(Baroque/Choral/Requiem) Gilles - Messe des Morts / Corrette - Carillon des morts (Rodde, Nirouet, Hill, Studer - Collegium Vocale Gent, Herreweghe) - 1981, APE (image+.cue) lossless


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Gilles - Messe des Morts / Corrette - Carillon des morts
Жанр: Baroque/Choral/Requiem
Страна-производитель диска: EU
Год издания диска: 1981
Издатель (лейбл): Brilliant
Номер по каталогу: 93890
Дата записи: 1981
Аудиокодек: APE
Тип рипа: image+.cue
Битрейт аудио: lossless
Продолжительность: 48'45
Источник: собственный рип
Наличие сканов в содержимом раздачи: да
Jean Gilles:

Треклист/Исполнители:

1. Introitus
2. Kyrie
3. Graduale
4. Offertorium
5. Sanctus
6. Agnus Dei
7. Post Communio
Jean Gilles (1668-1705) - Messe des Morts
Anne-Marie Rodde (soprano)
Jean Nirouet (countertenor)
Martyn Hill (tenor)
Ulrich Studer (baritone)
Peter Kooij (bass)
Collegium Vocale Gent
Musica Antiqua Köln
Philippe Herreweghe
Michel Corrette:

Треклист/Исполнители:

8. Carillon des morts
Michel Corrette (709-1795) - Carillon des morts
Anne-Marie Rodde (sopraan)
Jean Nirouët (countertenor)
Martyn Hill (tenor)
Ulrich Studer (bas)
Peter Kooy (bas)
Collegium Vocale Gent
Musica Antiqua Köln
Philippe Herreweghe

Лог создания рипа

Exact Audio Copy V1.0 beta 3 from 29. August 2011
EAC extraction logfile from 31. October 2013, 13:04
Gilles / Messe Des Morts-Requiem, Herreweghe
Used drive : TSSTcorpCDDVDW SH-216AB Adapter: 0 ID: 1
Read mode : Secure
Utilize accurate stream : Yes
Defeat audio cache : Yes
Make use of C2 pointers : No
Read offset correction : 6
Overread into Lead-In and Lead-Out : No
Fill up missing offset samples with silence : Yes
Delete leading and trailing silent blocks : No
Null samples used in CRC calculations : Yes
Used interface : Native Win32 interface for Win NT & 2000
Used output format : Monkey's Audio Lossless Encoder
Selected bitrate : High Lossless Compression
Quality : High
Add ID3 tag : Yes
Command line compressor : K:\Program Files (x86)\Exact Audio Copy\Monkeys Audio\Monkey's Audio\MAC.exe
Additional command line options : -6 -V -T "ARTIST=%artist%" -T "TITLE=%title%" -T "ALBUM=%albumtitle%" -T "DATE=%year%" -T "TRACKNUMBER=%tracknr%" -T "GENRE=%genre%" -T "COMMENT=%comment%" -T "BAND=%albuminterpret%" -T "ALBUMARTIST=%albuminterpret%" -T "COMPOSER=%composer%" %haslyrics%--tag-from-file=LYRICS="%lyricsfile%"%haslyrics% -T "DISCNUMBER=%cdnumber%" -T "TOTALDISCS=%totalcds%" -T "TOTALTRACKS=%numtracks%" %hascover%--picture="%coverfile%"%hascover% %source% -o %dest%
TOC of the extracted CD
Track | Start | Length | Start sector | End sector
---------------------------------------------------------
1 | 0:00.00 | 14:12.00 | 0 | 63899
2 | 14:12.00 | 2:21.37 | 63900 | 74511
3 | 16:33.37 | 5:11.38 | 74512 | 97874
4 | 21:45.00 | 9:43.25 | 97875 | 141624
5 | 31:28.25 | 3:56.62 | 141625 | 159386
6 | 35:25.12 | 4:00.00 | 159387 | 177386
7 | 39:25.12 | 4:35.63 | 177387 | 198074
8 | 44:01.00 | 4:46.00 | 198075 | 219524
Range status and errors
Selected range
Filename I:\Foobar-EAC\Gilles - Messe Des Morts-Requiem, Herreweghe.wav
Peak level 92.1 %
Extraction speed 2.8 X
Range quality 100.0 %
Test CRC C00EEF4D
Copy CRC C00EEF4D
Copy OK
No errors occurred
AccurateRip summary
Track 1 cannot be verified as accurate (confidence 3) [03836602], AccurateRip returned [9F324195] (AR v2)
Track 2 cannot be verified as accurate (confidence 3) [7F15865A], AccurateRip returned [D5CEB005] (AR v2)
Track 3 cannot be verified as accurate (confidence 3) [1E8503A8], AccurateRip returned [AE75CD8C] (AR v2)
Track 4 cannot be verified as accurate (confidence 3) [00407E09], AccurateRip returned [E56BE9E9] (AR v2)
Track 5 cannot be verified as accurate (confidence 3) [A9BA54E5], AccurateRip returned [ADD63513] (AR v2)
Track 6 cannot be verified as accurate (confidence 3) [29D3E884], AccurateRip returned [0BE5BBEB] (AR v2)
Track 7 cannot be verified as accurate (confidence 3) [12AACE84], AccurateRip returned [BB26ED8A] (AR v2)
Track 8 cannot be verified as accurate (confidence 3) [2BBD0C76], AccurateRip returned [00D20678] (AR v2)
No tracks could be verified as accurate
You may have a different pressing from the one(s) in the database
End of status report
---- CUETools DB Plugin V2.1.3
[CTDB TOCID: 9nirYjrUWCcJn5CJY9f5imVupqc-] disk not present in database, Submit result: database access error: ExpectationFailed
==== Log checksum BE1874054D73DCC8DB15B0730F5F6EC12A46868F816B5A864378465C9A2A97E8 ====

