(Opera) Kienzl - Don Quixote (Mohr, Breedt, Wagner, Lindsley, Aschenbach - Rundfunkchor & Sinfonieorchester Berlin, Kuhn) - 2002, APE (image+.cue) lossless


 

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Wilhelm Kienzl - Don Quixote op. 50
Жанр: Opera
Страна-производитель диска: Germany
Год издания диска: 2002
Издатель (лейбл): CPO
Номер по каталогу: 999 873-2
Дата записи: 1998
Аудиокодек: APE
Тип рипа: image+.cue
Битрейт аудио: lossless
Продолжительность: 67'27+61'16+72'50
Источник: собственный рип
Наличие сканов в содержимом раздачи: да
Треклист:

CD1

1. Act I Scene 1: Introduction: Elender, das sollst du bussen!
2. Act I Scene 2: Wacht auf, wacht auf, mein guter Ohm
3. Act I Scene 3: Bei Tirante lasst sich's leben
4. Act I Scene 4: O edler Herr, nicht werd'ich mich erheben
5. Act I Scene 5: Interlude: The King's Vigil
6. Act I Scene 6: Pst! Pst! - Interlude: Don Quixotes traurige Heimkehr
7. Act I Scene 7: Was habt ihr, Herr
8. Act I Scene 8: Was steht zu Diensten Eurer Hoheit?
9. Act I Scene 9: Fahr hin, du Schurke
10. Act I Scene 10: Mit List muss es mir doch gelingen?
11. Act I Scene 11: Finale: Wie, du gehst?

CD2

1. Act II Scene 1: Introduction: Nun, wie steht es, Haushofmeister
2. Act II Scene 2: Don Quixote von der Mancha
3. Act II Scene 3: Seht hier von Tanzen die erlesne Schaar
4. Act II Scene 4: Was ist das?
5. Act II Scene 5: Seht, den edlen Ritter fortzutragen
6. Act II Scene 6: Ach, ich schwor es beim Herodes
7. Act II Scene 7: Sei gegrusst uns, Don Quixote

CD3

1. Act III Scene 1: In dieser Stunde noch muss er hier vorbei
2. Act III Scene 2: Los, Kameraden
3. Act III Scene 3: Dort in jenem oden Orte
4. Act III Scene 4: Hehrste Konigin der Schonheit
5. Act III Scene 5: Amor, denke ich der Pein
6. Act III Scene 6: Hocherhab'ner und beruhmter
7. Act III Scene 7: Zu deinem Heil
8. Act III Scene 8: Postlude: Ach, dass zu spat wir kommen sollten
Исполнители:
Wilhelm Kienzl - Don Quixote op. 50
Musical Tragicomedy in 3 Acts
Libretto: Wilhelm Kienzl
Alonzo Quixano - Thomas Mohr, baritone
Mercedes - Michelle Breedt, mezzo-soprano
Sancho Pansa - James Wagner, tenor
The Duchess - Celina Lindsley, soprano
The Duke - Hans Aschenbach, tenor
Don Clovyo - Thomas Hay, bass
Corrasco - Matthias Henneberg, baritone
Rundfunkchor Berlin
Rundfunk-Sinfonieorchester Berlin
Gustav Kuhn

Лог создания рипа

CD1

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CD2

Exact Audio Copy V1.0 beta 3 from 29. August 2011
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CD3

Exact Audio Copy V1.0 beta 3 from 29. August 2011
EAC extraction logfile from 1. March 2015, 16:55
Kienzl / Don Quixote, Kuhn CD3
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Fill up missing offset samples with silence : Yes
Delete leading and trailing silent blocks : No
Null samples used in CRC calculations : Yes
Used interface : Native Win32 interface for Win NT & 2000
Used output format : Monkey's Audio Lossless Encoder
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Содержание индексной карты (.CUE)

