(Baroque/Choral) Durante - Lamentationes Jeremiae Prophetae (Frimmer, Bach, Joswig, Kolner Kammerchor / Collegium Cortusianum, Neumann) - 1995, APE (image+.cue) lossless


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Francesco Durante (1684-1755) - Lamentationes Jeremiae Prophetae
Жанр: Baroque/Choral
Страна-производитель диска: Germany
Год издания диска: 1995
Издатель (лейбл): CPO
Номер по каталогу: 999 325-2
Дата записи: 1994
Аудиокодек: APE
Тип рипа: image+.cue
Битрейт аудио: lossless
Продолжительность: 67'49
Источник: собственный рип
Наличие сканов в содержимом раздачи: да
Треклист:
Lectio Prima In Feria Sexta Parasceve
1. Largo: De Lamentationer
2. Andante: Misericordiae Domini
3. Tempo Giusto: Heth. Novi Diluculo
4. Andante: Teth. Bonus Est
5. Recitativo: Iod. Sedebit Solitarius
6. Largo Assai: Iod - Monika Frimmer
7. Andante: Dabit Percutienti
8. Largo: Jerusalem, ConvertereLectio Secunda In Feria Sexta Parasceve
9. Larghetto: Aleph. Quomodo Obscuratum
10. Allegro Forte: Sed & Iamiae
11. Andante Comodo: He. Qui Vescebantur
12. Allegro Assai: Et Major Effecta Est
13. Largo: Jerusalem, ConvertereLectio Terza In Feria Sexta Parasceve
14. Poco Largo: Incipit Oratio
15. Largo Comodo: Pupilli Facti Sumus
16. Poco Largo: Recordare Domine
17. Andante: Patres Nostri
18. Andante: Pellis Nostra
19. Poco Largo: Recordare Domine
20. Largo: Mulieres In Sion Humiliaverunt
Исполнители:
Francesco Durante (1684-1755) - Lamentationes Jeremiae Prophetae
Solists:
Monika Frimmer, soprano
Mechthild Bach, soprano
Margarete Joswig, alto
Choir Solists:
Stefan Vinke, tenor
Bernhard Hüsgen, bass
Kölner Kammerchor
Collegium Cortusianum
Peter Neumann

Лог создания рипа

Exact Audio Copy V1.0 beta 3 from 29. August 2011
EAC extraction logfile from 27. November 2014, 11:46
Durante / Lamentationes Jeremiae Prophetae, Neumann
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Make use of C2 pointers : No
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Delete leading and trailing silent blocks : No
Null samples used in CRC calculations : Yes
Used interface : Native Win32 interface for Win NT & 2000
Used output format : Monkey's Audio Lossless Encoder
Selected bitrate : High Lossless Compression
Quality : High
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Command line compressor : C:\Program Files (x86)\Exact Audio Copy\MAC\MAC.exe
TOC of the extracted CD
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4 | 10:16.52 | 3:36.28 | 46252 | 62479
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8 | 17:41.65 | 4:46.47 | 79640 | 101136
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11 | 29:54.00 | 3:09.70 | 134550 | 148794
12 | 33:03.70 | 2:13.60 | 148795 | 158829
13 | 35:17.55 | 4:51.35 | 158830 | 180689
14 | 40:09.15 | 6:41.00 | 180690 | 210764
15 | 46:50.15 | 2:44.07 | 210765 | 223071
16 | 49:34.22 | 3:10.50 | 223072 | 237371
17 | 52:44.72 | 3:37.38 | 237372 | 253684
18 | 56:22.35 | 2:06.37 | 253685 | 263171
19 | 58:28.72 | 3:09.08 | 263172 | 277354
20 | 61:38.05 | 2:00.10 | 277355 | 286364
21 | 63:38.15 | 4:10.72 | 286365 | 305186
Range status and errors
Selected range
Filename D:\EAC\Durante - Lamentationes Jeremiae Prophetae, Neumann.wav
Peak level 96.8 %
Extraction speed 5.1 X
Range quality 100.0 %
Test CRC 9A74D3BC
Copy CRC 9A74D3BC
Copy OK
No errors occurred
AccurateRip summary
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[6717861e] (8/8) Accurately ripped
==== Log checksum E30573BFBB5569AEFB48714852A8B8C3A26F04D77DF86693E43AAACDE317B666 ====

Содержание индексной карты (.CUE)

