(Vocal/Opera/Operetta/Songs) Rita Streich - Walzer & Arien (Strauss, Saint-Saens, Verdi, Godard, Arditi, Suppe, Dvorak etc. - Kurt Gaebel) - 1998, APE (image+.cue) lossless


 

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Rita Streich - Walzer & Arien (Strauss, Saint-Saens, Verdi, Godard, Arditi, Suppe, Dvorak etc. - Kurt Gaebel)
Жанр: Vocal/Opera/Operetta/Songs
Страна-производитель диска: Germany
Год издания диска: 1998
Издатель (лейбл): Deutsche Grammophon
Номер по каталогу: 457 729-2
Дата записи: 1955-1956-1958
Аудиокодек: APE
Тип рипа: image+.cue
Битрейт аудио: lossless
Продолжительность: 74'33
Источник: собственный рип
Наличие сканов в содержимом раздачи: да
Треклист:
01. J. Strauss II: Die Lerche in blaue Höh' entschwebt
02. Saint-Saëns: Le rossignol et la rose - Arr. Kurt Gaebel
03. Verdi: Lo spazzocamino
04. Godard: Berceuse "Cachés dans cet asile, où Dieu nous a conduits"..."Oh, ne t'éveille pas encore"
05. Arditi: "Qui nel dubbio non farmi penare"
06. Suppé: Hab' ich nur deine Liebe
07. Dvorák: Mesicku na nebi hlubokém
08. Meyerbeer: Ombra leggera
09. Josef Strauss: Village Swallows from Austria, Op.164 (Dorfschwalben aus Österreich)
10. Alabiev: The Nightingale for voice and piano
11. Delibes: Les filles de Cadix
12. Czernik: Chi sa?
13. Marchesi: La folletta
14. Flotow: Last Rose of Summer (Thomas Moore)
15. Dell'Acqua: Villanelle (Villanella)
16. J. Strauss II: Draussen in Sievering from "Die Tänzerin Fanny Elssler" - Arr. O. Stalla
17. Arditi: Il Bacio
Исполнители:
Rita Streich - Walzer & Arien
Berlin Radio Symphony Orchestra
RIAS Symphonie-Orchester
Kurt Gaebel (Conductor)

Лог создания рипа

Exact Audio Copy V1.0 beta 3 from 29. August 2011
EAC extraction logfile from 13. June 2013, 23:08
Rita Streich / Walzer & Arien
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Read mode : Secure
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Defeat audio cache : Yes
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Used output format : User Defined Encoder
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2 | 7:09.32 | 4:16.00 | 32207 | 51406
3 | 11:25.32 | 2:52.00 | 51407 | 64306
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11 | 49:55.32 | 3:54.00 | 224657 | 242206
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14 | 59:04.32 | 2:59.00 | 265832 | 279256
15 | 62:03.32 | 4:14.00 | 279257 | 298306
16 | 66:17.32 | 4:08.00 | 298307 | 316906
17 | 70:25.32 | 4:08.00 | 316907 | 335506
Range status and errors
Selected range
Filename I:\Foobar-EAC\Rita Streich - Walzer & Arien.wav
Peak level 98.9 %
Extraction speed 2.4 X
Range quality 100.0 %
Test CRC 3F7D8314
Copy CRC 3F7D8314
Copy OK
No errors occurred
AccurateRip summary
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Track 2 accurately ripped (confidence 5) [10B09F37] (AR v1)
Track 3 accurately ripped (confidence 5) [A8A4D6FA] (AR v1)
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Track 17 accurately ripped (confidence 5) [94DD14FD] (AR v1)
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Содержание индексной карты (.CUE)

