(Contemporary Classical, Chamber Music) Morton Feldman - Two Pianos And Other Pieces, 1953-1969 (2CD) (John Tilbury, Philip Thomas) - 2014, FLAC (tracks+.cue) lossless


 

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Morton Feldman - Two Pianos And Other Pieces, 1953-1969 (2CD) (John Tilbury, Philip Thomas)
Жанр: Contemporary Classical, Chamber Music
Страна-производитель диска: UK
Год издания диска: 2014
Издатель (лейбл): Another Timbre
Номер по каталогу: at81x2
Дата записи: 27-29 June 2014
Аудиокодек: FLAC
Тип рипа: tracks+.cue
Битрейт аудио: lossless
Продолжительность: 02:14:50
Источник: найдено в сети
Наличие сканов в содержимом раздачи:
Треклист:

CD1

1-1 Two Pianos 10:00
1-2 Four Instruments 11:58
1-3 Vertical Thoughts 1 7:58
1-4 Between Categories 11:44
1-5 Piece For Two Pianos 14:37
1-6 Piano Four Hands 7:43

CD2

2-1 Intermission 6 3:05
2-2 De Kooning 12:51
Two Pieces For Three Pianos
2-3 Untitled 8:01
2-4 Untitled 9:56
2-5 Piano Three Hands 11:06
2-6 False Relationships And The Extended Ending 16:25
2-7 Two Pianos (Second Version) 9:23
Исполнители:
John Tilbury: piano (1.1 - 2.1, 2.3-2.7)
Philip Thomas: piano (1.1, 1.3-1.6, 2.1-2.7)
Anton Lukoszevieze: cello (1.2, 1.4, 2.2, 2.6)
Rodrigo Constanzo: chimes (1.2, 1.4, 2.6)
Mira Benjamin: violin (1.2, 1.4, 2.2, 2.6)
Seth Woods: cello (1.4)
Taneli Clarke: chimes (1.4), percussion (2.2)
Linda Jankowska: violin (1.4)
Catherine Laws: piano (1.5, 2.3, 2.4, 2.6)
Mark Knoop: piano (1.5)
Naomi Atherton: french horn (2.2)
Barrie Webb: trombone (2.6)

Лог создания рипаCD1

Exact Audio Copy V1.0 beta 3 from 29. August 2011
EAC extraction logfile from 15. November 2014, 16:06
Morton Feldman / Two Pianos and other pieces, 1953-1969
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Gap handling : Appended to previous track
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Command line compressor : C:\Program Files (x86)\Exact Audio Copy\Flac\flac.exe
Additional command line options : -8 -V -T "ARTIST=%artist%" -T "TITLE=%title%" -T "ALBUM=%albumtitle%" -T "DATE=%year%" -T "TRACKNUMBER=%tracknr1%" -T "GENRE=%genre%" -T "PERFORMER=%albuminterpret%" -T "COMPOSER=%composer%" %haslyrics%--tag-from-file=LYRICS="%lyricsfile%"%haslyrics% -T "ALBUMARTIST=%albumartist%" -T "DISCNUMBER=%cdnumber%" -T "TOTALDISCS=%totalcds%" -T "TOTALTRACKS=%numtracks%" -T "COMMENT=%comment%" %source% -o %dest%
TOC of the extracted CD
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1 | 0:00.00 | 9:59.26 | 0 | 44950
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Track 3
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Track 4
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Track 5
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Track 6
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End of status report
==== Log checksum B0C6F66EB2022D2A7767456F535F6EEDC201EC0BC4A63A1DE7C3E3ADF6997D46 ====

CD2

Exact Audio Copy V1.0 beta 3 from 29. August 2011
EAC extraction logfile from 15. November 2014, 16:43
Morton Feldman / Two Pianos and other pieces, 1953-1969
Used drive : HL-DT-STDVDRAM GT60N Adapter: 2 ID: 0
Read mode : Secure
Utilize accurate stream : Yes
Defeat audio cache : Yes
Make use of C2 pointers : No
Read offset correction : 103
Overread into Lead-In and Lead-Out : No
Fill up missing offset samples with silence : Yes
Delete leading and trailing silent blocks : No
Null samples used in CRC calculations : Yes
Used interface : Native Win32 interface for Win NT & 2000
Gap handling : Appended to previous track
Used output format : User Defined Encoder
Selected bitrate : 1024 kBit/s
Quality : High
Add ID3 tag : No
Command line compressor : C:\Program Files (x86)\Exact Audio Copy\Flac\flac.exe
Additional command line options : -8 -V -T "ARTIST=%artist%" -T "TITLE=%title%" -T "ALBUM=%albumtitle%" -T "DATE=%year%" -T "TRACKNUMBER=%tracknr1%" -T "GENRE=%genre%" -T "PERFORMER=%albuminterpret%" -T "COMPOSER=%composer%" %haslyrics%--tag-from-file=LYRICS="%lyricsfile%"%haslyrics% -T "ALBUMARTIST=%albumartist%" -T "DISCNUMBER=%cdnumber%" -T "TOTALDISCS=%totalcds%" -T "TOTALTRACKS=%numtracks%" -T "COMMENT=%comment%" %source% -o %dest%
TOC of the extracted CD
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1 | 0:00.00 | 3:05.74 | 0 | 13948
2 | 3:05.74 | 12:51.49 | 13949 | 71822
3 | 15:57.48 | 8:00.47 | 71823 | 107869
4 | 23:58.20 | 9:56.03 | 107870 | 152572
5 | 33:54.23 | 11:05.59 | 152573 | 202506
6 | 45:00.07 | 16:25.25 | 202507 | 276406
7 | 61:25.32 | 9:23.37 | 276407 | 318668
Track 1
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Copy OK
Track 2
Filename Z:\tmp\02 - De Kooning (1963).wav
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Track 3
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Track 4
Filename Z:\tmp\04 - Two Pieces for Three Pianos (1966) II.wav
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Track 5
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Track 6
Filename Z:\tmp\06 - False Relationships and the Extended Ending (1968).wav
Peak level 62.7 %
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Track 7
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None of the tracks are present in the AccurateRip database
No errors occurred
End of status report
==== Log checksum 466F6F45754D794F6EF9CF638CCD3B5E3C175A6B27614D70B775D1D107F6408F ====

