[BR][OF] TrondheimSolistene - Souvenir (2011) (Classical) Blu-ray Auro-3D 9.1 DTS-HD 7.1


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TrondheimSolistene / SOUVENIR Blu-ray Auro-3D 9.1 DTS-HD 7.1
Жанр: Classical
Страна-производитель диска: Norway
Год издания: 2011
Издатель (лейбл): 2L
Номер по каталогу: 90
Страна: Norway
Битрейт аудио: Auro-3D 9.1 (Track 01-05 Only)
DTS-HD MA 7.1 (96 kHz / 9493 kbps / 24-bit)
DTS-HD MA 5.1 (192 kHz / 13251 kbps / 24-bit)
LPCM 2.0 (192 kHz / 9216 kbps / 24-bit)
Второй релиз на рутрекере в новейшем формате Auro-3D 9.1
Продолжительность: 01:25:16
Источник (релизер): 2L
Наличие сканов в содержимом раздачи: нет
Треклист:
01. Tchaikovsky, SOUVENIR de Florence op. 70: I. Allegro con spirito
02. Tchaikovsky, SOUVENIR de Florence op. 70: II. Adagio cantabile e con moto
03. Tchaikovsky, SOUVENIR de Florence op. 70: III. Allegretto moderato
04. Tchaikovsky, SOUVENIR de Florence op. 70: IV. Allegro vivace
05. Nielsen, Ved en Ung Kunstners Baare fs. 58: At the Bier of a Young Artist
06. Nielsen, SUITE for String Orchestra op. 1: I. Prelude
07. Nielsen, SUITE for String Orchestra op. 1: II. Intermezzo
08. Nielsen, SUITE for String Orchestra op. 1: III. Finale
09. Tchaikovsky, SERENADE for Strings op. 48: I. Pezzo in forma di Sonatina
10. Tchaikovsky, SERENADE for Strings op. 48: II. Walzer
11. Tchaikovsky, SERENADE for Strings op. 48: III. Elegie
12. Tchaikovsky, SERENADE for Strings op. 48: IV. Finale

Лог проверки качества

DISC INFO:
Disc Title: TRONDHEIMSOLISTENE_SOUVENIR
Disc Size: 36 821 208 036 bytes
Protection: AACS
BD-Java: Yes
BDInfo: 0.5.8
PLAYLIST REPORT:
Name: 00000.MPLS
Length: 1:25:16.010 (h:m:s.ms)
Size: 24 850 188 288 bytes
Total Bitrate: 38,86 Mbps
VIDEO:
Codec Bitrate Description
----- ------- -----------
MPEG-4 AVC Video 950 kbps 1080i / 29,970 fps / 16:9 / High Profile 4.1
AUDIO:
Codec Language Bitrate Description
----- -------- ------- -----------
DTS-HD Master Audio Miscellaneous languages9493 kbps 7.1 / 96 kHz / 9493 kbps / 24-bit (DTS Core: 5.1 / 48 kHz / 1509 kbps / 24-bit)
DTS-HD Master Audio Miscellaneous languages13251 kbps 5.1 / 192 kHz / 13251 kbps / 24-bit (DTS Core: 5.1 / 48 kHz / 1509 kbps / 24-bit)
LPCM Audio Miscellaneous languages9216 kbps 2.0 / 192 kHz / 9216 kbps / 24-bit
FILES:
Name Time In Length Size Total Bitrate
---- ------- ------ ---- -------------
00000.M2TS 0:00:00.000 0:40:07.505 12 960 694 272 43 068
00001.M2TS 0:40:07.505 0:45:08.505 11 889 494 016 35 118

Об альбоме (сборнике)

How do we listen to music? Indeed, how do we listen to anything? What we as listeners encounter here is sheer auditory bliss. TrondheimSolistene take a new step towards bridging the gap between themselves and their audience. It is not the gap between the live performance and the recording which they attempt to close. It is the gap between the recording and the living, ever open human ear.
"Through its dynamic co-operation TrondheimSolistene (the Trondheim Soloists) and 2L has always sort to stretch the boundaries of what is possible to convey to the listener, aiming for the ultimate recorded listening experience. With the Serenade the team has taken things one step further with the TrondheimSolistene truly justifying their name. By placing each individual next to someone from a different voice rather than sitting in conventional sections we are working at the very outer limits of what is possible and creating chamber music at the highest level" - Øyvind Gimse, 2012.
We allocated two weeks in 2011 to record this new album. Artistic director Øyvind Gimse and his associate Geir Inge Lotsberg initially chose two pieces that represent, in their estimation, "the most beautiful music ever composer for the string orchestra": Tchaikovsky's Souvenir de Florence and his Serenade for Strings. Aiming for a 90 minutes program left 30 more minutes to record. So the orchestra and 2L logged on to Facebook and asked the listeners worldwide what they'd like to hear. And the audience responded: Nielsen's Suite Opus 1. A little gem that would exploit the Trondheim Soloists' singular way with Nordic repertoire.
Inspired by Morten Lindberg's extensive work with choral music, the Tchaikovsky's SERENADE was recorded with the ensemble placed in mixed voices, meaning no one is sitting beside anyone playing the same part, creating a totally new soundscape to the music. Carl Nielsen's SUITE opus 1 is recorded in a more "traditional" way in these sessions.
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