(Opera) Strauss - Feuersnot (Weikenmeier, Proebstl, Bjoner, Kasper, Walter - Sinfonieorchester des Kolner Rundfunks, Keilberth) • Bonus: Ingrid Bjoner sings Richard Strauss (Salome, Elektra, Daphne, Capriccio) - 1999, APE (image+.cue) lossless


 

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Richard Strauss - Feuersnot, Op. 50
Жанр: Opera
Страна-производитель диска: Germany
Год издания диска: 1999
Издатель (лейбл): Gala
Номер по каталогу: GL 100.540
Дата записи: 1961-1965
Аудиокодек: APE
Тип рипа: image+.cue
Битрейт аудио: lossless
Продолжительность: 73'55+67'00
Источник: собственный рип
Наличие сканов в содержимом раздачи: да
Треклист:
CD1
1. Gebts uns a Holz zum Subendfeuer
2. Lassts den seltsamen Nachbarn
3. Ihr Kindlein, ungestume
4. Dass ich den Zauber lerne
5. Pfuch! Schamts euch, Junker Ubermut!
6. Pocksziegel! Welch wust Gelarm
7. Feuersnot! Minnegebot!
8. Mittsommernacht! Wehvolle Wacht
9. Leise, leise lasst uns schauen
10. Höllenspuk! Satanstrug!
11. Oh weh, Herr Schweiker von Gundelfing
CD2
1. Habt Ihr's gehort?
2. Zwischenspiel und Finale
Исполнители:
Richard Strauss - Feuersnot, Op. 50
Diemut - Ingrid Bjöner, soprano
Kunrad - Marcel Cordes, baritone
Ortlof Sentlinger - Max Proebstl, bass
Kunz Gilgenstock - Fritz Ollendorf
Schweiker von Gundelfingen - Albert Weikenmeier, tenor
Elsbeth - Eva Kasper, soprano
Wigelis - Hildegard Walter
Margret - Käthe Möller-Siepermann, voice
Jörg Pöschel - Samuel van Drusen
Hämerlein - Günter Reich
Kofel - Heiner Horn
Ortlieb Tulbeck - Jürgen Fürster
Ursula - Helga Jenckel
Ruger Aspeck - Walter Jenckel
Walpurg - Lilli Santer
Chor des Kölner Rundfunks
Orchester des Kölner Rundfunks
Conductor Joseph Keilberth 1965
Performed in German
Bonus: Ingrid Bjöner sings Richard Strauss
3. Salome: Ah! Du wolltest mich nicht deinen Mund kussen lassen, Jochanaan
Orchester der Staatsoper Berlin
Hannes Richrath 1961
4. Elektra: Elektra!....Ich kan nicht sitzen und ins Dunkel starren wie du
Philharmonisches Staatsorchester Hamburg
Leopold Ludwig 1967
5. Daphne: O wie gerne blieb ich bei dir, mein lieber Baum...O mein Leukippos
Orchester des Düsseldorfer Opernhauses
Arnold Quennet 1961
6. Capriccio: Morgen mittag um elf!
Orchester des WDR
Richard Kraus 1962

Лог создания рипа

CD1

Exact Audio Copy V1.0 beta 3 from 29. August 2011
EAC extraction logfile from 9. November 2014, 14:11
Strauss / Feuersnot, Keilberth CD1
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Null samples used in CRC calculations : Yes
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Quality : High
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TOC of the extracted CD
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2 | 4:47.69 | 6:02.01 | 21594 | 48744
3 | 10:49.70 | 8:50.50 | 48745 | 88544
4 | 19:40.45 | 1:49.17 | 88545 | 96736
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7 | 31:21.42 | 2:27.15 | 141117 | 152156
8 | 33:48.57 | 13:21.05 | 152157 | 212236
9 | 47:09.62 | 10:47.28 | 212237 | 260789
10 | 57:57.15 | 5:10.27 | 260790 | 284066
11 | 63:07.42 | 10:46.23 | 284067 | 332539
Range status and errors
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Filename D:\EAC\Strauss - Feuersnot, Keilberth CD1.wav
Peak level 99.9 %
Extraction speed 3.4 X
Range quality 99.9 %
Test CRC 46FA0811
Copy CRC 46FA0811
Copy OK
No errors occurred
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[8b8499e7] (3/3) Accurately ripped
==== Log checksum 3E71F92182763FA08EB39C5DDBE2F39D2FF7A62437A96BA8EF461C57EDED8CE5 ====

