(Classical, Saxophone) Yasuaki Shimizu & Saxophonettes - J.S. Bach: Cello Suites 1-3 - 1996, FLAC (tracks+.cue), lossless


 

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Yasuaki Shimizu & Saxophonettes - J.S. Bach: Cello Suites 1-3
Жанр: Classical, Saxophone
Страна-производитель диска: Япония
Год издания диска: 1996
Издатель (лейбл): Victor Entertainment
Номер по каталогу: VICP-235
Аудиокодек: FLAC
Тип рипа: tracks+.cue
Битрейт аудио: lossless
Продолжительность: 1:12:33
Источник (релизер): touketsu_yume (what)
Наличие сканов в содержимом раздачи: нет
Треклист:
Johann Sebastian Bach (1685-1750)
Cello Suite No.1
01. 1. Prelude (2:24)
02. 2. Allemande (3:24)
03. 3. Courante (2:46)
04. 4. Sarabande (4:05)
05. 5. Menuet I, II (10:58)
06. 6. Gigue (1:25)
Cello Suite No.2
07. 1. Prelude (3:57)
08. 2. Allemande (3:02)
09. 3. Courante (2:19)
10. 4. Sarabande (6:26)
11. 5. Menuet I, II (3:28)
12. 6. Gigue (3:06)
Cello Suite No.3
13. 1. Prelude (4:19)
14. 2. Allemande (3:48)
15. 3. Courante (3:07)
16. 4. Sarabande (5:28)
17. 5. Bourree I, II (5:15)
18. 6. Gigue (3:16)