REM GENRE "Chorus Sacred"
REM DATE 1994
REM DISCID 2F0FE515
REM COMMENT "ExactAudioCopy v1.0b3"
CATALOG 0000000000000
PERFORMER "Durante"
TITLE "Lamentationes Jeremiae Prophetae, Neumann"
FILE "Durante - Lamentationes Jeremiae Prophetae, Neumann.ape" WAVE
TRACK 01 AUDIO
TITLE "I. Largo: De lamentatione"
PERFORMER "Durante"
ISRC DEB209532501
INDEX 01 00:00:00
TRACK 02 AUDIO
TITLE "II. Andante: Misericordiae Domini"
PERFORMER "Durante"
ISRC DEB209532502
INDEX 01 03:45:27
TRACK 03 AUDIO
TITLE "III. Tempo giusto: Heth. Novi diluculo"
PERFORMER "Durante"
ISRC DEB209532503
INDEX 00 06:04:27
INDEX 01 06:04:45
TRACK 04 AUDIO
TITLE "IV. Andante: Teth. Bonus est"
PERFORMER "Durante"
ISRC DEB209532504
INDEX 00 10:14:57
INDEX 01 10:16:52
TRACK 05 AUDIO
TITLE "V. Recitativo: Iod. Sedebit solitarius"
PERFORMER "Durante"
ISRC DEB209532505
INDEX 00 13:53:00
INDEX 01 13:53:05
TRACK 06 AUDIO
TITLE "VI. Largo assa: Iod."
PERFORMER "Durante"
ISRC DEB209532506
INDEX 01 14:49:20
TRACK 07 AUDIO
TITLE "VII. Andante: Dabit percutienti"
PERFORMER "Durante"
ISRC DEB209532507
INDEX 01 15:44:35
TRACK 08 AUDIO
TITLE "VIII. Largo: Jerusalemn, convertere"
PERFORMER "Durante"
ISRC DEB209532508
INDEX 00 17:41:05
INDEX 01 17:41:65
TRACK 09 AUDIO
TITLE "I. Larghetto: Aleph. Quomodo obscuratum"
PERFORMER "Durante"
ISRC DEB209532509
INDEX 00 22:21:10
INDEX 01 22:28:37
TRACK 10 AUDIO
TITLE "II. Allegro forte: Sed & lamiae"
PERFORMER "Durante"
ISRC DEB209532510
INDEX 01 26:57:07
TRACK 11 AUDIO
TITLE "III. Andante comodo: He. Qui vescebatur"
PERFORMER "Durante"
ISRC DEB209532511
INDEX 00 29:53:12
INDEX 01 29:54:00
TRACK 12 AUDIO
TITLE "IV. Allgero assai: E maior effevta est"
PERFORMER "Durante"
ISRC DEB209532512
INDEX 01 33:03:70
TRACK 13 AUDIO
TITLE "V. Largo: Jerusalem, convertere"
PERFORMER "Durante"
ISRC DEB209532513
INDEX 00 35:15:50
INDEX 01 35:17:55
TRACK 14 AUDIO
TITLE "I. Poco largo: Incipit oraio"
PERFORMER "Durante"
ISRC DEB209532514
INDEX 00 40:00:27
INDEX 01 40:09:15
TRACK 15 AUDIO
TITLE "II. Largo comodo: Pupilli facti sumus"
PERFORMER "Durante"
ISRC DEB209532515
INDEX 00 46:49:72
INDEX 01 46:50:15
TRACK 16 AUDIO
TITLE "III. Poco largo: Recordare Domine"
PERFORMER "Durante"
ISRC DEB209532516
INDEX 00 49:33:30
INDEX 01 49:34:22
TRACK 17 AUDIO
TITLE "IV. Andante: Patres nostri"
PERFORMER "Durante"
ISRC DEB209532517
INDEX 00 52:44:62
INDEX 01 52:44:72
TRACK 18 AUDIO
TITLE "V. Andate: Pellis nostra"
PERFORMER "Durante"
ISRC DEB209532518
INDEX 01 56:22:35
TRACK 19 AUDIO
TITLE "VI. Poco largo: Recordare Domine"
PERFORMER "Durante"
ISRC DEB209532519
INDEX 00 58:28:22
INDEX 01 58:28:72
TRACK 20 AUDIO
TITLE "VII. Largo: Mulieres in Sion humiliaverunt"
PERFORMER "Durante"
ISRC DEB209532520
INDEX 00 61:37:32
INDEX 01 61:38:05
TRACK 21 AUDIO
TITLE "VIII. Tempo giusto Lamentovole: Jerusalme, convertere"
PERFORMER "Durante"
ISRC DEB209532521
INDEX 00 63:37:72
INDEX 01 63:38:15
Доп. информация:
Francesco Durante was a leading light among a gifted generation of Neapolitan composers that included Leonardo Leo, Nicola Porpora and Leonardo Vinci.
Unlike these, however, Durante never turned his skill towards opera, preferring sacred musical forms, cantatas and chamber vocal duets for which he was much praised by Burney and others.
Eight concerti grossi and a harpsichord concerto further testify to Durante’s imaginative compositional flair.
The Lamentations of the Prophet Jeremiah, three in all, were probably composed in 1751, towards the end of Durante’s life.
They are a far cry from the earlier Italian lamentazioni, more closely resembling in their richly scored, vocally virtuosic arias sections of oratorio.
These concertante pieces are striking above all for their stylistic variety. Harmonies are bold, sometimes daring and often wonderfully expressive, as in the opening section of the Third Lamentation or in the opening “De Lamentatione” of the First.
Here the music is full of pathos, imaginatively scored and sympathetically inclined towards the voice.
Each Lamentation has its own distinctive colouring, the First for soprano with pairs of flutes and horns with strings, the Second for soprano, alto and strings, and the Third for soprano, alto, tenor and bass soloists with four-part choir, two horns and strings.
This last Lamentation is particularly impressive for the way in which Durante intersperses and blends older contrapuntal disciplines with up-to-the-minute galant gestures resonantly proclaimed by the intermittent presence of the two concertante horns.
When confronted with pieces such as this, it is not difficult to understand the praise lavished upon Durante by contemporaries such as Rousseau, who described him as “the greatest harmonist in Italy that is, in the whole world”.
Well he would, I suppose, having been roundly snubbed by Rameau several years earlier.
The performances are rather good, with an excellent period-instrument band, a responsive though not always incisive choir and mostly stylish soloists.
Soprano Monika Frimmer does not always sound comfortable in the execution of ornaments but the vocal quality is pleasing and her intonation reliable.
In the First Lamentation she shares the work with soprano Mechthild Bach who in turn shares the Second Lamentation with contralto Margarete Joswig.
Director Peter Neumann infuses the music with fervour, attending to the many nuances that exist in Durante’s setting of the texts.
An unusual and stimulating release, well recorded and painstakingly documented.
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