(Classical/Orchestral) Haydn - Symphonies 92 and 93 (The London Symphony Orchestra, Colin Davis) - 2014, MP3 (tracks) 320 kbps

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Haydn - Symphonies 92 & 93 (The London Symphony Orchestra (Colin Davis))
Жанр: Classical/Orchestral
Страна-производитель диска: UK
Год издания диска: 2014
Издатель (лейбл): LSO Live
Аудиокодек: MP3
Тип рипа: tracks
Битрейт аудио: 320 kbps
Продолжительность: 50:30
Наличие сканов в содержимом раздачи: нет
Symphony No. 92 in G Major, Hob. "Oxford Symphony"
01 - Adagio - Allegro spiritoso
02 - Adagio cantabile
03 - Menuetto - Allegretto
04 - Presto
Symphony No. 93 in D Major, Hob
05 - Adagio - Allegro assai
06 - Largo cantabile
07 - Menuetto (Allegretto) - Trio
08 - Finale (Presto ma non troppo)
Sir Colin Davis (London Symphony Orchestra)

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Об исполнителе (группе)

A touching tribute to Colin Davis from the orchestra with which he was latterly most closely associated. Sir Colin was among the most assiduous champions of composers such as Berlioz and Tippett, flying in the face of prevailing fashion and ultimately changing minds about the worth of their music. But, like so many musicians, one of his private passions was for Haydn – a composer who perhaps needed no such special pleading but whose reputation can only have benefited from the affection bestowed upon him by the likes of Davis.
There is, of course, a set of all 12 ‘London’ Symphonies which Davis made with the Concertgebouw Orchestra between 1975 and 1981. (There is also a 1983 Oxford Symphony from the same quarters but that’s long out of print.) What these LSO performances share with those earlier discs is their sense of rightness, of a conductor who knows in his bones exactly how this music should ‘go’, with details lovingly observed but never lingered over to make specious points. Perhaps younger musicians take, say, the finale of the Oxford Symphony at a more madcap speed, relishing its freewheeling audacity; but Davis identifies the tempo giusto again and again, slow movements expansive without dragging, minuets paced with respect for their terpsichorean origins and allegros always ideally judged.
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