(Oratorio) Graun - Der Tod Jesu (Cuccaro, Markus, Shirley-Quirk - RIAS-Kammerchor & Sinfonietta, Gronostay) - 2002, APE (image+.cue) lossless


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Carl Heinrich Graun - Der Tod Jesu
Жанр: Oratorio
Страна-производитель диска: Austria
Год издания диска: 2002
Издатель (лейбл): Koch Schwann
Номер по каталогу: 3-6771-2
Дата записи: 1994
Аудиокодек: APE
Тип рипа: image+.cue
Битрейт аудио: lossless
Продолжительность: 54'03+40'03
Источник: собственный рип
Наличие сканов в содержимом раздачи: да
Треклист:

CD1

1. Du, dessen Augen flossen (Jesus, your eyes wept)
2. Sein Odem ist schwach (His breath is faint)
3. Gethsemane! Gethsemane!
4. Du Held, auf den die Köcher (O hero, at whom death's arrow)
5. Wen hab ich sonst, als dich allein (Whom else have I but you alone)
6. Ach, mein Immanuel (Alas, my Emmanuel)
7. Ein Gebet um neue Stärke (A prayer for new strength)
8. Nun klingen Waffen (Now weapons clash)
9. Ihr weichgeschaff nen Seelen (O weak and feeble spirits)
10. Unsere Seele ist gebeuget (Our souls are bowed)
11. Ich will von meiner Missetat (I would turn from my wickedness)
12. Jerusalem, voll Mordlust (Jerusalem, thirsting for blood)
13. So steht ein Berg Gottes (Just as a mountain)
14. Christus hat uns ein Vorbild gelassen (Christ has left us an example)

CD2

1. Ich werde dir zu Ehren (To honour you)
2. Da steht der traurige, verhängnisvolle Pfahl (There stand the grim and fate cross)
3. Feinde, die ihr mich betrübt (Enemies who so afflict me)
4. Wer ist der Heilige (Who is the saintly one)
5. Singt dem göttlichen Propheten (Sing your thanks)
6. Freut euch alle, ihr Frommen (Rejoice, ye righteous)
7. Wie herrlich ist die neue Welt (How lovely is his new world)
8. Auf einmal fällt der aufgehalt'ne Schmerz (Then suddenly the pent-up pain)
9. Es steigen Seraphim (Behold the seraphim)
10. Ihr Augen weint (Weep, eyes)
11. Hier liegen wir gerührte Sünder (Here we lie, repentant sinners)
Исполнители:
Carl Heinrich Graun - Der Tod Jesu
Costanza Cuccaro, Soprano
Karl Markus, Tenor
John Shirley-Quirk, Bass
RIAS-Kammerchor
RIAS-Sinfonietta
Uwe Gronostay

Лог создания рипа

CD1

Exact Audio Copy V1.0 beta 3 from 29. August 2011
EAC extraction logfile from 29. December 2014, 12:05
Graun / Der Tod Jesu, Gronostay CD1
Used drive : TSSTcorpCDDVDW SE-208AB Adapter: 1 ID: 0
Read mode : Secure
Utilize accurate stream : Yes
Defeat audio cache : Yes
Make use of C2 pointers : No
Read offset correction : 6
Overread into Lead-In and Lead-Out : No
Fill up missing offset samples with silence : Yes
Delete leading and trailing silent blocks : No
Null samples used in CRC calculations : Yes
Used interface : Native Win32 interface for Win NT & 2000
Used output format : Monkey's Audio Lossless Encoder
Selected bitrate : High Lossless Compression
Quality : High
Add ID3 tag : Yes
Command line compressor : C:\Program Files (x86)\Exact Audio Copy\MAC\MAC.exe
TOC of the extracted CD
Track | Start | Length | Start sector | End sector
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Range status and errors
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Peak level 95.7 %
Extraction speed 4.5 X
Range quality 100.0 %
Test CRC FB686E49
Copy CRC FB686E49
Copy OK
No errors occurred
AccurateRip summary
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==== Log checksum FF5FA65292AA07DE2CFFB60A736D2BCC736C27D282C7E4D7079A3350C88B6C0E ====