Содержание индексной карты (.CUE)CD1

REM DATE 2014
REM DISCID 4D0F0006
REM COMMENT "ExactAudioCopy v1.0b3"
PERFORMER "Morton Feldman"
TITLE "Two Pianos and other pieces, 1953-1969"
FILE "01 - two pianos (1957).wav" WAVE
TRACK 01 AUDIO
TITLE "Two Pianos (1957)"
PERFORMER "Morton Feldman"
INDEX 01 00:00:00
FILE "02 - four instruments (1965).wav" WAVE
TRACK 02 AUDIO
TITLE "Four Instruments (1965)"
PERFORMER "Morton Feldman"
INDEX 01 00:00:00
FILE "03 - vertical thoughts 1 (1963).wav" WAVE
TRACK 03 AUDIO
TITLE "Vertical Thoughts 1 (1963)"
PERFORMER "Morton Feldman"
INDEX 01 00:00:00
FILE "04 - between categories (1969).wav" WAVE
TRACK 04 AUDIO
TITLE "Between Categories (1969)"
PERFORMER "Morton Feldman"
INDEX 01 00:00:00
FILE "05 - piece for four pianos (1957).wav" WAVE
TRACK 05 AUDIO
TITLE "Piece for Four Pianos (1957)"
PERFORMER "Morton Feldman"
INDEX 01 00:00:00
FILE "06 - piano four hands (1958).wav" WAVE
TRACK 06 AUDIO
TITLE "Piano Four Hands (1958)"
PERFORMER "Morton Feldman"
INDEX 01 00:00:00

CD2

REM DATE 2014
REM DISCID 60109807
REM COMMENT "ExactAudioCopy v1.0b3"
PERFORMER "Morton Feldman"
TITLE "Two Pianos and other pieces, 1953-1969"
FILE "01 - intermission 6 (1953).wav" WAVE
TRACK 01 AUDIO
TITLE "Intermission 6 (1953)"
PERFORMER "Morton Feldman"
INDEX 01 00:00:00
FILE "02 - de kooning (1963).wav" WAVE
TRACK 02 AUDIO
TITLE "De Kooning (1963)"
PERFORMER "Morton Feldman"
INDEX 01 00:00:00
FILE "03 - two pieces for three pianos (1966) I.wav" WAVE
TRACK 03 AUDIO
TITLE "Two Pieces for Three Pianos (1966) I"
PERFORMER "Morton Feldman"
INDEX 01 00:00:00
FILE "04 - two pieces for three pianos (1966) II.wav" WAVE
TRACK 04 AUDIO
TITLE "Two Pieces for Three Pianos (1966) II"
PERFORMER "Morton Feldman"
INDEX 01 00:00:00
FILE "05 - piano three hands (1957).wav" WAVE
TRACK 05 AUDIO
TITLE "Piano Three Hands (1957)"
PERFORMER "Morton Feldman"
INDEX 01 00:00:00
FILE "06 - false relationships and the extended ending (1968).wav" WAVE
TRACK 06 AUDIO
TITLE "False Relationships and the Extended Ending (1968)"
PERFORMER "Morton Feldman"
INDEX 01 00:00:00
FILE "07 - two pianos (1957).wav" WAVE
TRACK 07 AUDIO
TITLE "Two Pianos (1957)"
PERFORMER "Morton Feldman"
INDEX 01 00:00:00