CD2

Exact Audio Copy V1.0 beta 3 from 29. August 2011
EAC extraction logfile from 9. November 2014, 14:16
Strauss / Feuersnot, Keilberth CD2
Used drive : TSSTcorpCDDVDW SE-208AB Adapter: 1 ID: 0
Read mode : Secure
Utilize accurate stream : Yes
Defeat audio cache : Yes
Make use of C2 pointers : No
Read offset correction : 6
Overread into Lead-In and Lead-Out : No
Fill up missing offset samples with silence : Yes
Delete leading and trailing silent blocks : No
Null samples used in CRC calculations : Yes
Used interface : Native Win32 interface for Win NT & 2000
Used output format : Monkey's Audio Lossless Encoder
Selected bitrate : High Lossless Compression
Quality : High
Add ID3 tag : Yes
Command line compressor : C:\Program Files (x86)\Exact Audio Copy\MAC\MAC.exe
TOC of the extracted CD
Track | Start | Length | Start sector | End sector
---------------------------------------------------------
1 | 0:00.00 | 6:54.15 | 0 | 31064
2 | 6:54.15 | 6:53.07 | 31065 | 62046
3 | 13:47.22 | 15:35.63 | 62047 | 132234
4 | 29:23.10 | 8:59.60 | 132235 | 172719
5 | 38:22.70 | 13:00.22 | 172720 | 231241
6 | 51:23.17 | 15:35.55 | 231242 | 301421
Range status and errors
Selected range
Filename D:\EAC\Strauss - Feuersnot, Keilberth CD2.wav
Peak level 99.9 %
Extraction speed 2.0 X
Range quality 100.0 %
Test CRC 3E02EF39
Copy CRC 3E02EF39
Copy OK
No errors occurred
AccurateRip summary
Track 1 accurately ripped (confidence 1) [87BFA192] (AR v2)
Track 2 accurately ripped (confidence 1) [1B647B0E] (AR v2)
Track 3 accurately ripped (confidence 1) [057B737D] (AR v2)
Track 4 accurately ripped (confidence 1) [B886F398] (AR v2)
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==== Log checksum B2A4E50EED35E7EDA8CDB2D7E1FEF61E6046E8B208D38F4373512083C65012A6 ====

Содержание индексной карты (.CUE)

CD1

REM GENRE Opera
REM DATE 1965
REM DISCID A011510B
REM COMMENT "ExactAudioCopy v1.0b3"
CATALOG 0000000000000
PERFORMER "Strauss"
TITLE "Feuersnot, Keilberth CD1"
FILE "Strauss - Feuersnot, Keilberth CD1.ape" WAVE
TRACK 01 AUDIO
TITLE "Gebts uns a Holz zum Subendfeuer"
PERFORMER "Strauss"
INDEX 01 00:00:00
TRACK 02 AUDIO
TITLE "Lassts den seltsamen Nachbarn"
PERFORMER "Strauss"
INDEX 01 04:47:69
TRACK 03 AUDIO
TITLE "Ihr Kindlein, ungestume"
PERFORMER "Strauss"
INDEX 01 10:49:70
TRACK 04 AUDIO
TITLE "Dass ich den Zauber lerne"
PERFORMER "Strauss"
INDEX 01 19:40:45
TRACK 05 AUDIO
TITLE "Pfuch! Schamts euch, Junker Ubermut!"
PERFORMER "Strauss"
INDEX 01 21:29:62
TRACK 06 AUDIO
TITLE "Pocksziegel! Welch wust Gelarm"
PERFORMER "Strauss"
INDEX 01 26:53:67
TRACK 07 AUDIO
TITLE "Feuersnot! Minnegebot!"
PERFORMER "Strauss"
INDEX 01 31:21:42
TRACK 08 AUDIO
TITLE "Mittsommernacht! Wehvolle Wacht"
PERFORMER "Strauss"
INDEX 01 33:48:57
TRACK 09 AUDIO
TITLE "Leise, leise lasst uns schauen"
PERFORMER "Strauss"
INDEX 01 47:09:62
TRACK 10 AUDIO
TITLE "Höllenspuk! Satanstrug!"
PERFORMER "Strauss"
INDEX 01 57:57:15
TRACK 11 AUDIO
TITLE "Oh weh, Herr Schweiker von Gundelfing"
PERFORMER "Strauss"
INDEX 01 63:07:42

