(Classical, Ballet) Ibert - Le Chevalier errant • Les Amours de Jupiter (Orchestre national de Lorraine, Jacques Mercier) - 2015, APE (image+.cue) lossless


 

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Jacques Ibert - Le Chevalier errant • Les Amours de Jupiter
Жанр: Classical, Ballet
Страна-производитель диска: Austria
Год издания диска: 2015
Издатель (лейбл): Timpani
Номер по каталогу: 1C1230
Дата записи: 2014
Аудиокодек: APE
Тип рипа: image+.cue
Битрейт аудио: lossless
Продолжительность: 57'10
Источник: скачано с
Наличие сканов в содержимом раздачи: да
Треклист:
Jacques Ibert (1890-1962)
Le Chevalier errant
1. Les Moulins
2. Danse des galériens
3. L'Âge d'or
4. Les Comédiens et FinalLes Amours de Jupiter
5. Ouverture
6. Enlèvement d'Europe 1 Ensemble des filles
7. Enlèvement d'Europe 2 Solo de'Europe
8. Enlèvement d'Europe 3 Ensemble des filles
9. Enlèvement d'Europe 4 Entrée du taureau et enlèvement d'Europe
10. Léda 1 Entrée de Mercure et Jupiter
11. Léda 2 Variations de Léda
12. Léda 3 Entrée et variations de Jupiter
13. Léda 4 Pas de deux de Léda et du Cygne
14. Danaé 1 Entrée de Danaé et des deux geôliers
15. Danaé 2 Variations de Danaé
16. Ganymède 1 Entrée et variations de Mercure
17. Ganymède 2 Entrée et variations de Ganymède
18. Ganymède 3 Apparitions et variations de l'Aigle
19. Ganymède 4 Pas de deux de Ganymède et de l'Aigle
20. Retour à Junon 1 Danse de Junon et d'Iris
21. Retour à Junon 2 Prélude à l'entrée de Jupiter
22. Retour à Junon 3 Apothéose de Jupiter et Junon
Исполнители:
Orchestre National de Lorraine
Jacques Mercier

Лог создания рипа

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Ibert / Le Chevalier errant • Les Amours de Jupiter
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Содержание индексной карты (.CUE)

