(Classical, Cello) Julian Lloyd Webber, English Chamber Orchestra - And the Bridge Is Love (Elgar, Goodall, Delius, Walton, Ireland) - 2015, MP3 (tracks), 320 kbps

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Julian Lloyd Webber - And the Bridge Is Love
Жанр: Classical, Cello
Страна-производитель диска: Германия
Год издания: 2015
Аудиокодек: MP3
Тип рипа: tracks
Битрейт аудио: 320 kbps
Продолжительность: 1:10:05
Источник: lossless
Наличие сканов в содержимом раздачи: да
Edward Elgar (1857-1934)
01. Introduction and Allegro for Strings, Op.47 (14:01)
02. Sospiri, Op.70 (5:11)
William Lloyd Webber (1914-1982)
03. The Moon (4:32)
Howard Goodall (b. 1958)
04. And the Bridge Is Love (11:37)
Ralph Vaughan Williams (1872-1958)
05. The Charterhouse Suite: No.1 Prelude (1:42)
Edward Elgar
Serenade for Strings, Op.20
06. I. Allegro piacevole (3:31)
07. II. Larghetto (5:17)
08. III. Allegretto - Come prima (2:51)
Frederick Delius (1862-1934)
Two Aquarelles
09. No.1: Lento, ma non troppo (2:03)
10. No.2: Gaily, but not quick (1:55)
Edward Elgar
11. Chanson de nuit, Op.15 No.1 (4:29)
12. Chanson de matin, Op.15 No.2 (3:15)
William Walton (1902-1983)
Two Pieces for Strings from Henry V
13. Passacaglia: Death of Falstaff (3:08)
14. "Touch Her Soft Lips and Part" (1:46)
John Ireland (1879-1962)
15. A Downland Suite: No.3 Minuet (4:47)
Julian Lloyd Webber - cello, conductor
English Chamber Orchestra
Recorded at Watford Colosseum, Watford, Hertfordshire, UK on April 22-24, 2014.

Review by James Manheim

This recording, released in 2015, may be the final release to feature Julian Lloyd Webber as a cellist; neck injuries have forced him to make a transition to conducting, so the album, on which he appears in both capacities, is something of a milestone. It's a remarkably personal document, featuring a previously unrecorded work, The Moon, by Julian (and Andrew) Lloyd Webber's father and the title work by Howard Goodall, dedicated to a cellist who died at the age of 17. The best news, however, is that Lloyd Webber emerges as a solid talent with the baton, getting a big, distinctive sound out of the venerable English Chamber Orchestra in this set of exquisitely sentimental British string music. There are several more unusual pieces and world premieres here, including Elgar's Sospiri, Op. 70, performed with its original harmonium, and two Elgar "chansons" transcribed from violin-and-piano works. But he also does well with more familiar repertory, lending grace to Elgar's Tchaikovskian Serenade for strings, Op. 20, and weight to the Introduction and Allegro for strings, Op. 47. For an entire album of conservative British string orchestra music of the 20th and 21st centuries, Lloyd Webber realizes quite a variety of moods and keeps the orchestra under tight control in what must have been largely unfamiliar music, even in England. Recommended for those with the slightest sympathy toward English music.
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