CD2

Exact Audio Copy V1.0 beta 3 from 29. August 2011
EAC extraction logfile from 29. December 2014, 12:19
Graun / Der Tod Jesu, Gronostay CD2
Used drive : TS8XDVDSTRANSCEND Adapter: 1 ID: 1
Read mode : Secure
Utilize accurate stream : Yes
Defeat audio cache : Yes
Make use of C2 pointers : No
Read offset correction : 6
Overread into Lead-In and Lead-Out : No
Fill up missing offset samples with silence : Yes
Delete leading and trailing silent blocks : No
Null samples used in CRC calculations : Yes
Used interface : Native Win32 interface for Win NT & 2000
Used output format : Monkey's Audio Lossless Encoder
Selected bitrate : High Lossless Compression
Quality : High
Add ID3 tag : Yes
Command line compressor : C:\Program Files (x86)\Exact Audio Copy\MAC\MAC.exe
TOC of the extracted CD
Track | Start | Length | Start sector | End sector
---------------------------------------------------------
1 | 0:00.00 | 0:38.45 | 0 | 2894
2 | 0:38.45 | 2:31.12 | 2895 | 14231
3 | 3:09.57 | 9:52.38 | 14232 | 58669
4 | 13:02.20 | 2:15.50 | 58670 | 68844
5 | 15:17.70 | 6:14.00 | 68845 | 96894
6 | 21:31.70 | 2:19.05 | 96895 | 107324
7 | 23:51.00 | 1:14.65 | 107325 | 112939
8 | 25:05.65 | 2:35.02 | 112940 | 124566
9 | 27:40.67 | 2:39.63 | 124567 | 136554
10 | 30:20.55 | 4:46.12 | 136555 | 158016
11 | 35:06.67 | 4:57.08 | 158017 | 180299
Range status and errors
Selected range
Filename D:\EAC\Graun - Der Tod Jesu, Gronostay CD2.wav
Peak level 94.4 %
Extraction speed 1.7 X
Range quality 99.9 %
Test CRC 6F7E3221
Copy CRC 6F7E3221
Copy OK
No errors occurred
AccurateRip summary
Track 1 accurately ripped (confidence 2) [B427D6C2] (AR v1)
Track 2 accurately ripped (confidence 2) [C9C09803] (AR v1)
Track 3 accurately ripped (confidence 2) [876E2DE7] (AR v1)
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Track 11 accurately ripped (confidence 2) [7EDF3BD6] (AR v1)
All tracks accurately ripped
End of status report
---- CUETools DB Plugin V2.1.3
[CTDB TOCID: 5Kf57wXVxg9g03G1KfjtstrG_xw-] disk not present in database, Submit result: unrecognized or virtual drive
==== Log checksum 30CF251FA6C16FC8F5A3305DC83B75222BD179F83FE25B9CFA2828367D1F9244 ====

Содержание индексной карты (.CUE)

CD1

REM GENRE Oratorium
REM DATE 1984
REM DISCID C50CAF0E
REM COMMENT "ExactAudioCopy v1.0b3"
CATALOG 0099936771214
PERFORMER "Graun"
TITLE "Der Tod Jesu, Gronostay CD1"
FILE "Graun - Der Tod Jesu, Gronostay CD1.ape" WAVE
TRACK 01 AUDIO
TITLE "Titel 01 Choral Du dessen Augen flossen"
PERFORMER "Graun"
INDEX 01 00:00:00
TRACK 02 AUDIO
TITLE "Titel 02 Chor - Sein Odem ist schach"
PERFORMER "Graun"
INDEX 01 01:06:00
TRACK 03 AUDIO
TITLE "Titel 03 Accompagnato - Gethsemane"
PERFORMER "Graun"
INDEX 01 03:59:62
TRACK 04 AUDIO
TITLE "Titel 04 Arie - Du Held"
PERFORMER "Graun"
INDEX 01 07:05:32
TRACK 05 AUDIO
TITLE "Titel 05 Choral - Wen hab ich sonst"
PERFORMER "Graun"
INDEX 01 14:49:40
TRACK 06 AUDIO
TITLE "Titel 06 Rezitativ - Ach, mein Immanuel"
PERFORMER "Graun"
INDEX 01 15:51:12
TRACK 07 AUDIO
TITLE "Titel 07 Arie - Ein Gebet"
PERFORMER "Graun"
INDEX 01 18:05:02
TRACK 08 AUDIO
TITLE "Titel 08 Rezitativ - Nun klingen Waffen"
PERFORMER "Graun"
INDEX 00 26:11:05
INDEX 01 26:14:30
TRACK 09 AUDIO
TITLE "Titel 09 Arie - Ihr weichgeschaffnen Seelen"
PERFORMER "Graun"
INDEX 01 29:02:67
TRACK 10 AUDIO
TITLE "Titel 10 Chor - Unsere Seele ist gebeuget"
PERFORMER "Graun"
INDEX 01 37:25:27
TRACK 11 AUDIO
TITLE "Titel 11 Choral - Ich will von meiner Missetat"
PERFORMER "Graun"
INDEX 01 40:00:47
TRACK 12 AUDIO
TITLE "Titel 12 Rezitativ - Jerusalem"
PERFORMER "Graun"
INDEX 01 40:43:72
TRACK 13 AUDIO
TITLE "Titel 13 Arie - So steht ein Berg Gottes"
PERFORMER "Graun"
INDEX 01 44:47:12
TRACK 14 AUDIO
TITLE "Titel 14 Chor - Christus hat uns ein Vorbild gelassen"
PERFORMER "Graun"
INDEX 01 51:19:12

