Меч Данделиона / The Dandelion Sword (Liu,Ching-Ming) [2003 г., современный балет, 2xDVD5]


 

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Меч Данделиона/ The Dandelion Sword
Год выпуска: 2003
Страна: Taiwan
Жанр: современный балет
Продолжительность:00:50:09, 00:29:44
Перевод: Отсутствует
Режиссер: Liu,Ching-Ming
В ролях: U - Theatre
Drumming master,Composer/ Choreographer - Wong,Chee-Mun
Описание: Mysterious drummers return to city
Как монахи готовятся к торжественной церемонии, их виртуозное является впечатляющим.
Встреча с Бодхисаттва
Вихрь Спортивный барабанов, боевые искусства, буддийские песнопения, и Mesmerizing движения. Впечатляющим U-театр, самый почитаемый театра, Тайваня танца и музыки труппы, был назван философией в движении. Произношение буквы "U" похоже на китайское слово "совершенство", а U-театр, основал художественный руководитель Руо Лю-ю в 1988 году, придерживается убеждения, что дзэн истинный художник должен баланса художественное мастерство, с себя -совершенствование ( "Дао"). U-театр внесет свой Портленд дебют с его великолепным Встреча с Бодхисаттва, бесшовной 80 минут танцевальных театров работу, которая изображает путешествия человека к становится Бодхисаттва или "просвещенное время" в буддизме. 14 исполнителей из U-театра поочередно взорвались в движение или покой в контролируемом спокойствием, вызывая ярость боевых искусств и элегантность, тай-чи.
www.utheatre.org.tw
Taiwan's percussion oriented performance troupe, U Theatre (優劇場), will be coming down from its isolated Laochuan Mountain (老泉山) retreat next week in order to perform its latest drum mystical creation, The Dandelion Sword (蒲公英之劍).
Based a short story by the group's founder Liu Ching-min (劉靜敏), the troupe's latest offering, which will premier at The Metropolitan Hall (城市舞台) on Wednesday, Nov. 5, is radically different from previous U Theatre shows.
Instead captivating audiences with its trademark drumming the group has, for the very first time, incorporated dialogue, martial arts and song into a performance that has all the trappings of a plot-orientated theatrical production rather than a hybrid avant-garde percussive piece.
"It's certainly been a challenge for us, as this show is very different from anything we have ever attempted before," Liu said. "I remember when I first showed the work to the group there were comments made such as, `It's more like a movie script for a martial-arts movie than something we would do.'"
Founded 1988, U Theatre appears to be more like a religious sect and has ventured down from its mountain hideaway on only a couple of dozen occasions. Its most memorable performance took place in 1996, when the troupe set out on a 600km odyssey in which it traversed the island's mountainous hinterlands on foot, performing at temples along the central mountain range.
It is the group's "sacred drumming" (神鼓), however, which drum master Huang Chih-wen (黃志文) devised at a spiritual retreat in India that has long defined the group and made it one of the nation's, if not the world's, most unique performance groups.
Many U Theatre performances, such as The Sound of Ocean (聽海之心) -- a show the group still regularly performs overseas -- border on the avant-garde, with the troupe blending Beiguan opera and traditional drumming, ceremonial marching and even stilt walking. While these performances were hugely innovative visual spectacles they were sorely lacking in plots and story lines.
Two ago the group began veering away from this format. Although still lacking clearly definable characters, the troupe's 2001 creation, Meeting with Manjusuri Bodhisattva (金剛心) saw the hermetic performers combining dance, chanting and minor-dramatic elements into a performance for the first time.
For its latest work, however, the group has branched even further away from its exclusively drum-based and quasi-spiritual format. The Dandelion Sword sees the group incorporating identifiable characters with dialogue, martial arts and even song into what is set to be a groundbreaking performance for the group.
It might have taken Liu just two weeks to pen the story line for the The Dandelion Sword, but the transition from avant-garde performance group to one that can tackle melodrama proved to be a more lengthy process.
"We spent about a year-and-a-half in the preparation stage and then seven months studying and preparing to perform it on stage," Liu said. "It was a very difficult process as we had to choreograph the martial-arts scenes, coordinate the dialogue and synchronize the movement and drumming over the top."
The story is about a young martial-arts expert by the name of Frost. Having defeated countless opponents and fought in numerous battles, a chance meeting with an elderly master one day leads Frost to become disenchanted with his deathly world. The elderly man persuades Frost to abandon his sword and prepare for the most important battle he has yet to face -- with himself.
While finished work, which is loosely based on many a classical Chinese morality tale of good prevailing over evil, it is strikingly different from the troupe's previous hybrid creations. Liu didn't intentionally set out to write a play and certainly didn't intend to see her work published as a novelette.
"I set out to write a simple piece for the troupe in line with our previous works. As it developed, though, a story line began to appear and I began to revolve events around a central character," Liu said. "Then, as more characters were introduced I realized that I'd accidentally written a short story rather than a simple piece for the group."
Even though The Dandelion Sword is more theatrical than past shows, the group hasn't abandoned drumming entirely. The percussive beat still plays a fundamental role in the performance.
Along the plot-oriented production being a first for the group, the publication of Liu's short story, which has been published in both Chinese and English, is also something new for the once predominantly percussive performance troupe. In order to promote both the book and the upcoming performance members of the troupe will be giving the public a special free sneak preview of the show at 2pm this Sunday at Eslite Books' Dunhua branch.
U Theatre will perform The Dandelion Sword (蒲公英之劍) at The Metropolitan Hall (城市舞台) beginning Wednesday Nov, 5, through Saturday Nov. 8. All performances begin at 7:30pm. The venue is located at 25 Bade Rd, Sec 3, Taipei (台北市八德路3段25號). Tickets cost between NT$300 and NT$1,500 and are available from branches of Eslite Books.
Качество: DVD5
Формат: DVD Video
Видео кодек: MPEG2
Аудио кодек: AC3
Видео: NTSC 4:3 (720x480) VBR
Аудио: Not specified (Dolby AC3, 6 ch) Not specified (Dolby AC3, 6 ch) Not specified (DTS, 5 ch)

Скриншоты



Последний раз редактировалось: panaleksei (2010-02-18 19:26), всего редактировалось 10 раз(а)

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честно сознаюсь, мой комп после переустановки не хочет выполнять скриншоты, появляется такая запись The "Save Image and Save Tpumnails functions do not work with the Overlay Mixer video renderer.Change the video renderer in MPC s outpunt optios and reopen the file. что делать далее не знаю.
Но скриншоты не хотят оставаться в компьютере, сохраняться вернее. :wall:

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Есть вот такая обложка.

а так же если есть русский вариант название так же добавьте его в релиз)
aiaaaeaii nionoy 1 ieiooo:
panaleksei
Скриншоты лучше всего снимать плеером jetaudio
Если у вас его нет лучше установить)
Могу дать ссылку.

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пожалуйста дайте, и тут что то не клеится, не хочет появляться картинка

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panaleksei
исходя из размера файла (7,48 GB) - это DVD9...

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нет там два диска, я указал во времени.

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[2003 г., современный балет, DVD5]
В таком случае надо писать [2003 г., современный балет, 2xDVD5]

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admin
исправил наконец то :Party::

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panaleksei
Cпасибо большое, но у меня Legacy на 50 % опять застопорилось :(


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