted by PhantomBlot on June 7, 2012
Наличие сканов в содержимом раздачи: да
Piano Concerto No 1 in F sharp minor Op 1
1 Movement 1: Vivace [12'27]
2 Movement 2: Andante [5'39]
3 Movement 3: Allegro vivace [7'47]
Piano Concerto No 4 in G minor Op 40
4 Movement 1: Allegro vivace [9'03]
5 Movement 2: Largo [6'22]
6 Movement 3: Allegro vivace [9'06]
Rhapsody on a theme of Paganini Op 43
7 No 01. Introduction: Allegro vivace [0'09]
8 No 02. Variation 1: Precedente [0'19]
9 No 03. Theme: L’istesso tempo [0'18]
10 No 04. Variation 2: L’istesso tempo [0'17]
11 No 05. Variation 3: L’istesso tempo [0'23]
12 No 06. Variation 4: Più vivo [0'27]
13 No 07. Variation 5: Tempo precedente [0'27]
14 No 08. Variation 6: L’istesso tempo [1'05]
15 No 09. Variation 7: Meno mosso, a tempo moderato [1'05]
16 No 10. Variation 8: Tempo I [0'32]
17 No 11. Variation 9: L’istesso tempo [0'30]
18 No 12. Variation 10: Poco marcato [0'48]
19 No 13. Variation 11: Moderato [1'26]
20 No 14. Variation 12: Tempo di minuetto [1'23]
21 No 15. Variation 13: Allegro [0'27]
22 No 16. Variation 14: L’istesso tempo [0'42]
23 No 17. Variation 15: Più vivo scherzando [1'09]
24 No 18. Variation 16: Allegretto [1'40]
25 No 19. Variation 17: [Allegretto] [2'12]
26 No 20. Variation 18: Andante cantabile [2'57]
27 No 21. Variation 19: A tempo vivace [0'26]
28 No 22. Variation 20: Un poco più vivo [0'34]
29 No 23. Variation 21: Un poco più vivo [0'25]
30 No 24. Variation 22: Un poco più vivo, alla breve [1'37]
31 No 25. Variation 23: L’istesso tempo [0'50]
32 No 26. Variation 24: A tempo un poco meno mosso [1'23]
Piano Concerto No 2 in C minor Op 18
1 Movement 1: Moderato [9'54]
2 Movement 2: Adagio sostenuto [11'02]
3 Movement 3: Allegro scherzando [11'22]
Piano Concerto No 3 in D minor Op 30
4 Movement 1: Allegro ma non tanto [15'01]
5 Movement 2: Intermezzo. Adagio [9'55]
6 Movement 3: Finale. Alla breve [13'21]
Доп. информация-Reviews, courtesy of Hyperion: :

скрытый текст

‘This is the best set of Rachmaninov Piano Concertos ever recorded. You have no idea how hard I worked not to come to this conclusion, knowing full well just how skeptically such a claim is likely to be received. I compared Stephen Hough to multiple Ashkenazy renditions, to Earl Wild, to Zoltan Kocsis, to Argerich, Rubinstein, Richter, Rodriguez, and Horowitz. I ploughed through several obscure Russian recordings, two cycles on Naxos, and a slew of EMIs. I re-auditioned Pletnev and sampled two separate remasterings of Rachmaninov’s own performances. I listened with scores, then waited a few days, and then tried again without them. I played these discs to colleagues, to friends, and to people whose musical judgment I trust as much if not more than my own. But the conclusion was inescapable: there never has been a complete cycle at this level of consistent excellence. There’s no doubt about it’ (Classicstoday.com)
‘These are exhilarating performances, freshly conceived and texturally pristine … With such committed advocacy and technical bravura, Hough’s interpretations demand to be heard’ (The Sunday Times)
‘the freshness and joy in rediscovering well-worn masterpieces are everywhere in evidence in Hough’s playing … If you think you have heard these pieces once too often, this is the recording to help you rediscover their intimacies and their emotional sweep’ (The Daily Telegraph)
‘Hough. Litton. Rachmaninov concertos. Hyperion. Already a mouth-watering prospect, is it not? So, like the old Fry’s Five Boys chocolate advert, does Anticipation match Realisation in these five much recorded confections? The answer is ‘yes’ on almost every level’ (Gramophone)
‘Overall, these live concert recordings stand out in a field jam-packed with first-rate Rachmaninov concerto cycles’ (BBC Music Magazine)
‘these rank among the most illuminating – and most compelling – performances in the catalog. Whether you’re a Rachmaninov addict looking for fresh perspectives on the music or a neophyte looking for the cycle in up-to-date sound, Hough and Litton can be recommended without hesitation’ (Fanfare, USA)
‘Hough and Litton are more than scholars: they make living, flaming music from the ebbing and flowing speeds, the soloist’s improvisatory airs, or the strings’ willingness to revive the old portamento slide. The waves of energy at the finale’s end are very exciting: no wonder the Dallas audience break out in cheers’ (The Times)
‘This is fin-de-siècle musical romance moulded with perception, and Hough himself is on magnificent form … Hough’s set takes the palm as the pre-eminent digital edition of the Rachmaninov piano concertos’ (The Independent)
‘Stephen Hough and Andrew Litton cut a swathe through the decades-long undergrowth of bad tradition, revealing leaner, more potent works in the process … A terrific achievement’ (Evening Standard)
‘Hough’s melodic subtlety is well matched by conductor Andrew Litton, and even Rachmaninophobes will be won over by their Paganini Rhapsody’ (Independent on Sunday)
‘Hough shares with Rachmaninov a precision, a rhythmic energy, a quite beautiful singing tone and – perhaps most important in these dense textures – an unerring clarity … A superb achievement, and that’s all that needs to be said’ (International Record Review)
‘These are outstanding performances. The recordings capture the excitement of the live concerts, including applause at the end of the concertos but there’s very little audience noise and the sound is thrilling and immediate. This is a release that’s bound to win all the awards’ (Classic FM Magazine)
‘Stephen Hough is a pianist of immense finesse, who is incapable of playing a vulgar or exaggerated note. And he has a steely technique, secure enough to carry him through four live recordings – which these are – with barely a slip … this is a wonderful release’ (The Times The Eye)
‘an electrifying double-disc set’ (The Scotsman)
‘The spark of these live performances has survived inevitable patching sessions to place Stephen Hough’s complete account of Rachmaninov’s works for piano and orchestra into the top flight’ (Music Week)
‘carefully considered interpretations despatched with consummate musicianship and virtuosity, and using as their inspiration Rachmaninov’s own recordings’ (Mail on Sunday)
‘What Hough has come up with is much fleeter and leaner than the overripe romantic effects usually lavished on these concertos … he keeps the music on the move, carefully regulating its ebb and flow, so that Rachmaninov’s melodies float above the harmonic feints and sidesteps … As fine as anything Hough has done on disc to date’ (The Guardian)
‘An exciting new Rachmaninov set that’s definitely not to be missed’ (HMV Choice)

Об альбоме (сборнике)

The SACD version of Stephen Hough performing Rachmaninov’s 4 Piano Concerti and the Paganini Rhapsody with the Dallas Symphony Orchestra under the baton of Andrew Litton.
"This is the best set of Rachmaninov Piano Concertos ever recorded" -написано в обзоре GRAMOPHONE AWARDS 2005. И я, пожалуй соглашусь. Запись действительно ВЕЛИКОЛЕПНАЯ !
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