Лог создания рипа

Exact Audio Copy V1.0 beta 1 from 15. November 2010
EAC extraction logfile from 21. February 2011, 22:16
Yasuaki Shimizu & Saxophonettes / Cello Suites 1.2.3
Used drive : HL-DT-STDVD-RAM GSA-H55L Adapter: 3 ID: 1
Read mode : Secure
Utilize accurate stream : Yes
Defeat audio cache : Yes
Make use of C2 pointers : No
Read offset correction : 102
Overread into Lead-In and Lead-Out : No
Fill up missing offset samples with silence : Yes
Delete leading and trailing silent blocks : No
Null samples used in CRC calculations : Yes
Used interface : Native Win32 interface for Win NT & 2000
Gap handling : Appended to previous track
Used output format : User Defined Encoder
Selected bitrate : 896 kBit/s
Quality : High
Add ID3 tag : No
Command line compressor : C:\Audio\Exact Audio Copy\Flac\flac.exe
Additional command line options : -V -8 -T "artist=%a" -T "title=%t" -T "album=%g" -T "date=%y" -T "tracknumber=%n" -T "genre=%m" %s
TOC of the extracted CD
Track | Start | Length | Start sector | End sector
---------------------------------------------------------
1 | 0:00.00 | 2:24.27 | 0 | 10826
2 | 2:24.27 | 3:24.25 | 10827 | 26151
3 | 5:48.52 | 2:46.28 | 26152 | 38629
4 | 8:35.05 | 4:04.52 | 38630 | 56981
5 | 12:39.57 | 10:57.70 | 56982 | 106326
6 | 23:37.52 | 1:25.23 | 106327 | 112724
7 | 25:03.00 | 3:56.62 | 112725 | 130486
8 | 28:59.62 | 3:01.55 | 130487 | 144116
9 | 32:01.42 | 2:19.25 | 144117 | 154566
10 | 34:20.67 | 6:25.45 | 154567 | 183486
11 | 40:46.37 | 3:28.08 | 183487 | 199094
12 | 44:14.45 | 3:06.30 | 199095 | 213074
13 | 47:21.00 | 4:19.15 | 213075 | 232514
14 | 51:40.15 | 3:47.60 | 232515 | 249599
15 | 55:28.00 | 3:07.27 | 249600 | 263651
16 | 58:35.27 | 5:28.30 | 263652 | 288281
17 | 64:03.57 | 5:15.00 | 288282 | 311906
18 | 69:18.57 | 3:16.18 | 311907 | 326624
Track 1
Filename D:\Download\Audio\Nieuwe map\01 - Yasuaki Shimizu & Saxophonettes - Cello Suite No.1, 1. Prélude.wav
Pre-gap length 0:00:02.00
Peak level 100.0 %
Extraction speed 1.6 X
Track quality 100.0 %
Test CRC 38453A74
Copy CRC 38453A74
Cannot be verified as accurate (confidence 2) [286EA1C6], AccurateRip returned [EB40313F]
Copy OK
Track 2
Filename D:\Download\Audio\Nieuwe map\02 - Yasuaki Shimizu & Saxophonettes - Cello Suite No.1, 2. Allemande.wav
Pre-gap length 0:00:03.32
Peak level 100.0 %
Extraction speed 1.8 X
Track quality 100.0 %
Test CRC B3659C37
Copy CRC B3659C37
Cannot be verified as accurate (confidence 2) [73EC782E], AccurateRip returned [5320B9C8]
Copy OK
Track 3
Filename D:\Download\Audio\Nieuwe map\03 - Yasuaki Shimizu & Saxophonettes - Cello Suite No.1, 3. Courante.wav
Pre-gap length 0:00:02.26
Peak level 100.0 %
Extraction speed 1.6 X
Track quality 99.9 %
Test CRC 35822522
Copy CRC 35822522