CD2

REM GENRE Oratorium
REM DATE 1984
REM DISCID 8509640B
REM COMMENT "ExactAudioCopy v1.0b3"
CATALOG 0099936771221
PERFORMER "Graun"
TITLE "Der Tod Jesu, Gronostay CD2"
FILE "Graun - Der Tod Jesu, Gronostay CD2.ape" WAVE
TRACK 01 AUDIO
TITLE "Titel 01 Choral - Ich werde dir zu Ehren"
PERFORMER "Graun"
INDEX 01 00:00:00
TRACK 02 AUDIO
TITLE "Titel 02 Rezitativ - Da steht der traurige"
PERFORMER "Graun"
INDEX 01 00:38:45
TRACK 03 AUDIO
TITLE "Titel 03 Duett - Feinde, die ihr mich betrübt"
PERFORMER "Graun"
INDEX 01 03:09:57
TRACK 04 AUDIO
TITLE "Titel 04 Rezitativ - Wer ist der Heilige"
PERFORMER "Graun"
INDEX 01 13:02:20
TRACK 05 AUDIO
TITLE "Titel 05 Arie - Singt dem göttlichen Propheten"
PERFORMER "Graun"
INDEX 01 15:17:70
TRACK 06 AUDIO
TITLE "Titel 06 Chor - Freut euch alle"
PERFORMER "Graun"
INDEX 01 21:31:70
TRACK 07 AUDIO
TITLE "Titel 07 Choral - Wie herrlich ist die neue Welt"
PERFORMER "Graun"
INDEX 01 23:51:00
TRACK 08 AUDIO
TITLE "Titel 08 Rezitativ - Auf einmal fällt"
PERFORMER "Graun"
INDEX 01 25:05:65
TRACK 09 AUDIO
TITLE "Titel 09 Accompagnato - Es steigen Seraphim"
PERFORMER "Graun"
INDEX 01 27:40:67
TRACK 10 AUDIO
TITLE "Titel 10 Choral - Ihr Augen weint"
PERFORMER "Graun"
INDEX 01 30:20:55
TRACK 11 AUDIO
TITLE "Titel 11 Schlusschor - Hier liegen wir"
PERFORMER "Graun"
INDEX 01 35:06:67
Доп. информация:
During his lifetime, Carl Heinrich Graun, a younger contemporary of Bach’s, was one of the best-known exponents of Italian opera in Germany. He achieved a reputation as a skilled composer, rising to the position of vice-Kapellmeister in Braunschweig. In time, King Frederick II, ‘The Great’, appointed Graun his court Kapellmeister. Graun became a leading figure in the renowned Berlin school that developed at Frederick the Great’s court, a school which also included his brother Johann Gottlieb, Kirnberger, Quantz, Benda ( http://teatrix.ru/viewtopic.php?t=4531869 )and Carl Philipp Emmanuel Bach ( http://teatrix.ru/viewtopic.php?t=4825803 ). Graun became most famous for his religious music, and above all for his Der Tod Jesu.
Der Tod Jesu forms part of the long Christian tradition of musical settings of the Passion story for the period before Easter. The text, compiled from the Gospels by Carl Wilhelm Ramler, was almost simultaneously set to music by Graun and Telemann, the two works receiving their premieres in March 1755. The stylistic differences of the two works are striking. Telemann represents the North-German, late-Baroque tradition, with all its complexity and preference for structure and colour. Graun, influenced by Italian opera, chose the path of lyricism and spontaneous melodies, using the harmonic language that had emerged from Classicism. In Der Tod Jesu we find fugal passages reminiscent of Bach; if a feeling of timelessness, an expression of higher things, is characteristic of Bach’s works, here personal expression gains the upper hand in a freer style.
The text includes no dialogues or dramatic personages such as an evangelist-narrator or soloists with assigned roles. Rather, the soloists alternate (also exceptionally joining for duets) to present a free version of an episode from the Passion story in a recitative, followed by a poetic reflection on these events in an aria. After one or two of these individual interventions, the choir makes its answer, crowned by a chorale that could be sung by the whole congregation.
The central position of the chorales was an important factor in the success of the work. Der Tod Jesu was so well received that it was performed again the following year on Good Friday, a tradition that was then maintained at the Berlin court until 1884. We are left only to wonder why Der Tod Jesu disappeared from the repertoire at the end of the nineteenth century. The appeal of the rediscovered Bach Passions perhaps proved impossible to counter.
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