CD1

REM GENRE Opera
REM DATE 1998
REM DISCID A60FCD0B
REM COMMENT "ExactAudioCopy v1.0b3"
CATALOG 0761203987320
PERFORMER "Kienzl"
TITLE "Don Quixote, Kuhn CD1"
FILE "Kienzl - Don Quixote, Kuhn CD1.ape" WAVE
TRACK 01 AUDIO
TITLE "Aufzug. Introduktion - 1. Sz.: Elender, das sollst du büßen!"
PERFORMER "Kienzl"
ISRC DEB209883701
INDEX 00 00:00:00
INDEX 01 00:00:35
TRACK 02 AUDIO
TITLE "Sz.: Wacht auf, wacht auf, mein guter Ohm"
PERFORMER "Kienzl"
ISRC DEB209883702
INDEX 01 07:00:60
TRACK 03 AUDIO
TITLE "Sz.: Bei Tirante läßt sich's leben"
PERFORMER "Kienzl"
ISRC DEB209883703
INDEX 01 14:14:65
TRACK 04 AUDIO
TITLE "Sz.: O edler Herr, nicht werd' ich mich erheben"
PERFORMER "Kienzl"
ISRC DEB209883704
INDEX 01 27:49:25
TRACK 05 AUDIO
TITLE "Szene. Orchesterzwischenspiel"
PERFORMER "Kienzl"
ISRC DEB209883705
INDEX 01 33:07:62
TRACK 06 AUDIO
TITLE "Sz.: Pst! Pst! - Interludium: Don Quixotes traurige Heimkehr"
PERFORMER "Kienzl"
ISRC DEB209883706
INDEX 01 37:11:30
TRACK 07 AUDIO
TITLE "Sz.: Was habt ihr, Herr"
PERFORMER "Kienzl"
ISRC DEB209883707
INDEX 01 41:57:70
TRACK 08 AUDIO
TITLE "Sz.: Was steht zu Diensten Eurer Hoheit?"
PERFORMER "Kienzl"
ISRC DEB209883708
INDEX 01 49:04:05
TRACK 09 AUDIO
TITLE "Sz.: Fahr hin, du Schurke"
PERFORMER "Kienzl"
ISRC DEB209883709
INDEX 01 50:51:00
TRACK 10 AUDIO
TITLE "Sz.: Mit List muß es mir doch gelingen?"
PERFORMER "Kienzl"
ISRC DEB209883710
INDEX 01 60:56:55
TRACK 11 AUDIO
TITLE "Sz. (Finale 1): Wie, du gehst?"
PERFORMER "Kienzl"
ISRC DEB209883711
INDEX 01 63:30:45

CD2

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REM DATE 1998
REM DISCID 5F0E5A07
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FILE "Kienzl - Don Quixote, Kuhn CD2.ape" WAVE
TRACK 01 AUDIO
TITLE "2.Aufzug. Introduktion - 1.Sz.:Nun, wie steht es, Haushofmeister?"
PERFORMER "Kienzl"
ISRC DEB209883712
INDEX 01 00:00:00
TRACK 02 AUDIO
TITLE "2. Sz.: Don Quixote von der Mancha"
PERFORMER "Kienzl"
ISRC DEB209883713
INDEX 01 05:54:12
TRACK 03 AUDIO
TITLE "3. Sz.: Seht hier von Tänzern die erlesne Schaar"
PERFORMER "Kienzl"
ISRC DEB209883714
INDEX 01 10:47:05
TRACK 04 AUDIO
TITLE "4. Sz.: Was ist das?"
PERFORMER "Kienzl"
ISRC DEB209883715
INDEX 01 25:25:00
TRACK 05 AUDIO
TITLE "5. Sz.: Seht, den edlen Ritter fortzutragen"
PERFORMER "Kienzl"
ISRC DEB209883716
INDEX 01 36:43:32
TRACK 06 AUDIO
TITLE "6. Sz.: Ach, ich schwör es beim Herodes"
PERFORMER "Kienzl"
ISRC DEB209883717
INDEX 01 46:16:62
TRACK 07 AUDIO
TITLE "7. Sz.: Sei gegrüßt uns, Don Quixote"
PERFORMER "Kienzl"
ISRC DEB209883718
INDEX 01 52:40:22