REM GENRE Opera
REM DATE 1955
REM DISCID 15117911
REM COMMENT "ExactAudioCopy v1.0b3"
CATALOG 0028945772929
PERFORMER "Rita Streich"
TITLE "Walzer & Arien"
FILE "Rita Streich - Walzer & Arien.flac" WAVE
TRACK 01 AUDIO
TITLE "Frühlingsstimmen op.410 - Johann Strauss"
PERFORMER "Rita Streich"
ISRC DEF055802070
INDEX 00 00:00:00
INDEX 01 00:00:32
TRACK 02 AUDIO
TITLE "Le Rossignol et la rose - Camille Saint-Saëns"
PERFORMER "Rita Streich"
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TRACK 03 AUDIO
TITLE "Lo spazzacamino - Giuseppe Verdi"
PERFORMER "Rita Streich"
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TRACK 04 AUDIO
TITLE "Wiegenlied aus »Jocelyn« - Benjamin Godard"
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TITLE "Parla-Walzer - Luigi Arditi"
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TRACK 06 AUDIO
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TITLE "Lied an den Mond aus »Rusalka« - Antonin Dvorák"
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TRACK 08 AUDIO
TITLE "Schattentanz aus »Dinorah« Giacomo Meyerbeer"
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TITLE "Dorfschwalben aus Osterreich op.164 - Josef Strauss"
PERFORMER "Rita Streich"
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TRACK 10 AUDIO
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PERFORMER "Rita Streich"
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TITLE "Chi sa? - Willy Czernik"
PERFORMER "Rita Streich"
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PERFORMER "Rita Streich"
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PERFORMER "Rita Streich"
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TITLE "Il bacio - Luigi Arditi"
PERFORMER "Rita Streich"
ISRC DEF055504310
INDEX 01 70:25:32
Доп. информация:
Biography
Rita Streich, a light lyric coloratura, was the child of a Russian mother and a German prisoner-of-war father.
Circuitously, the family made its way to Berlin where Streich grew up, and studied with Maria Ivogün, Erna Berger, and Willi Domgraf-Fassbänder (the father of Brigitte, and Germany's leading Papageno between wars).
She made her debut in 1943 at Aussig (today Ústí nad Labem on the northern border of the Czech Republic), singing Zerbinetta in Strauss' Ariadne auf Naxos.
In 1946, she became a member of the Berlin Staatsoper in the Unter den Linden, featured as Blonde in Mozart's The Abduction from the Seraglio and Olympia in Offenbach's The Tales of Hoffmann.
There, until 1951, she also sang Zerlina in Don Giovanni, Gilda in Rigoletto, and Sophie in Der Rosenkavalier.
During two subsequent seasons at the Städtische Oper, temporarily relocated in the Theater des Westens, she sang Zerbinetta, Konstanze this time in The Seraglio, and the Queen of the Night in Mozart's The Magic Flute.
In 1952 - 1953 she was the Woodbird in Wagner's Siegfried at the reopened Bayreuth Festival, then joined the Vienna State Opera, where she remained a member until her retirement from the stage in 1972.
Streich made frequent guest appearances at Munich, however, and in 1954 debuted at London (Zerlina and Susanna, in Mozart's Don Giovanni and The Marriage of Figaro, respectively), the Salzburg Festival (as Aennchen in Der Freischütz under Furtwängler), and Rome (Sophie again). La Scala came later on.
The soprano made her U.S. debut in 1957 at San Francisco, singing two performances each as Despina in Mozart's Così fan tutte, Zerbinetta in Ariadne, and Sophie in Der Rosenkavalier.
She returned in 1959 for two more Zerbinettas, but in 1960 switched to the Chicago Lyric Opera -- a house too capacious for her voice.
She appeared three times as Susanna in Figaro, and repeated the role in 1962, adding three more performances as Amor in Gluck's Orfeo ed Euridice.
These were her last American opera appearances.
Her voice was a small instrument for all the purity and technical control, better suited to a small theater such as Glyndebourne, where she appeared for the first time in 1958 as Zerbinetta.
During the 1950s, Streich became a best-selling name on recordings as Zerbinetta, Sophie, Susanna, Aennchen, Adele in Die Fledermaus, and Blonde, but especially on recital discs that included coloratura stunt-fluff as well as music by Mozart, Schubert, Wolf, Richard Strauss, even Milhaud -- most carefully chosen for the fach and size of her voice, although not always temperamentally suitable.
In the 1960s ,she appeared in Viennese operettas as well as operatic repertory, generously documented on German broadcast tapes of live performances.
Streich retired from the stage in 1972 to teach at Essen, but returned four years later to Vienna, where she continued to teach, and where she died at the age of sixty-six.
In the 1950s, and for some years after, she was considered the foremost German coloratura of her generation, often likened to her ageless teacher Erna Berger.



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