(Baroque Opera) Bertoni - Orfeo (Ziegler, Gasdia, Ford - I Solisti Veneti, Scimone) - 1994, APE (image+.cue) lossless


 

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Ferdinando Bertoni (1725-1813) - Orfeo
Жанр: Baroque Opera
Страна-производитель диска: Germany
Год издания диска: 1994
Издатель (лейбл): Arts
Номер по каталогу: 477118-2
Дата записи: 1994
Аудиокодек: APE
Тип рипа: image+.cue
Битрейт аудио: lossless
Продолжительность: 65'02
Источник: собственный рип
Наличие сканов в содержимом раздачи: да
Треклист:
1. Sinfonia
2. Act 1, scene 1: "Ah! se intorno a quest'urna..."
3. Act 1, scene 1: "Chiamo il mio ben così..."
4. Act 1, scene 2: "T'assiste Imene..."
5. Act 1, scene 2: "Gli sguardi trattieni..."
6. Act 2: "Chi mai dell'Erebo..."
7. Act 2: "Che puro Ciel! che chiaro Sol..."
8. Act 3, scene 1: "Vieni, segui i miei passi!..."
9. Act 3, scene 1: "Che fiero momento!..."
10. Act 3, scene 1: "Che farò senza Euridice!..."
11. Act 3, scene 2: "Orfeo! che fai?..."
12. Act 3, scene 3: "Trionfi Amore..."
Исполнители:
Ferdinando Bertoni (1725-1813) - Orfeo
Delores Ziegler (mezzo-soprano)
Cecilia Gasdia (soprano)
Bruce Ford (tenor)
Ambrosian Opera Chorus
John McCarthy
I Solisti Veneti
Claudio Scimone

Лог создания рипа

Exact Audio Copy V1.0 beta 3 from 29. August 2011
EAC extraction logfile from 7. October 2014, 13:46
Bertoni / Orfeo, Scimone
Used drive : TSSTcorpCDDVDW SE-208AB Adapter: 1 ID: 0
Read mode : Secure
Utilize accurate stream : Yes
Defeat audio cache : Yes
Make use of C2 pointers : No
Read offset correction : 6
Overread into Lead-In and Lead-Out : No
Fill up missing offset samples with silence : Yes
Delete leading and trailing silent blocks : No
Null samples used in CRC calculations : Yes
Used interface : Native Win32 interface for Win NT & 2000
Used output format : Monkey's Audio Lossless Encoder
Selected bitrate : High Lossless Compression
Quality : High
Add ID3 tag : Yes
Command line compressor : C:\Program Files (x86)\Exact Audio Copy\MAC\MAC.exe
TOC of the extracted CD
Track | Start | Length | Start sector | End sector
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1 | 0:00.33 | 2:57.35 | 33 | 13342
2 | 2:57.68 | 6:54.37 | 13343 | 44429
3 | 9:52.30 | 4:17.23 | 44430 | 63727
4 | 14:09.53 | 1:39.10 | 63728 | 71162
5 | 15:48.63 | 4:02.25 | 71163 | 89337
6 | 19:51.13 | 10:15.65 | 89338 | 135527
7 | 30:07.03 | 8:37.65 | 135528 | 174367
8 | 38:44.68 | 8:40.65 | 174368 | 213432
9 | 47:25.58 | 7:30.55 | 213433 | 247237
10 | 54:56.38 | 4:59.70 | 247238 | 269732
11 | 59:56.33 | 1:40.12 | 269733 | 277244
12 | 61:36.45 | 3:26.50 | 277245 | 292744
Range status and errors
Selected range
Filename D:\EAC\Bertoni - Orfeo, Scimone.wav
Peak level 99.7 %
Extraction speed 4.7 X
Range quality 100.0 %
Test CRC 10DEC392
Copy CRC 10DEC392
Copy OK
No errors occurred
AccurateRip summary
Track 1 accurately ripped (confidence 2) [3588ECEA] (AR v1)
Track 2 accurately ripped (confidence 2) [B8D7A404] (AR v1)
Track 3 accurately ripped (confidence 2) [E282FE16] (AR v1)
Track 4 accurately ripped (confidence 2) [1B78E4DD] (AR v1)
Track 5 accurately ripped (confidence 2) [1642BE5F] (AR v1)
Track 6 accurately ripped (confidence 2) [7E2E3B97] (AR v1)
Track 7 accurately ripped (confidence 2) [EB4E6DF5] (AR v1)
Track 8 accurately ripped (confidence 2) [11E369B5] (AR v1)
Track 9 accurately ripped (confidence 2) [C5457145] (AR v1)
Track 10 accurately ripped (confidence 2) [AC0C56D4] (AR v1)
Track 11 accurately ripped (confidence 2) [E54C6010] (AR v1)
Track 12 accurately ripped (confidence 2) [2A993EAC] (AR v1)
All tracks accurately ripped
End of status report
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Содержание индексной карты (.CUE)

