[TR24][OF] Johan Brouwer - Johan Brouwer plays Bach, Böhm (Bohm), Couperin, Forqueray - 2014 (Classical, Harpsichord)

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Johan Brouwer
plays Bach, Böhm, Couperin, Forqueray
- Год издания: 2014
Жанр: Classical, Harpsichord
Издатель (лейбл): Aliud
Продолжительность: 01:10:38
Наличие сканов: Sleeve, Digital Booklet- -Контейнер: FLAC (*.flac)
Тип рипа: tracks
Разрядность: 24bit / 96kHz
Количество каналов: 2.0
Johan Brouwer, harpsichord
-ТреклистFrançois Couperin (1668-1733)
L’Art de toucher le clavecin
01. Premier Prélude (1:15)
02. Troisième Prélude (mesuré) (1:34)
03. Septième Prélude (mesuré-lent) (2:43)
La Superbe ou La Forqueray
04. La Superbe ou La Forqueray (fièrement- sans lenteur) (6:02)
Antoine Forqueray (1671-1745)
La Couperin
05. La Couperin (noblement et marqué) (5:11)
La Sylva
06. La Sylva (très tendrement) (6:39)
Georg Böhm (1661-1733)
Suite F-moll
07. Allemande (3:24)
08. Courante (1:25)
09. Sarabande (1:59)
10. Ciaconne (3:17)
Johann Sebastian Bach (1685-1750)
Ricercar a tre voci bwv 1079
11. Ricercar a tre voci (7:17)
French suite c-moll bwv 813
12. Allemande (4:02)
13. Courante (2:32)
14. Sarabande (4:01)
15. Air (1:51)
16. Menuet (2:26)
17. Gigue (3:11)
Präludium- Fuge & Allegro Es-Dur bwv 998
18. Präludium- Fuge & Allegro Es-Dur (11:50)

О релизе

Bach and the French baroque :: The working title of the programme is Bach and the French baroque. L’art de toucher le clavecin by François Couperin (1668-1733) was published in 1716 as a manual for the French style and gives important instructions for playing the harpsichord as regards finger positions and ornamentations. The préludes are written-out improvisations in the style of the Préludes non mésurée.
The Suites of Georg Böhm (1661-1733) were produced in an environment orientated towards France, like the court in German Celle, where the French consort of Duke Georg Wilhelm resided. After her husband’s death, she lived for some years in Lüneburg, where Böhm worked in the Johannis-Kirche. Besides the usual dances, the Suite in F Minor played here contains for instance a French Ciaconne.
Pascal Taskin :: The instrument played is a copy built by David Rubio (1979) after an instrument by Pascal Taskin (1769). The original instrument remained in the possession of the Taskin family until 1952, when it passed into the hands of Raymond Russell, founder of the famous Russell Collection in Edinburgh. Taskin had his workshop in Paris as successor to Etienne Blanchet. The chinoiserie was made by Ann MacTaggert after examples of instruments painted by Gerard Dagly. Dagly (1653-1714) was born in Spa and worked many years for the Prussian court in Berlin. My Rubio instrument was renovated in 2013 by Cornelis Bom (Nieuwolda), who introduced new strings with different measurements and a new intonation.
Johan Brouwer (1946) studied organ under Wim van Beek and music theory under Frans van Eeden at the Groningen Conservatory of music, then harpsichord at the Amsterdam Conservatory of music. After his soloist exam he took up further studies with Gustav Leonhardt. Johan Brouwer followed masterclasses by Ton Koopman, René Saorgin and os van Immerseel.Johan Brouwer has given concerts in the Netherlands, France, Portugal, England and Germany and as leader/harpsichordist formed part of the Groningen baroque orchestra Collegium Musicum, concentrating not just on the great traditional works of the baroque but also on unknown work from the 17th and 18th centuries. He also worked for a long time as conductor of the Winschoten Chamber Choir, with which he performed much 17th century music together with the Collegium Musicum Groningen.
Recorded: 2014

ОтчётыДинамический диапазон

foobar2000 1.2.2 / Dynamic Range Meter 1.1.1
log date: 2015-05-02 21:45:52
Analyzed: Johan Brouwer / Johan Brouwer plays Bach, Böhm, Couperin and Forqueray
DR Peak RMS Duration Track
DR11 -4.35 dB -18.06 dB 1:15 ?-L’Art de toucher le clavecin - Premier Prélude
DR10 -2.22 dB -14.32 dB 1:34 ?-L’Art de toucher le clavecin - Troisième Prélude (mesuré)
DR10 -3.01 dB -16.33 dB 2:43 ?-L’Art de toucher le clavecin - Septième Prélude (mesuré-lent)
DR12 -3.71 dB -18.47 dB 6:02 ?-La Superbe ou La Forqueray (fièrement- sans lenteur)
DR10 -1.09 dB -12.49 dB 5:11 ?-La Couperin (noblement et marqué)
DR11 -3.13 dB -16.97 dB 6:39 ?-La Sylva (très tendrement)
DR11 -1.29 dB -16.13 dB 3:24 ?-Suite F-moll - Allemande
DR10 -2.02 dB -12.99 dB 1:25 ?-Suite F-moll - Courante
DR11 -1.71 dB -16.39 dB 1:59 ?-Suite F-moll - Sarabande
DR11 -1.15 dB -14.05 dB 3:17 ?-Suite F-moll - Ciaconne
DR10 -1.51 dB -13.32 dB 7:17 ?-Ricercar a tre voci bwv 1079
DR10 -2.49 dB -15.18 dB 4:02 ?-French suite c-moll bwv 813 - Allemande
DR10 -0.95 dB -12.49 dB 2:32 ?-French suite c-moll bwv 813 - Courante
DR12 -2.98 dB -17.11 dB 4:01 ?-French suite c-moll bwv 813 - Sarabande
DR10 -1.29 dB -12.54 dB 1:51 ?-French suite c-moll bwv 813 - Air
DR12 -3.45 dB -16.99 dB 2:26 ?-French suite c-moll bwv 813 - Menuet
DR10 -1.41 dB -12.95 dB 3:11 ?-French suite c-moll bwv 813 - Gigue
DR10 -1.23 dB -13.73 dB 11:50 ?-Präludium- Fuge & Allegro Es-Dur bwv 998
Number of tracks: 18
Official DR value: DR11
Samplerate: 96000 Hz
Channels: 2
Bits per sample: 24
Bitrate: 3314 kbps
Codec: FLAC

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