(Classical, Baroque) Lamento d’Arianna: C.Monteverdi, S. Bonini, F. A. Costa & A. Il Verso (The Consort of Musicke; Kirkby, Tubb, Holden, Nichols, Cornwell, King, Thomas, Wistreich, Rooley) - 2011, FLAC (image+.cue) lossless


 

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Lamento d’Arianna: C.Monteverdi, S. Bonini, F. A. Costa & A. Il Verso (The Conso
Жанр: Classical, Baroque
Год издания диска: 2011
Издатель (лейбл): Deutsche Harmonia Mundi
Номер по каталогу: DHM 88697 97450 2-3
Аудиокодек: FLAC
Тип рипа: image+.cue
Битрейт аудио: lossless
Продолжительность: 73:05
Источник: собственный рип
Наличие сканов в содержимом раздачи: да
Треклист:
Claudio Monteverdi (1567-1643)
01. Lamento d’Arianna a voce sola
02. Lamento d’Arianna a 5
Severo Bonini (1582-1663)
03. Lamento d’Arianna in stile recitativo
Francesco Antonio Costa (16th/17th cent.)
04. Lamento d’Arianna a voce sola
Antonio Il Verso (?1560-1621)
05. Lasciatemi morire a 5
Claudio Monteverdi
06. Pianto della Madonna a voce sola
Исполнители:
The Consort of Musicke:
Sopran: Emma Kirkby, Evelyn Tubb, Poppy Holden
Alt: Mery Nichols
Tenor: Joseph Cornwell, Andrew King
Bass: David Thomas, Richard Wistreich
Anthony Rooley

LOG EAC

Exact Audio Copy V1.0 beta 1 from 15. November 2010
EAC extraction logfile from 3. July 2012, 16:16
The Consort of Musicke - Anthony Rooley / Monteverdi, Bonini, Costa, Verso - Lamento d'Arianna
Used drive : PIONEER DVD-RW DVR-218L Adapter: 1 ID: 0
Read mode : Secure
Utilize accurate stream : Yes
Defeat audio cache : Yes
Make use of C2 pointers : No
Read offset correction : 6
Overread into Lead-In and Lead-Out : No
Fill up missing offset samples with silence : Yes
Delete leading and trailing silent blocks : No
Null samples used in CRC calculations : Yes
Used interface : Native Win32 interface for Win NT & 2000
Used output format : User Defined Encoder
Selected bitrate : 192 kBit/s
Quality : High
Add ID3 tag : No
Command line compressor : C:\Program Files\Exact Audio Copy\Flac\flac.exe
Additional command line options : -T "DATE=%y" -T "GENRE=%m" -8 -V %s
TOC of the extracted CD
Track | Start | Length | Start sector | End sector
---------------------------------------------------------
1 | 0:00.00 | 9:52.35 | 0 | 44434
2 | 9:52.35 | 12:33.50 | 44435 | 100959
3 | 22:26.10 | 31:24.12 | 100960 | 242271
4 | 53:50.22 | 7:26.43 | 242272 | 275764
5 | 61:16.65 | 2:27.60 | 275765 | 286849
6 | 63:44.50 | 9:20.27 | 286850 | 328876
Range status and errors
Selected range
Filename C:\Monteverdi, Bonini, Costa, Verso - Lamento d'Arianna.wav
Peak level 97.1 %
Extraction speed 0.2 X
Range quality 100.0 %
Test CRC B55F4FE9
Copy CRC B55F4FE9
Copy OK
No errors occurred
AccurateRip summary
Track 1 cannot be verified as accurate (confidence 4) [E0E7F5C9], AccurateRip returned [8038CCF9]
Track 2 cannot be verified as accurate (confidence 5) [0E39D1FF], AccurateRip returned [AB5F21F7]
Track 3 cannot be verified as accurate (confidence 5) [F1DAA986], AccurateRip returned [4FF0C6AE]
Track 4 cannot be verified as accurate (confidence 5) [1D369902], AccurateRip returned [5AB9D2FA]
Track 5 cannot be verified as accurate (confidence 5) [8B3667F5], AccurateRip returned [AEEB5125]
Track 6 cannot be verified as accurate (confidence 5) [593AB8E7], AccurateRip returned [704E210F]
No tracks could be verified as accurate
You may have a different pressing from the one(s) in the database
End of status report
==== Log checksum DD8802696373167A162FD45615BF08D54C24A8D4B0C0270FD9D0BBBC0CB4718A ====

Содержание индексной карты (.CUE)

REM GENRE Classical
REM DATE 1995
REM DISCID 59112106
REM COMMENT "ExactAudioCopy v1.0b1"
PERFORMER "The Consort of Musicke - Anthony Rooley"
TITLE "Monteverdi, Bonini, Costa, Verso - Lamento d'Arianna"
FILE "Monteverdi, Bonini, Costa, Verso - Lamento d'Arianna.flac" WAVE
TRACK 01 AUDIO
TITLE "Monteverdi - Lamento d'Arianna a voce sola"
PERFORMER "The Consort of Musicke - Anthony Rooley"
INDEX 01 00:00:00
TRACK 02 AUDIO
TITLE "Monteverdi - Lamento d'Arianna a 5"
PERFORMER "The Consort of Musicke - Anthony Rooley"
INDEX 01 09:52:35
TRACK 03 AUDIO
TITLE "Bonini - Lamento d'Arianna in stile recitativo"
PERFORMER "The Consort of Musicke - Anthony Rooley"
INDEX 00 22:24:35
INDEX 01 22:26:10
TRACK 04 AUDIO
TITLE "Costa - Pianto d'Arianna a voce sola"
PERFORMER "The Consort of Musicke - Anthony Rooley"
INDEX 00 53:46:47
INDEX 01 53:50:22
TRACK 05 AUDIO
TITLE "Verso - Lasciatemi morire a 5"
PERFORMER "The Consort of Musicke - Anthony Rooley"
INDEX 00 61:15:15
INDEX 01 61:16:65
TRACK 06 AUDIO
TITLE "Monteverdi - Pianto della Madonna a voce sola"
PERFORMER "The Consort of Musicke - Anthony Rooley"
INDEX 00 63:43:00
INDEX 01 63:44:50

Доп. информация:

L'Arianna (English: Ariadne) (SV 291), composed in 1607–08, was the second opera by the Italian composer Claudio Monteverdi. One of the earliest of the Baroque period and indeed of any operas, it was first performed on 28 May 1608, as part of the musical festivities for a royal wedding at the court of Duke Vincenzo Gonzaga in Mantua. All the music is lost apart from the extended recitative known as "Lamento d'Arianna" ("Ariadne's Lament"). The libretto, which survives complete, was written in eight scenes by Ottavio Rinuccini, who used Ovid's Heroides and other classical sources to relate the story of Ariadne's abandonment by Theseus on the island of Naxos and her subsequent elevation as bride to the god Bacchus.
The opera was composed under severe pressure of time; the composer later said that the effort of creating it almost killed him. The initial performance, produced with lavish and innovative special effects, was highly praised, and the work was equally well received in Venice when it was revived under the composer's direction in 1640 as the inaugural work for the Teatro San Moisè.
Rinuccini's libretto is available in a number of editions. The music of the "Lamento" survives because it was published by Monteverdi, in several different versions, independently from the opera. This fragment became a highly influential musical work and was widely imitated; the "expressive lament" became an integral feature of Italian opera for much of the 17th century. In recent years the "Lamento" has become popular as a concert and recital piece and has been frequently recorded.
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