Cannot be verified as accurate (confidence 2) [0392FBA0], AccurateRip returned [0050EDCF]
Copy OK
Track 4
Filename D:\Download\Audio\Nieuwe map\04 - Yasuaki Shimizu & Saxophonettes - Cello Suite No.1, 4. Sarabande.wav
Pre-gap length 0:00:02.27
Peak level 100.0 %
Extraction speed 1.8 X
Track quality 99.9 %
Test CRC 59510E79
Copy CRC 59510E79
Cannot be verified as accurate (confidence 2) [88261423], AccurateRip returned [13534372]
Copy OK
Track 5
Filename D:\Download\Audio\Nieuwe map\05 - Yasuaki Shimizu & Saxophonettes - Cello Suite No.1, 5. Menuet I, II.wav
Pre-gap length 0:00:02.30
Peak level 100.0 %
Extraction speed 2.6 X
Track quality 100.0 %
Test CRC C1A2B539
Copy CRC C1A2B539
Cannot be verified as accurate (confidence 2) [4761A262], AccurateRip returned [CA0E4777]
Copy OK
Track 6
Filename D:\Download\Audio\Nieuwe map\06 - Yasuaki Shimizu & Saxophonettes - Cello Suite No.1, 6. Gigue.wav
Pre-gap length 0:02:41.34
Peak level 100.0 %
Extraction speed 1.5 X
Track quality 99.8 %
Test CRC 892F25A2
Copy CRC 892F25A2
Cannot be verified as accurate (confidence 2) [4CF7F525], AccurateRip returned [11CF94F9]
Copy OK
Track 7
Filename D:\Download\Audio\Nieuwe map\07 - Yasuaki Shimizu & Saxophonettes - Cello Suite No.2, 1. Prélude.wav
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Peak level 100.0 %
Extraction speed 2.7 X
Track quality 100.0 %
Test CRC BD933A33
Copy CRC BD933A33
Cannot be verified as accurate (confidence 2) [A92F1B03], AccurateRip returned [FAD4CD6F]
Copy OK
Track 8
Filename D:\Download\Audio\Nieuwe map\08 - Yasuaki Shimizu & Saxophonettes - Cello Suite No.2, 2. Allemande.wav
Pre-gap length 0:00:00.02
Peak level 100.0 %
Extraction speed 2.6 X
Track quality 100.0 %
Test CRC 4F839107
Copy CRC 4F839107
Cannot be verified as accurate (confidence 2) [9CB6D492], AccurateRip returned [0C79B5AC]
Copy OK
Track 9
Filename D:\Download\Audio\Nieuwe map\09 - Yasuaki Shimizu & Saxophonettes - Cello Suite No.2, 3. Courante.wav
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Peak level 100.0 %
Extraction speed 2.6 X
Track quality 100.0 %
Test CRC 12E862AD
Copy CRC 12E862AD
Cannot be verified as accurate (confidence 3) [4FB1B238], AccurateRip returned [70A766C9]
Copy OK
Track 10
Filename D:\Download\Audio\Nieuwe map\10 - Yasuaki Shimizu & Saxophonettes - Cello Suite No.2, 4. Sarabande.wav
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Peak level 100.0 %
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Track quality 100.0 %
Test CRC 34E0AFA1
Copy CRC 34E0AFA1
Cannot be verified as accurate (confidence 3) [77455F94], AccurateRip returned [4CD6BE30]
Copy OK
Track 11
Filename D:\Download\Audio\Nieuwe map\11 - Yasuaki Shimizu & Saxophonettes - Cello Suite No.2, 5. Menuet I, II.wav
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Peak level 100.0 %
