[TR24][OF] Johannes Brahms - Serenades (Gewandhausorchester Leipzig, Riccardo Chailly) - 2015 (Classical)


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Johannes Brahms
Serenades
Gewandhausorchester Leipzig, Riccardo Chailly
- Год издания: 2015
Жанр: Classical
Издатель (лейбл): Decca
Продолжительность: 01:05:18
Наличие сканов: Sleeve, Digital Booklet
- -
Johannes Brahms (1833-1897)
Serenade No.1 in D Major, Op.11
01. 1. Allegro molto (11:31)
02. 2. Scherzo (Allegro non troppo) - Trio (Poco più moto) (6:29)
03. 3. Adagio non troppo (9:57)
04. 4. Menuetto I-II (3:42)
05. 5. Scherzo (Allegro) (2:19)
06. 6. Rondo (Allegro) (5:09)
Serenade No.2 in A Major, Op.16
07. 1. Allegro moderato (7:04)
08. 2. Scherzo (Vivace) (2:33)
09. 3. Adagio non troppo (6:28)
10. 4. Quasi menuetto - Trio (4:37)
11. 5. Rondo (Allegro) (5:29)

-
Gewandhausorchester Leipzig
Riccardo Chailly, conductor
Recording Location: Gewandhaus zu Leipzig, 22–24, 29 & 30 May 2014
-Контейнер: FLAC (*.flac)
Тип рипа: tracks
Разрядность: 24bit / 96kHz
Количество каналов: 2.0
-О релизе
Following the ‘Gramophone Record of the Year’ award-winning set of the Brahms Symphonies, Riccardo Chailly turns his “rare talent for transforming music ripe for rediscovery” to Brahms’s Serenades. This exquisite recording renews these unjustly neglected and rarely performed works in performances of “trademark clarity” (Gramophone Record of the Year 2014) and marks the first Decca recording of these works since Kertesz in 1968.
Riccardo Chailly and the Gewandhaus Orchestra take another significant step in an extraordinary musical journey with the release of the two Brahms Serenades. The Serenades have been unjustly neglected and are rarely heard in concert, making them perfect repertoire for Chailly’s enquiring mind. Widely respected as a conductor with a “rare talent for transforming music ripe for rediscovery” (Gramophone), his reading of the Serenades fits with his philosophy that “all music must aspire to be ‘new music’ again”. The recording follows Chailly’s multi-award-winning sets of the Brahms and Beethoven symphonies.
Chailly’s radical approach to the symphonies produced a recording of “trademark clarity” according to Gramophone, which made the set its “Record of the Year 2014”. It also won aBBC Music Magazine Award, the jury commenting: “Chailly combines fiery athleticism with the warmly blended tonalities of the wonderful Leipzig orchestra. The results tingle with immediacy and a pulsating sense of momentum.” Now Chailly brings the same questing spirit to the Serenades. The release highlights the importance of this repertoire in Brahms’s evolution as a composer and orchestrator, making a significant statement and allowing the Serenades to emerge from the shadow of the symphonies. Newly reassessed as substantial masterworks in their own right, they show Brahms in an unexpected light: the Op. 11 offering “a brightness, waggishness and humour that would later become rare in Brahms,” in the words of musicologist Peter Korfmacher, while the Op. 16 Serenade is exotically scored for just wind and lower strings, creating a sense of pleasant shade rather than darkness. With playing that is multifaceted, multi-coloured light and delicate. “The double-bass jokes can generate their wit, the music swings, and the colours glow,” says Chailly.
With his extraordinary attention to detail and keen ear for musical nuance, Riccardo Chailly really gets to the heart of this richly rewarding music. This is the first Decca recording of these works since István Kertész recorded them in 1968. It is a worthy successor to another great Brahmsian and a historic recording which will bring new life to concert-hall rarities that are ripe for rediscovery.
“For an orchestra as steeped in the Austro-German tradition as the Gewandhaus is, playing Brahms has always been part of its raison d’être. But Chailly brings a different perspective: as with Beethoven, Mendelssohn and Mahler, his approach is both mindful of the performing traditions and critical of them in the best, most constructive way. His Brahms is neither massive nor self-consciously sculpted, but still totally coherent.” (The Guardian)

ОтчётыДинамический диапазон

foobar2000 1.2.2 / Dynamic Range Meter 1.1.1
log date: 2015-02-04 14:59:06
--------------------------------------------------------------------------------
Analyzed: Gewandhausorchester Leipzig, Riccardo Chailly / Brahms: Serenades
--------------------------------------------------------------------------------
DR Peak RMS Duration Track
--------------------------------------------------------------------------------
DR12 -0.35 dB -17.34 dB 11:31 ?-Serenade No.1 in D Major, Op.11: 1. Allegro molto
DR15 -0.73 dB -22.76 dB 6:29 ?-Serenade No.1 in D Major, Op.11: 2. Scherzo (Allegro non troppo) - Trio (Poco più moto)
DR14 -3.29 dB -23.59 dB 9:57 ?-Serenade No.1 in D Major, Op.11: 3. Adagio non troppo
DR13 -10.75 dB -30.17 dB 3:42 ?-Serenade No.1 in D Major, Op.11: 4. Menuetto I-II
DR12 -0.43 dB -16.51 dB 2:19 ?-Serenade No.1 in D Major, Op.11: 5. Scherzo (Allegro)
DR12 -0.35 dB -17.14 dB 5:09 ?-Serenade No.1 in D Major, Op.11: 6. Rondo (Allegro)
DR13 -7.05 dB -25.42 dB 7:04 ?-Serenade No.2 in A Major, Op.16: 1. Allegro moderato
DR13 -4.57 dB -23.00 dB 2:33 ?-Serenade No.2 in A Major, Op.16: 2. Scherzo (Vivace)
DR14 -5.86 dB -25.55 dB 6:28 ?-Serenade No.2 in A Major, Op.16: 3. Adagio non troppo
DR13 -10.48 dB -28.03 dB 4:37 ?-Serenade No.2 in A Major, Op.16: 4. Quasi menuetto - Trio
DR14 -2.25 dB -22.86 dB 5:29 ?-Serenade No.2 in A Major, Op.16: 5. Rondo (Allegro)
--------------------------------------------------------------------------------
Number of tracks: 11
Official DR value: DR13
Samplerate: 96000 Hz
Channels: 2
Bits per sample: 24
Bitrate: 2408 kbps
Codec: FLAC
================================================================================

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