REM GENRE Orchestral
REM DATE 2014
REM DISCID 340D7F16
REM COMMENT "ExactAudioCopy v1.0b6"
PERFORMER "Ibert"
TITLE "Le Chevalier errant • Les Amours de Jupiter"
FILE "Ibert - Le Chevalier errant • Les Amours de Jupiter.ape" WAVE
TRACK 01 AUDIO
TITLE "Le Chevalier errant: I Les Moulins"
PERFORMER "Orchestre national de Lorraine, Jacques Mercier"
INDEX 01 00:00:00
TRACK 02 AUDIO
TITLE "II Danse des gale´riens"
PERFORMER "Orchestre national de Lorraine, Jacques Mercier"
INDEX 01 04:30:74
TRACK 03 AUDIO
TITLE "III L'A^ge d'or"
PERFORMER "Orchestre national de Lorraine, Jacques Mercier"
INDEX 01 09:06:03
TRACK 04 AUDIO
TITLE "IVLes Come´diens et Final"
PERFORMER "Orchestre national de Lorraine, Jacques Mercier"
INDEX 01 20:39:02
TRACK 05 AUDIO
TITLE "Les Amours de Jupiter: I Ouverture"
PERFORMER "Orchestre national de Lorraine, Jacques Mercier"
INDEX 00 28:21:00
INDEX 01 28:30:73
TRACK 06 AUDIO
TITLE "II Enle`vement d'Europe 1 Ensemble des filles"
PERFORMER "Orchestre national de Lorraine, Jacques Mercier"
INDEX 01 29:52:51
TRACK 07 AUDIO
TITLE "III Enle`vement d'Europe 2 Solo de'Europe"
PERFORMER "Orchestre national de Lorraine, Jacques Mercier"
INDEX 01 30:58:34
TRACK 08 AUDIO
TITLE "IV Enle`vement d'Europe 3 Ensemble des filles"
PERFORMER "Orchestre national de Lorraine, Jacques Mercier"
INDEX 01 32:16:64
TRACK 09 AUDIO
TITLE "V Enle`vement d'Europe 4 Entre´e du taureau et enle`vement d'Europe"
PERFORMER "Orchestre national de Lorraine, Jacques Mercier"
INDEX 01 33:14:40
TRACK 10 AUDIO
TITLE "VI Le´da 1 Entre´e de Mercure et Jupiter"
PERFORMER "Orchestre national de Lorraine, Jacques Mercier"
FLAGS DCP
INDEX 00 33:54:02
INDEX 01 33:55:52
TRACK 11 AUDIO
TITLE "VII Le´da 2 Variations de Le´da"
PERFORMER "Orchestre national de Lorraine, Jacques Mercier"
INDEX 01 35:25:38
TRACK 12 AUDIO
TITLE "VIII Le´da 3 Entre´e et variations de Jupiter"
PERFORMER "Orchestre national de Lorraine, Jacques Mercier"
INDEX 01 37:31:47
TRACK 13 AUDIO
TITLE "IX Le´da 4 Pas de deux de Le´da et du Cygne"
PERFORMER "Orchestre national de Lorraine, Jacques Mercier"
INDEX 01 38:32:05
TRACK 14 AUDIO
TITLE "X Danae´ 1 Entre´e de Danae´ et des deux geo^liers"
PERFORMER "Orchestre national de Lorraine, Jacques Mercier"
INDEX 00 40:32:37
INDEX 01 40:34:07
TRACK 15 AUDIO
TITLE "XI Danae´ 2 Variations de Danae´"
PERFORMER "Orchestre national de Lorraine, Jacques Mercier"
INDEX 01 42:30:29
TRACK 16 AUDIO
TITLE "XII Ganyme`de 1 Entre´e et variations de Mercure"
PERFORMER "Orchestre national de Lorraine, Jacques Mercier"
INDEX 00 45:38:73
INDEX 01 45:40:45
TRACK 17 AUDIO
TITLE "XIII Ganyme`de 2 Entre´e et variations de Ganyme`de"
PERFORMER "Orchestre national de Lorraine, Jacques Mercier"
INDEX 01 47:31:41
TRACK 18 AUDIO
TITLE "XIV Ganyme`de 3 Apparitions et variations de l'Aigle"
PERFORMER "Orchestre national de Lorraine, Jacques Mercier"
INDEX 01 48:54:59
TRACK 19 AUDIO
TITLE "XV Ganyme`de 4 Pas de deux de Ganyme`de et de l'Aigle"
PERFORMER "Orchestre national de Lorraine, Jacques Mercier"
INDEX 01 50:19:13
TRACK 20 AUDIO
TITLE "XVI Retour a` Junon 1 Danse de Junon et d'Iris"
PERFORMER "Orchestre national de Lorraine, Jacques Mercier"
INDEX 00 52:09:35
INDEX 01 52:12:06
TRACK 21 AUDIO
TITLE "XVII Retour a` Junon 2 Pre´lude a` l'entre´e de Jupiter"
PERFORMER "Orchestre national de Lorraine, Jacques Mercier"
INDEX 01 54:03:37
TRACK 22 AUDIO
TITLE "XVIII Retour a` Junon 3 Apothe´ose de Jupiter et Junon"
PERFORMER "Orchestre national de Lorraine, Jacques Mercier"
INDEX 01 55:54:63
Доп. информация:
The music of Jacques Ibert (1890-1962) tends to fall within the post-Impressionist modernism. Associated mostly with the group Les Six, his musis is always a blend of fresh, crisp orchestration, interesting melodies, and a more modal harmonic palette. This tends to lend his music a lightness at times, even in some of the more serious works. His pieces tend to be filled with an infectious rhythmic vitality as well. Today he is perhaps best remembered for a couple of these shorter suites, Escales and the Divertissement. The present recording brings to disc two premieres of lesser known ballets from the middle part of Ibert’s life.
The first of these, Le Chevalier errant, was commissioned by Ida Rubinstein. It was Rubinstein who rose to prominence in the 1920s and is responsible for inspiring many great works, the most memorable perhaps being Ravel’s Bolero. Ibert had composed his first ballet, Diane de Poiters, for her in 1933. The success of this work led to the opening work on this release. Originally planned to be presented in the 1937-38 season along with new ballets by Milhaud and Honegger, the work never saw the light of day. The notes here state it may have had a single broadcast performance in 1940, but it did not appear in concert until the Paris Opera presented it in 1950. The version recorded here omits choral and dialogue sections in Ibert’s concert version put together in 1935. About 15 minutes of music is thus not used in this suite of sorts. There are four movements taken essentially from the four tableaux.
The first “Les Moulins” opens with a great set of dissonance and the music that follows bears a close resemblance to some of Ibert’s film music of the period (Golgotha; he had also provided a score for a film on this same subject by Georg Pabst in 1933). The rhythmic syncopations of this section have a somewhat Spanish feel as the piece begins to take off and sets the stage well for the appearance of Don Quixote. A real highlight is the “Danse des galeriens”. The music here moves excellently along with some exciting brass work adding to the big moments and a brilliant finale. There are moments of this piece that are reminiscent of Roussel’s style at this time. More touching is the writing for the third tableau, “L’age d’or”, with lyrical saxophone providing a sensual melody in this romantic and seductive music (a style that actually suggests some of Alex North’s later music). A series of wonderful folk-dance styles including a flamenco section appears followed by a more elegant three-four moment. Things are wrapped up nicely with the return of an opening melody. A final festive gallop and village dance brings everything back together, with the brief interjection of the sax for extra dramatic underpinning. In all, this is a quite engaging work whose music communicates well and can be enjoyed easily on its own here. The performance captures these ideas well with excellent solo work and shaping of Ibert’s melodic ideas. Many times one thinks that maybe this is a long lost film score. At any rate, it is a pleasant discovery with some of the composer’s most touching melodic writing that opens up into gorgeous moments. The somewhat ambient hall may be a bit frustrating at times, but this is mostly noticeable in solo sections where it actually works quite well. Otherwise the sound is not bad.
Another of the great choreographers of the mid-20th Century, Roland Petit, was behind the creation of the second work on the album, Les Amours de Jupiter. The piece was written in 1945 and premiered the following year. Some will find Ibert’s advanced insertion of jazz elements a fascinating development that brings the piece alongside some of the work of Copland, and later Leonard Bernstein. One can hear some of this already as the “Overture” unfolds here. The ballet is then followed in five larger sections comprised of equally brief musical segments. I suspect most American listeners will hear a more filmic narrative style in this music. There are some unique touches that will stand out that are hallmarks of Ibert’s style, but this lends the music its unique charm. Also interesting is the way this music feels more “international” taking its cues from a larger musical aesthetic than a merely “French” one. The piece as it is will feel more closely aligned to the shorter orchestral suites, but the dramatic writing that is included here makes this equally worth exploring.
This is a great addition to the Ibert discography with Jacques Mercier proving to be a fine interpreter of this music. The Lorraine orchestra approaches this music with great energy and sound committed to bringing these pieces to life. Easily recommendable to fans of Ibert’s work and mid-century orchestral writing.



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