Extraction speed 3.0 X
Track quality 100.0 %
Test CRC FA74D1A4
Copy CRC FA74D1A4
Cannot be verified as accurate (confidence 3) [562F61C1], AccurateRip returned [053310CE]
Copy OK
Track 12
Filename D:\Download\Audio\Nieuwe map\12 - Yasuaki Shimizu & Saxophonettes - Cello Suite No.2, 6. Gigue.wav
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Peak level 100.0 %
Extraction speed 3.1 X
Track quality 100.0 %
Test CRC 6D826E90
Copy CRC 6D826E90
Cannot be verified as accurate (confidence 3) [CDF4B6A4], AccurateRip returned [BCF3CD8F]
Copy OK
Track 13
Filename D:\Download\Audio\Nieuwe map\13 - Yasuaki Shimizu & Saxophonettes - Cello Suite No.3, 1. Prélude.wav
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Peak level 100.0 %
Extraction speed 3.3 X
Track quality 100.0 %
Test CRC 447EC291
Copy CRC 447EC291
Cannot be verified as accurate (confidence 3) [8D42E7F4], AccurateRip returned [4061A03A]
Copy OK
Track 14
Filename D:\Download\Audio\Nieuwe map\14 - Yasuaki Shimizu & Saxophonettes - Cello Suite No.3, 2. Allemande.wav
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Peak level 100.0 %
Extraction speed 2.9 X
Track quality 99.9 %
Test CRC 8D56F9EA
Copy CRC 8D56F9EA
Cannot be verified as accurate (confidence 3) [2FCF2F09], AccurateRip returned [D8BCEB59]
Copy OK
Track 15
Filename D:\Download\Audio\Nieuwe map\15 - Yasuaki Shimizu & Saxophonettes - Cello Suite No.3, 3. Courante.wav
Pre-gap length 0:00:01.34
Peak level 100.0 %
Extraction speed 3.3 X
Track quality 100.0 %
Test CRC 29F8F851
Copy CRC 29F8F851
Cannot be verified as accurate (confidence 3) [862636AB], AccurateRip returned [872CEB93]
Copy OK
Track 16
Filename D:\Download\Audio\Nieuwe map\16 - Yasuaki Shimizu & Saxophonettes - Cello Suite No.3, 4. Sarabande.wav
Pre-gap length 0:01:31.57
Peak level 100.0 %
Extraction speed 3.3 X
Track quality 99.9 %
Test CRC CC5A743F
Copy CRC CC5A743F
Cannot be verified as accurate (confidence 2) [C40B3B82], AccurateRip returned [CEDC5AA4]
Copy OK
Track 17
Filename D:\Download\Audio\Nieuwe map\17 - Yasuaki Shimizu & Saxophonettes - Cello Suite No.3, 5. Bourrée I, II.wav
Pre-gap length 0:00:16.59
Peak level 100.0 %
Extraction speed 3.8 X
Track quality 100.0 %
Test CRC CE6BF1BF
Copy CRC CE6BF1BF
Cannot be verified as accurate (confidence 3) [193AD9CC], AccurateRip returned [1D43DF59]
Copy OK
Track 18
Filename D:\Download\Audio\Nieuwe map\18 - Yasuaki Shimizu & Saxophonettes - Cello Suite No.3, 6. Gigue.wav
Peak level 100.0 %
Extraction speed 3.1 X
Track quality 99.9 %
Test CRC 3C766997
Copy CRC 3C766997
Cannot be verified as accurate (confidence 3) [25636FE1], AccurateRip returned [4DACD9ED]
Copy OK
No tracks could be verified as accurate
You may have a different pressing from the one(s) in the database
No errors occurred
End of status report

