(Vocal/Baroque Cantata) Handel - Complete Cantatas vol.1 *Delirio Amoroso HWV 99*Ditemi o piante HWV107*Care selve, aure grate HWV88*Allor ch’io dissi addio HWV80 (True - Contrasto Armonico, Vitale) - 2009, APE (image+.cue) lossless


 

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Handel - Complete Cantatas vol.1
Жанр: Vocal/Baroque Cantata
Страна-производитель диска: EU
Год издания диска: 2009
Издатель (лейбл): Brilliant Classics
Номер по каталогу: 93999
Дата записи: 2009
Аудиокодек: APE
Тип рипа: image+.cue
Битрейт аудио: lossless
Продолжительность: 59'56
Источник: собственный рип
Наличие сканов в содержимом раздачи: да
Треклист:
Il delirio amoroso HWV 99 (Da quel giorno fatale)
1 Introduzione
2 Reci, Da quel giorno fatale
3 Aria, Un pensiero voli in ciel
4 Reci, Ma fermati pensier
5 Aria, Pe te lasciai la luce
6 Reci, Non ti bastava ingrato
7 Aria, Lascia omai le brune vele
8 Reci, Ma siamo giunti in Lete
9 Entrée
10 Minuet e Arietta, in queste amene
11 Reci, Si, disse Clori
12 Minuet
Ditemi, o piante, HWV 107
13 Reci, Ditemi o pianté
14 Aria, Il candore tolse al giglio
15 Reci, Ma la beltá del volto
16 Aria, per formar sì vaga e bella pastorella
Care selve, aure grate, HWV 88
17 Reci, Care selve, aure grate
18 Aria, Ridite a glori
19 Reci, Si cangiarsi potesse
20 Aria, Non ha forza nel mio petto
Allor ch’io dissi addio, HWV 80
21 Reci
22 Aria, Son qual cerva ferita che fugge
23 Reci, Anzi se naque il mio amoroso desio
24 Aria, Il dolce foco mio
Исполнители:
Stefanie True (Soprano)
Contrasto Armonico Baroque Orchestra
Marco Vitale

Лог создания рипа

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Содержание индексной карты (.CUE)

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TRACK 01 AUDIO
TITLE "HWV 099 - Da quel giorno fatale - 1 Introduzione"
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INDEX 01 00:00:00
TRACK 02 AUDIO
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TRACK 03 AUDIO
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INDEX 01 05:48:21
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TITLE "HWV 099 - Da quel giorno fatale - 4 Reci, Ma fermati pensier"
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TRACK 05 AUDIO
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PERFORMER "Handel"
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TITLE "HWV 107 - Ditemi, o pianté - 1 Reci, Ditemi o pianté"
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Доп. информация:
Handel’s cantatas represent an important musical repertoire that until recently has been little known.
Consisting of about 100 separate works, most were written over a period of a few years for private performance in Italy.
They range from musical miniatures containing only two arias connected by recitative and accompanied by continuo (a bass line typically realized by cello and harpsichord) to larger works with named characters, a dramatic story, and rich instrumental forces.
Telling more often than not about the pangs of love, these are intimate works, with texts frequently written by (and sometimes about) members of the privileged audience for which they were composed.
A number of Handel’s cantatas have texts by one of his important Italian patrons, Cardinal Benedetto Pamphili.
The project of Marco Vitale and Brilliant Classics to record all of Handel’s cantatas is thrilling.
The continuo cantatas have never been recorded in full and many have never been recorded at all.
Thus, this project will bring to life largely unknown music by one of the world’s greatest composers.
Further, performance all the cantatas will place the larger, instrumental works in the musical context of their creation.
Vitale’s experience and musicianship are well matched to this ambitious project, as can be heard in his recent recording for Briliant Classics of Handel’s La resurrezione, from the same period as the cantatas.
In particular, his decision to use low Roman pitch and transposing winds gives the music a warm, confidential quality so appropriate to the intimate settings in which the works were written without sacrificing its brilliance (as one can hear in the performance of Delirio amoroso on this CD).



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