CD2

REM GENRE Opera
REM DATE 1965
REM DISCID 4C0FB206
REM COMMENT "ExactAudioCopy v1.0b3"
CATALOG 0000000000000
PERFORMER "Strauss"
TITLE "Feuersnot, Keilberth CD2"
FILE "Strauss - Feuersnot, Keilberth CD2.ape" WAVE
TRACK 01 AUDIO
TITLE "Habt Ihr's gehort?"
PERFORMER "Strauss"
INDEX 01 00:00:00
TRACK 02 AUDIO
TITLE "Zwischenspiel und Finale"
PERFORMER "Strauss"
INDEX 01 06:54:15
TRACK 03 AUDIO
TITLE "Salome: Ah! Du wolltest mich nicht deinen Mund kussen lassen, Jochanaan"
PERFORMER "Strauss"
INDEX 00 13:44:12
INDEX 01 13:47:22
TRACK 04 AUDIO
TITLE "Elektra: Elektra!....Ich kan nicht sitzen und ins Dunkel starren wie du"
PERFORMER "Strauss"
INDEX 00 29:20:00
INDEX 01 29:23:10
TRACK 05 AUDIO
TITLE "Daphne: O wie gerne blieb ich bei dir, mein lieber Baum...O mein Leukippos"
PERFORMER "Strauss"
INDEX 00 38:19:60
INDEX 01 38:22:70
INDEX 02 42:31:55
TRACK 06 AUDIO
TITLE "Capriccio: Morgen mittag um elf!"
PERFORMER "Strauss"
INDEX 00 51:20:07
INDEX 01 51:23:17
Доп. информация:
At the outset of his career, Richard Strauss 'was, like many German composers of his generation, highly influenced by Richard Wagner, whose operas had made an enormous impression on rhe music world.
Strauss's first opera, Guntram ( http://teatrix.ru/viewtopic.php?t=4332381 ), was practically an exercise in Wagnerian style.
lts 1894 premiere in Munich, however, was a grand fiasco, and Strauss took his hometown's rejection as an affront both to himself and to his idol.
His second operatic attempt, Feuersnot (Literally "fire-famine"), is an ironic, somewhat ribald riposte, in which Strauss appears to be trying to retaliate against the city that insulted him.
By 1901, however, Strauss was somewhat at odds with Wagner's ideas, and the score of Feuersnot is full of overtly Wagnerian touches and quotes that seem to parody, more than to honor, his predecessor.
The librettist for the opera was Ernst von Wolzogen, another Münchener, who had recently founded the Berlin 'Überbrettl' cabaret, for which Schoenberg would compose his Brettl-Lieder.
Based on an old Durch tale, Feuersnot is set in 12th-century Munich.
The story centers on Kunrad, a student of magic who is studying the teachings of an old wizard. (This is the first of many Strauss romantic baritones who appear to be a persona of the composer, while the wizard may be seen as Wagner.)
On the day of the summer solstice, Kunrad emerges from his Studies, sees and becomes smitten by Diemut, the beautiful and proper daughter of the Burgomaster.
He decides to abandon his books in favor of sensual pursuits, and in front of the whole town, steals a kiss from her.
The shocked girl runs home and locks herself in, while the townsfolk disperse to the Midsummer bonfire, which is distantly visible.
Left alone, Kunrad muses on fire, magic, and love; hearing a call from Diemut's balcony, he renews his wooing.
Diernut seerns to relent, and the two of them sing a rapturous duet.
She agrees to hoist him up to her balcony in a laundry basket, but spitefully leaves him hanging in midair, to the uproarious delight of the returning burghers.



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