Содержание индексной карты (.CUE)

REM GENRE Classical
REM DATE 1996
REM DISCID E4110312
REM COMMENT "ExactAudioCopy v1.0b1"
PERFORMER "Yasuaki Shimizu & Saxophonettes"
TITLE "J.S. Bach: Cello Suites 1-3"
FILE "01 - Suite No.1- 1. Prelude.wav" WAVE
TRACK 01 AUDIO
TITLE "Suite No.1: 1. Prelude"
PERFORMER "Yasuaki Shimizu & Saxophonettes"
INDEX 01 00:00:00
TRACK 02 AUDIO
TITLE "Suite No.1: 2. Allemande"
PERFORMER "Yasuaki Shimizu & Saxophonettes"
INDEX 00 01:54:24
FILE "02 - Suite No.1- 2. Allemande.wav" WAVE
INDEX 01 00:00:00
TRACK 03 AUDIO
TITLE "Suite No.1: 3. Courante"
PERFORMER "Yasuaki Shimizu & Saxophonettes"
INDEX 00 03:17:57
FILE "03 - Suite No.1- 3. Courante.wav" WAVE
INDEX 01 00:00:00
TRACK 04 AUDIO
TITLE "Suite No.1: 4. Sarabande"
PERFORMER "Yasuaki Shimizu & Saxophonettes"
INDEX 00 01:25:74
FILE "04 - Suite No.1- 4. Sarabande.wav" WAVE
INDEX 01 00:00:00
TRACK 05 AUDIO
TITLE "Suite No.1: 5. Menuet I, II"
PERFORMER "Yasuaki Shimizu & Saxophonettes"
INDEX 00 04:02:22
FILE "05 - Suite No.1- 5. Menuet I, II.wav" WAVE
INDEX 01 00:00:00
TRACK 06 AUDIO
TITLE "Suite No.1: 6. Gigue"
PERFORMER "Yasuaki Shimizu & Saxophonettes"
INDEX 00 05:30:62
FILE "06 - Suite No.1- 6. Gigue.wav" WAVE
INDEX 01 00:00:00
TRACK 07 AUDIO
TITLE "Suite No.2: 1. Prelude"
PERFORMER "Yasuaki Shimizu & Saxophonettes"
INDEX 00 01:23:71
FILE "07 - Suite No.2- 1. Prelude.wav" WAVE
INDEX 01 00:00:00
TRACK 08 AUDIO
TITLE "Suite No.2: 2. Allemande"
PERFORMER "Yasuaki Shimizu & Saxophonettes"
INDEX 00 03:53:14
FILE "08 - Suite No.2- 2. Allemande.wav" WAVE
INDEX 01 00:00:00
FILE "09 - Suite No.2- 3. Courante.wav" WAVE
TRACK 09 AUDIO
TITLE "Suite No.2: 3. Courante"
PERFORMER "Yasuaki Shimizu & Saxophonettes"
INDEX 01 00:00:00
TRACK 10 AUDIO
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PERFORMER "Yasuaki Shimizu & Saxophonettes"
INDEX 00 02:05:20
FILE "10 - Suite No.2- 4. Sarabande.wav" WAVE
INDEX 01 00:00:00
TRACK 11 AUDIO
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PERFORMER "Yasuaki Shimizu & Saxophonettes"
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FILE "11 - Suite No.2- 5. Menuet I, II.wav" WAVE
INDEX 01 00:00:00
TRACK 12 AUDIO
TITLE "Suite No.2: 6. Gigue"
PERFORMER "Yasuaki Shimizu & Saxophonettes"
INDEX 00 03:27:67
FILE "12 - Suite No.2- 6. Gigue.wav" WAVE
INDEX 01 00:00:00
TRACK 13 AUDIO
TITLE "Suite No.3: 1. Prelude"
PERFORMER "Yasuaki Shimizu & Saxophonettes"
INDEX 00 03:03:33
FILE "13 - Suite No.3- 1. Prelude.wav" WAVE
INDEX 01 00:00:00
TRACK 14 AUDIO
TITLE "Suite No.3: 2. Allemande"
PERFORMER "Yasuaki Shimizu & Saxophonettes"
INDEX 00 04:17:60
FILE "14 - Suite No.3- 2. Allemande.wav" WAVE
INDEX 01 00:00:00
TRACK 15 AUDIO
TITLE "Suite No.3: 3. Courante"
PERFORMER "Yasuaki Shimizu & Saxophonettes"
INDEX 00 03:46:26
FILE "15 - Suite No.3- 3. Courante.wav" WAVE
INDEX 01 00:00:00
FILE "16 - Suite No.3- 4. Sarabande.wav" WAVE
TRACK 16 AUDIO
TITLE "Suite No.3: 4. Sarabande"
PERFORMER "Yasuaki Shimizu & Saxophonettes"
INDEX 01 00:00:00
TRACK 17 AUDIO
TITLE "Suite No.3: 5. Bourree I, II"
PERFORMER "Yasuaki Shimizu & Saxophonettes"
INDEX 00 05:21:60
FILE "17 - Suite No.3- 5. Bourree I, II.wav" WAVE
INDEX 01 00:00:00
TRACK 18 AUDIO
TITLE "Suite No.3: 6. Gigue"
PERFORMER "Yasuaki Shimizu & Saxophonettes"
INDEX 00 04:58:59
FILE "18 - Suite No.3- 6. Gigue.wav" WAVE
INDEX 01 00:00:00