Содержание индексной карты (.CUE)

REM GENRE Choral
REM DATE 1981
REM DISCID 740B6F08
REM COMMENT "ExactAudioCopy v1.0b3"
PERFORMER "Gilles"
TITLE "Messe Des Morts-Requiem, Herreweghe "
FILE "Gilles - Messe Des Morts-Requiem, Herreweghe.ape" WAVE
TRACK 01 AUDIO
TITLE "Introitus"
PERFORMER "Gilles"
INDEX 01 00:00:00
TRACK 02 AUDIO
TITLE "Kyrie"
PERFORMER "Gilles"
INDEX 01 14:12:00
TRACK 03 AUDIO
TITLE "Graduale"
PERFORMER "Gilles"
INDEX 01 16:33:37
TRACK 04 AUDIO
TITLE "Offertorium"
PERFORMER "Gilles"
INDEX 01 21:45:00
TRACK 05 AUDIO
TITLE "Sanctus"
PERFORMER "Gilles"
INDEX 01 31:28:25
TRACK 06 AUDIO
TITLE "Agnus Dei"
PERFORMER "Gilles"
INDEX 01 35:25:12
TRACK 07 AUDIO
TITLE "Communio"
PERFORMER "Gilles"
INDEX 01 39:25:12
TRACK 08 AUDIO
TITLE "Carillon des morts"
PERFORMER "Corrette"
INDEX 01 44:01:00
Доп. информация:
Jean Gilles, born in Avignon in 1668, enrolled in the cathedral school in Aix-en-Provence.
Under the tutelage of Guillaume Poitevin, who nurtured his unmistakable talents, he was introduced to the composer André Campra, eight years his senior.
It is Campra who would play such an important part in the survival of his younger colleague's Requiem by taking it to Paris and performing at the Concert Spirituel.
In 1697, Gilles was appointed as master of music at the cathedral of Toulouse and seemed set for a successful career.
Tragically, though, the ill health which had dogged him since childhood claimed him at the age of 37 in 1705.
It seems that his Requiem was given its premiere at his own funeral.
After Campra's championing of Gilles and in particular his Requiem, it was performed at the memorial service for Rameau in 1764, and for Louis XV ten years later.
Far from being a dark, terrifying Requiem in the style of Mozart, Berlioz and Verdi, it is an almost jaunty work -- more a celebration of the life of the deceased.
Where there is a connection to Verdi's setting of nearly 200 years later is the operatic nature of the music -- and the influence of the dance, theatre and above all the tragédies lyriques of Lully are never far away.
It is 'theatre of sorrow', to adapt the 18th-century phrase 'Castrum doloris' -- fortress of sorrow -- to describe the elaborate catafalques erected for the funeral services of high-ranking figures.
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