REM GENRE Classical
REM DATE 1994
REM DISCID CC0F3F0C
REM COMMENT "ExactAudioCopy v1.0b3"
PERFORMER "Bertoni"
TITLE "Orfeo, Scimone"
FILE "Bertoni - Orfeo, Scimone.ape" WAVE
TRACK 01 AUDIO
TITLE "Sinfonia"
PERFORMER "Bertoni"
INDEX 00 00:00:00
INDEX 01 00:00:33
TRACK 02 AUDIO
TITLE "Atto Primo, Scena Prima - Ah! se intorno a quest'urna... (Coro, Orfeo)"
PERFORMER "Bertoni"
INDEX 01 02:57:68
TRACK 03 AUDIO
TITLE "Atto Primo, Scena Prima - Chiamo il mio ben cosi... (Orfeo)"
PERFORMER "Bertoni"
INDEX 01 09:52:30
TRACK 04 AUDIO
TITLE "Atto Primo, Scena Seconda - T'assiste Imene... (Imeneo, Orfeo)"
PERFORMER "Bertoni"
INDEX 01 14:09:53
TRACK 05 AUDIO
TITLE "Atto Primo, Scena Seconda - Gli sguardi trattieni... (Imeneo, Orfeo)"
PERFORMER "Bertoni"
INDEX 01 15:48:63
TRACK 06 AUDIO
TITLE "Atto Secondo - Chi mai dell'Erebo... (Choro, Orfeo)"
PERFORMER "Bertoni"
INDEX 00 19:48:20
INDEX 01 19:51:13
TRACK 07 AUDIO
TITLE "Atto Secondo - Che puro Ciel! che chiaro Sol... (Orfeo, Choro)"
PERFORMER "Bertoni"
INDEX 00 30:04:03
INDEX 01 30:07:03
TRACK 08 AUDIO
TITLE "Atto Terzo, Scena Prima - Vieni, segui i miei passi!... (Orfeo, Euridice)"
PERFORMER "Bertoni"
INDEX 00 38:42:15
INDEX 01 38:44:68
TRACK 09 AUDIO
TITLE "Atto Terzo, Scena Prima - Che fiero momento... (Euridice, Orfeo)"
PERFORMER "Bertoni"
INDEX 01 47:25:58
TRACK 10 AUDIO
TITLE "Atto Terzo, Scena Prima - Che farò senza Euridice!... (Orfeo)"
PERFORMER "Bertoni"
INDEX 01 54:56:38
TRACK 11 AUDIO
TITLE "Atto Terzo, Scena Seconda - Orfeo! che fai?... (Imeneo, Orfeo, Euridice)"
PERFORMER "Bertoni"
INDEX 01 59:56:33
TRACK 12 AUDIO
TITLE "Atto Terzo, Scena Terza ed ultima - Trionfi Amore... (Orfeo, Choro, Imeneo, E..."
PERFORMER "Bertoni"
INDEX 01 61:36:45
Доп. информация:
This version of the Orfeo legend was composed by Ferdinando Bertoni in 1776 at the behest of the singer who had created the title role in Gluck’s opera of the same name in 1762–the castrato Gaetano Guadagni.
Bertoni used the same text as Gluck, and he sets the music in an eerily similar manner; he acknowledged at the time that he had Gluck’s score in front of him while he wrote.
And indeed, there are noticeable samenesses in mood, and even bits of melody are “borrowed” from Gluck.
Since the opera is a good 40 minutes shorter than Gluck’s, all of the action is sped up; it’s hardly as great (or as moving) a work, but it does hold some fascination.
Bertoni’s setting of Orfeo’s meeting with the Furies is so much like Gluck’s that you’ll laugh, but Bertoni was a fine composer in his own right, and there are some original moments as well.
The third act’s Orfeo/Eurydice duet is both inventive and appealing, and because the part of Amor–now named Hymen–is composed for tenor rather than soprano, there are some interesting, new textures.
The performance is excellent. Mezzo Delores Ziegler sings Orfeo’s music with insight and warmth, and she’s not afraid to lean on her voice for dramatic effect.
The wonderful Bruce Ford, a Rossini specialist, sings Hymen with firm tone and clean diction; you only wish the role were more showy.
And Cecilia Gasdia’s Eurydice is pretty and innocent.
Claudio Scimone, an expert in this period’s music, leads the Ambrosian Opera Chorus and I Solisti Veneti in what probably is the best performance of this opera we’ll ever hear.
The recording, from the early/mid-1990s, is crisp and clear.
Granted, this is more a curiosity than a masterpiece, but it’s certainly worth hearing for both its own sake and that of perspective.



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