Отчет CUETools

[CUETools log; Date: 13.09.2015 23:35:39; Version: 2.1.5]
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Track | CTDB Status
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5 | (5/5) Accurately ripped
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14 | (5/5) Accurately ripped
15 | (5/5) Accurately ripped
16 | (5/5) Accurately ripped
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Track Peak [ CRC32 ] [W/O NULL] [ LOG ]
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17 100,0 [CE6BF1BF] [88C7D32C] CRC32
18 100,0 [3C766997] [6B202A6B] CRC32

Liner Notes

The Godless Age Bach
J.G. Ballard's short story "The Sound-Sweep" is based on the remarkable concept of "sound dross"—a reception hall which retains echoes of years of sundry gossip and the tinging of crystal glasses, for instance, or a Romanesque church with centuries of choir singing and the pealing of bells caked to the walls. The story's hero, a "sound-sweep," has the ability to pick up sounds inaudible to the average person. His work entails distinguishing the beautiful sounds from mere accumulated "static," and to carefully "clean out" the unnecessary noise. A clear parallel can be drawn between this and Yasuaki Shimizu's Cello Suites 1.2.3.
Shimizu does not, however, merely "clean." With his meticulous interpretation of composition and daring selection of recording spaces, he washes Bach free of the deposits of time and religious context, and having done away with history, ventures to interpret it anew.
Johann Sebastian Bach's Suites for Unaccompanied Cello are regarded as the "Old Testament' of the cello repertoire; they are among the greatest of great music. The complete set of six suites is believed to have been composed around 1720, compiled from a number of dance pieces. The suites fell into obscurity after Bach's death until they were "discovered" in the late 1800s by Pablo Casals. They have since been repeatedly interpreted and recorded by the entire line of major cellists, including Fournier, Starker, Tortelier, Bylsma, Maisky, Yo Yo Ma, Tsutsumi and Rostropovich. Renditions have been recorded on recorder, and on jazz guitar (Ornette Coleman and Prime Time's Tone Dialing). Shimizu's is the first recorded tenor saxophone interpretation.
Shimizu chose three distinctly different spaces to record in: the lobby of a converted warehouse for Suite 1, an underground stone quarry for Suite 2, and a huge, newly constructed concert hall for Suite 3. The absence of any historical connection to music and an extraordinarily high degree of reverberation were common to all three locations. Use of such distinctive space is unique not only among recorded interpretations of Bach's Cello Suites, but among recorded renditions of any of Bach's works; this is an altogether exceptional event.
Although the concepts behind Bach's compositions defy easy categorization, the defining characteristic of the Cello Suites is what might be called "virtual" polyphonic harmony achieved with a basically monophonic instrument, the cello. To accomplish this, Bach makes use of broken chords, resulting in the audible suggestion of tones not in fact sounded. The Cello Suites offer the seemingly contradictory experience of polyphony in a single-track melody (actually monophony); the missing notes are imagined by the listener. Shimizu transforms the entire performance space into a musical instrument and enhances reality in a "chicken or egg" style; the resonating space fills the gaps in Bach's broken chords.
One might fear an assault of echoing dissonant sound, but Shimizu and his recording staff are exacting in their calculations. When resonance from one sound should be broken off before the next, rests are long, and when a sound is to harmonize with the next, rests are short. Historically unbound, each individual tone embodies, on one hand, impurities that must be swept out, and on the other, an alluring chaos. Shimizu has spoken of wanting to express "a Bach that is both sublime and profane." He succeeds perhaps best in his rendition of Suite 2, recorded in the underground stone quarry.
The quarry, some ten meters below ground, is an overwhelmingly cavernous space, reminiscent of an ancient temple. The temperatures above and below ground differed as much as twenty degrees Centigrade. In midsummer, the staff attended recordings dressed for winter. The extreme difference in temperature created condensation, and water droplets that fell incessantly from the ceiling drenched the entire floor. With a pocket body warmer tucked into his jacket, and invigorated by an occasional toke of supplementary oxygen, Shimizu seemed to be feeling fine as he whaled on his saxophone.
If you listen carefully you can hear the sound of water gently falling and gradually become aware that the music is replete with a myriad of subtle sounds. Even Bach—whose labors also touched on both the sacred and the profane (the authorities were once summoned to the church when he escorted a woman to the organ seat)—would surely tip his hat to Shimizu's backhanded interpretation adopting echo and environmental sound.
When recorded outside of churches or established halls, freed from the conventions of religious and musical history, Bach takes on a rare kind of ease. Special mention should also be made of the ethereal quality of the Prelude juxtaposed with the slow Menuets, followed by the funky pace of the Gigue in Suite 1, and the extended chord in the finale of the Courante in Suite 3. Here is the omnipresent and, at the same time, contemporary Bach. Balanced in the interstice between fine art and pop art, Shimizu's interpretation is a tribute to both.
Bach of course not only composed for unaccompanied cello, but also wrote pieces for solo flute and violin. To ask "what if" of history may be sheer fancy, but when we look at the commonality (or disparity) in timbre between cello and saxophone, particularly tenor saxophone, it is tempting to imagine what Bach might have composed for tenor saxophone had the instrument existed in his day. This recording does just that.
Shimizu scrutinizes the residue of history to create a Bach whom we have never known. In part, he functions as a sound sweep. His greater contribution, however, is in adding the strains of our age, giving the Cello Suites a timelessness and creating a chaotic weave of vulgarity and sanctity. A Bach for the godless age is born.
— Tetsuya Ozaki (translated by Pamela Miki)

Состав

Produced by Yasuaki Shimizu, Eiki Uchida
Composed by J.S. Bach
Yasuaki Shimizu: tenor saxophone
Suite 2 "Menuet I, II":
Hiroshi Yokoyama, Yoshioki Shibusawa, Sayaka Nakagawa, Misa Takatori,
Natsuko Yamanaka, Tomoko Ishida, Minako Sato, Asuka Kikuchi: alto saxophone
Harue Suzuki, Yuki Shinozawa, Kae Sugimoto, Teiji Miura, Yasunori Yamamoto: tenor saxophone
Reiko Sai, Yasuo Kakinuma: baritone saxophone
Recorded/mixed by Masataka Fukuda at:
Suite 1: Consipio Studio (Tokyo)
Suite 2: Oya Stone Quarry (Utsunomiya)
Suite 3: Harmony Hall (Otawara)



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