Лог проверки качества

d:\>d:\aucdtect -d/-m0 d:\zzz\*.wav
auCDtect: CD records authenticity detector, version 0.8.2
Copyright (c) 2004 Oleg Berngardt. All rights reserved.
Copyright (c) 2004 Alexander Djourik. All rights reserved.
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Processing file: [01. Intermission 6 (1953).wav]
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This track looks like CDDA with probability 100%
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Processing file: [01. Two Pianos (1957).wav]
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This track looks like CDDA with probability 100%
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Processing file: [02. De Kooning (1963).wav]
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This track looks like CDDA with probability 100%
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Processing file: [02. Four Instruments (1965).wav]
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This track looks like CDDA with probability 100%
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Processing file: [03. Two Pieces for Three Pianos (1966) I.wav]
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This track looks like CDDA with probability 100%
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Processing file: [03. Vertical Thoughts 1 (1963).wav]
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This track looks like CDDA with probability 100%
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Processing file: [04. Between Categories (1969).wav]
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This track looks like CDDA with probability 100%
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Processing file: [04. Two Pieces for Three Pianos (1966) II.wav]
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This track looks like CDDA with probability 100%
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Processing file: [05. Piano Three Hands (1957).wav]
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This track looks like CDDA with probability 100%
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Processing file: [05. Piece for Four Pianos (1957).wav]
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This track looks like CDDA with probability 100%
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Processing file: [06. False Relationships and the Extended Ending (1968).wav]
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This track looks like CDDA with probability 100%
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Processing file: [06. Piano Four Hands (1958).wav]
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This track looks like CDDA with probability 100%
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Processing file: [07. Two Pianos (1957).wav]
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This track looks like CDDA with probability 100%
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Final Conclusion:
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These tracks looks like CDDA with probability 100%
Доп. информация:

All About Jazz Review

It has become a truism that AMM pianist John Tilbury is an interpreter of Morton Feldman's music par excellence—one of the very best, if not the best. Such opinions are backed up by his Feldman recordings such as Morton Feldman: All Piano (LondonHALL, 1999), Triadic Memories—Notti Stellate A Vagli (Atopos, 2008) and For Philip Guston (Atopos, 2013). Developed over decades, his touch, timing and note placement make Tilbury's readings of Feldman fresh and alive—as close to definitive as one could hope for. So, for this new double CD of Feldman piano pieces, there could surely have been little debate that Tilbury's name had to be first on the team sheet.
Unlike the albums cited above, Two Pianos and other pieces, 1953-1969 does not feature Tilbury alone at the piano but in the company of from one to seven other musicians. On eleven of the twelve tracks he appears on, he is joined by at least one other pianist, with "Piece for Four Pianos" featuring Tilbury, Philip Thomas, Catherine Laws and Mark Knoop all on pianos. Thomas himself appears on twelve tracks, being the featured pianist on "De Kooning," the album's one track without Tilbury. (On his blog, Thomas's own thoughts on this recording, and on Feldman generally, are fascinating.)
Across the two discs, the album includes a range of different contexts for pianists to play together. It opens (and closes) with Tilbury and Thomas together on the 1957 composition "Two Pianos," a piece that first helped introduce Tilbury to Feldman's music when he and Cornelius Cardew played it together at Conway Hall around 1960. Each pianist is given the same single sheet of music to play, moving through it at their own pace. The end result is a complex piece in which the two pianos overlap and complement one another to good effect. To emphasise the variable nature of the piece, for comparison purposes a second version concludes the album. In both versions, the quietness of the performances focuses listeners' attention on the sounds rather than sweeping them along.
Also from 1957, "Piece for Four Pianos" repeats the format of "Two Pianos" but for four pianists. Famously, at one performance of the piece, where John Cage was one of the four pianists, he finished twenty minutes after the other three! Despite differences between the four pianists, no such mismatches are in evidence here, and the piece, though more complex than the two-piano version, creates just as impressive and pleasing an effect.
In 1966, Feldman adopted a totally different approach on "Two Pieces for Three Pianos." As Thomas explains, rather than the three pianists all playing the same music in their own way, "The first piece combines two different notation types: the first and second pianos read only stemless noteheads, with the instruction to play each event once the decay of the previous event has begun; the third piano part is fully notated with very precise durations, metre and ever-changing tempi. Each player follows their own part dogmatically—there is very little room for listening and responding to the other players." Consequently, the three pianos—Tilbury, Thomas and Laws—fit together perfectly, like the pieces of a jigsaw, together creating wonderfully tranquil music that unfolds at its own pace, with its own irrefutable logic; in a nutshell, classic Feldman in peak form.
Taken together, all of the piano pieces here constitute an object lesson in Feldman's writing for his favourite instrument. Very different, but just as beguiling are the four tracks that combine one, two or three pianos with other instruments including cellos, violins, chimes, percussion, horn and trombone. Interspersed among the entirely piano-based pieces, they serve to add variety to the album's soundscape and to demonstrate that Feldman's music for other instruments is just as effective as that for piano. Before the arrival of this album, it seemed as if Another Timbre releases by Laurence Crane and Skogen would battle it out for best recording of 2014. Now, though, it has become a three horse race that is too close to call... - John Eyles, AllAboutJazz



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