CD3

REM GENRE Classical
REM DATE 1998
REM DISCID 68111008
REM COMMENT "ExactAudioCopy v1.0b3"
CATALOG 0761203987320
PERFORMER "Kienzl"
TITLE "Don Quixote, Kuhn CD3"
FILE "Kienzl - Don Quixote, Kuhn CD3.ape" WAVE
TRACK 01 AUDIO
TITLE "3.Aufzug. Introduktion - 1.Sz.: In dieser Stunde noch muß er hier vorbei"
PERFORMER "Kienzl"
ISRC DEB209883719
INDEX 01 00:00:00
TRACK 02 AUDIO
TITLE "2. Sz.: Los, Kameraden!"
PERFORMER "Kienzl"
ISRC DEB209883720
INDEX 01 12:01:25
TRACK 03 AUDIO
TITLE "3. Sz.: Dort in jenem öden Orte"
PERFORMER "Kienzl"
ISRC DEB209883721
INDEX 01 15:34:07
TRACK 04 AUDIO
TITLE "4. Sz.: Hehrste Königin der Schönheit"
PERFORMER "Kienzl"
ISRC DEB209883722
INDEX 01 26:13:12
TRACK 05 AUDIO
TITLE "5. Sz.: Amor, denke ich der Pein"
PERFORMER "Kienzl"
ISRC DEB209883723
INDEX 01 34:06:32
TRACK 06 AUDIO
TITLE "6. Sz.: Hocherhab'ner und berühmter"
PERFORMER "Kienzl"
ISRC DEB209883724
INDEX 01 39:19:17
TRACK 07 AUDIO
TITLE "7. Sz.: Zu deinem Heil"
PERFORMER "Kienzl"
ISRC DEB209883725
INDEX 01 58:23:22
TRACK 08 AUDIO
TITLE "8. Sz.: Ach daß zu spät wir kommen sollten"
PERFORMER "Kienzl"
ISRC DEB209883726
INDEX 01 68:46:10
Доп. информация:
Wilhelm Kienzl was once very famous for his huge success Der Evangelimann, which at the moment doesn't seem to be commercially available apart from a DVD.
Enter the monstrous Don Quixote, a failure at its 1898 premiere - I guess CPO is the only record company that would even consider a project like this.
The orchestra requires almost ridiculous forces (including two harps, four guitars, eight trumpets and some less usual suspects (cow horns and castanets)).
I wish them all possible success with projects like this, however, especially when the result is as compelling as it is here.
Don Quixote is determinately anti-Wagnerian, and Kienzl appealed instead to classical elements when he eschewed such elements as leitmotifs.
Interestingly, the end result doesn't sound at all classical, but - you guessed it - arch-late-romantic, lushly, opulently scored and approximately as Mozartian as Bruckner - although there are obviously traces of Weber and Meyerbeer and Lortzing here.
Richard Strauss seems an obvious influence, were it not for the fact that Don Quixote predates all of Richard Strauss's operas with the exception of Guntram.
More importantly, it is a hugely enjoyable, atmospheric, colorful and inventive work, which mixes tragedy and comedy rather successfully to my ears, and - as you would expect from the scoring - many unusual textures, effects and touches.
The end result is in fact surprisingly cogent as well; it comes across as far less sprawling than you'd fear, with thorough, multi-dimensional character portraits and several extended, spectacular orchestral interludes, always well - even tastefully - scored, despite its voluptuous richness and opulence.
And just as importantly, it receives a very good performance.
Thomas Mohr in the title role has all the stamina and breadth of character required, but also provides some sensitive and really beautiful - radiant, even - singing.
James Wagner is a sympathetic Sancho Panza and Michelle Breedt is a more than satisfactory Mercedes; not always wielding a gorgeous tone, but overall impressive; Matthias Hennenberg as Carrasco has to go through a lot of unusual moves (including impersonation and falsetto singing) and does so admirably.
The smaller roles are also generally very good, and the Berlin Radio Orchestra and chorus provide all the lushness and vibrancy you could wish for under Gustav Kuhn's committed direction.
The sound quality is excellent, and so are the notes.
While this might not, in the end, be a masterpiece, it is thoroughly rewarding and enjoyable, and the set deserves all the success it can get.
Strongly recommended to any lover of late romantic opera.



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