[SACD-R][OF] Handel - Music for the Royal Fireworks, Water Music (Johannes Somary and English Chamber Orchestra) - 2004 (Classical)

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Handel / Music for the Royal Fireworks, Water Music
Жанр: Classical
Страна-производитель диска: USA
Год издания: 2004
Издатель (лейбл): Vanguard
Номер по каталогу: ATM 1519
Тип рипа: PS3, image (ISO)
Кодек: DST 2.0, 5.0
Битрейт аудио: 1 bit/2,8224 MHz
Продолжительность: 52:06
Источник (релизер): jasondonovan
Наличие сканов в содержимом раздачи: да
The Water Music
A Suite, drawn from original manuscripts

1. Ouverture* 3:45
2. Adagio e staccato* 2:34
3. Allegro in 3/4* 12:32
4. Air* 4:26
5. Minuet* 3:30
6. Bourée* 1:09
7. Hornpipe* 1:24
8. Andante in D minor** 2:51
9. Allegro** 2:13
10. Bourée** 1:27
11. Alla Hornpipe** 3:19
* From the F Major Suite ** From the D Major Suite
Music for the Royal Fireworks
12. Ouverture (Adagio; Allegro) 8:57
13. Bourée 1:40
14. La Paix 4:27
15. Le Rejouissance 2:42
16. Menuet and Trio 5:18
Recorded at Conway Hall, London, in 1973

Об альбоме (сборнике)

Reviews from SA-CD.net:
By Jonalogic:
I’m not quite sure why no-one has yet reviewed this! Anyway, here goes…
This is a quite lovely recording, which you should catch whilst you still can.
The performances are very much ‘old style’; in 1973, when this was recorded, the ‘authentic’ movement had yet to become dominant in performing of the baroque repertoire. This is none the worse for that, however. And, of course, a big-band approach to the Fireworks is eminently apposite and exciting, needless to say.
As always, the ECO’s playing is suave and impeccable throughout.
The sound is striking, with a huge soundstage, great focus and terrific dynamic range. The inevitable hiss entailed by an analogue recording of this range in the early 70s is not distracting, to my ears at least.
All in all, this is a sonic delight, and eminently realistic in its tonal quality, thruthfulness and total impact. Just listen to the baroque trumpets in the Fireworks; if they don’t give you sonic goose-bumps from deep, elevated rear stage, then nothing will.
This recording is strongly recommended, therefore, and preferable – to me at least – to a bushel load of aneamic and under-projected authentic performances in the modern style.
This music was meant to show off, and it does so thrillingly here.
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