(Classical, Piano) Johann Sebastian Bach - Le Clavier bien tempere, Livre I, II (Das Wohltemperierte Klavier, Buch I, II) {Zhu Xiao-Mei} (4CD) - 2007, 2010, MP3 (tracks), 320 kbps


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Zhu Xiao-Mei - J.S. Bach: Le Clavier bien tempere
Жанр: Classical, Piano
Страна-производитель диска: Франция
Год издания: 2007, 2010
Аудиокодек: MP3
Тип рипа: tracks
Битрейт аудио: 320 kbps
Продолжительность: 3:55:57

Livre I

Zhu Xiao-Mei - J.S. Bach: Le Clavier bien tempere, Livre I
Жанр: Classical, Piano
Страна-производитель диска: Франция
Год издания: 2010
Аудиокодек: MP3
Тип рипа: tracks
Битрейт аудио: 320 kbps
Продолжительность: 1:42:51
Источник: lossless
Наличие сканов в содержимом раздачи: да

CD1 {51:07}

01. Prelude No.1 en Do majeur Bwv 846 (1:58)
02. Fugue No.1 en Do majeur Bwv 846 (1:56)
03. Prelude No.2 en Do mineur Bwv 847 (1:28)
04. Fugue No.2 en Do mineur Bwv 847 (1:31)
05. Prelude No.3 en Do diese majeur Bwv 848 (1:16)
06. Fugue No.3 en Do diese majeur Bwv 848 (2:19)
07. Prelude No.4 en Do diese mineur Bwv 849 (2:25)
08. Fugue No.4 en Do diese mineur Bwv 849 (3:51)
09. Prelude No.5 en Re majeur Bwv 850 (1:17)
10. Fugue No.5 en Re majeur Bwv 850 (1:58)
11. Prelude No.6 en Re mineur Bwv 851 (1:31)
12. Fugue No.6 en Re mineur Bwv 851 (2:19)
13. Prelude No.7 en Mi bemol majeur Bwv 852 (3:39)
14. Fugue No.7 en Mi bemol majeur Bwv 852 (1:40)
15. Prelude No.8 en Mi bemol mineur Bwv 853 (3:20)
16. Fugue No.8 en Mi bemol mineur Bwv 853 (4:20)
17. Prelude No.9 en Mi majeur Bwv 854 (1:13)
18. Fugue No.9 en Mi majeur Bwv 854 (1:09)
19. Prelude No.10 en Mi mineur Bwv 855 (2:17)
20. Fugue No.10 en Mi mineur Bwv 855 (1:09)
21. Prelude No.11 en Fa majeur Bwv 856 (0:58)
22. Fugue No.11 en Fa majeur Bwv 856 (1:18)
23. Prelude No.12 en Fa mineur Bwv 857 (1:56)
24. Fugue No.12 en Fa mineur Bwv 857 (4:19)

CD2 {51:44}

01. Prelude No.13 en Fa diese majeur Bwv 858 (1:20)
02. Fugue No.13 en Fa diese majeur Bwv 858 (1:53)
03. Prelude No.14 en Fa diese mineur Bwv 859 (1:00)
04. Fugue No.14 en Fa diese mineur Bwv 859 (2:35)
05. Prelude No.15 en Sol majeur Bwv 860 (0:52)
06. Fugue No.15 en Sol majeur Bwv 860 (2:43)
07. Prelude No.16 en Sol mineur Bwv 861 (1:57)
08. Fugue No.16 en Sol mineur Bwv 861 (1:55)
09. Prelude No.17 en La bemol majeur Bwv 862 (1:15)
10. Fugue No.17 en La bemol majeur Bwv 862 (2:27)
11. Prelude No.18 en Sol diese mineur Bwv 863 (1:31)
12. Fugue No.18 en Sol diese mineur Bwv 863 (2:08)
13. Prelude No.19 en La majeur Bwv 864 (1:18)
14. Fugue No.19 en La majeur Bwv 864 (1:58)
15. Prelude No.20 en La mineur Bwv 865 (1:05)
16. Fugue No.20 en La mineur Bwv 865 (4:15)
17. Prelude No.21 en Si bemol majeur Bwv 866 (1:18)
18. Fugue No.21 en Si bemol majeur Bwv 866 (1:40)
19. Prelude No.22 en Si bemol mineur Bwv 867 (2:37)
20. Fugue No.22 en Si bemol mineur Bwv 867 (2:43)
21. Prelude No.23 en Si majeur Bwv 868 (1:07)
22. Fugue No.23 en Si majeur Bwv 868 (2:06)
23. Prelude No.24 en Si mineur Bwv 869 (4:21)
24. Fugue No.24 en Si mineur Bwv 869 (5:40)
Исполнители:
Zhu Xiao-Mei - piano
Recorded at Temple Notre Dame du Bon Secours, Paris in April-May 2009.

AllMusic Review by James Manheim

Chinese-French pianist Zhu Xiao-Mei, who left the People's Republic in 1979, is anything but a cool technician, although technically she's marvelously equipped. Her Bach recordings are dramatic, risky, and idiosyncratic, and they tend to inspire strong reactions one way or the other. Her recordings of the Well-Tempered Clavier, issued in two sets on France's Mirare label, arguably play to her strengths, even if Bach would have been thrown for a loop by a good deal of what he was hearing. Zhu combines dramatic contrasts with a precise conception of overall architecture, a combination that makes the preludes and fugues of the Well-Tempered Clavier very exciting to listen to even if some of them clash with what an individual listener takes to be the character of a specific part of the collection. What makes it all work is that Zhu's voice is quiet even as she makes very startling statements. The famed Prelude No. 1 in C major, BWV 846, is not just pastoral but hushed and idyllic, almost a Schumann memory of childhood. Its C minor counterpart is entirely its opposite number in texture, rushing forward, with subtle dynamic variations suggesting suppressed energy, but it never approaches a hard edge. The entire set, though played on a modern grand, is chamber-sized, which is all to the good. Essentially a Romantic interpretation, Zhu's performance sometimes delinks the prelude-fugue pairs, which is a risky strategy. Yet she has an iron control that makes her playing stand out from the middle 20th century's view of Bach. She is at her strongest in Bach's really dense polyphony, which she unpacks in consistently original ways, but she can retreat to limpid radiance. In the interview-format booklet she calls the Fugue No. 22 in B flat minor, BWV 867, "a prayer. A universal prayer, because you know I always say Bach was Chinese!" Once you make your way through this packed-with-ideas set, you may well agree with her.

Livre II

Zhu Xiao-Mei - J.S. Bach: Le Clavier bien tempere, Livre II
Жанр: Classical, Piano
Страна-производитель диска: Франция
Год издания: 2007
Аудиокодек: MP3
Тип рипа: tracks
Битрейт аудио: 320 kbps
Продолжительность: 2:13:06
Источник: lossless
Наличие сканов в содержимом раздачи: нет

CD1 {1:02:18}

01. Prelude No.1 en Do majeur Bwv 870 (2:22)
02. Fugue No.1 en Do majeur Bwv 870 (1:35)
03. Prelude No.2 en Do mineur Bwv 871 (2:04)
04. Fugue No.2 en Do mineur Bwv 871 (2:02)
05. Prelude No.3 en Do diese majeur Bwv 872 (1:37)
06. Fugue No.3 en Do diese majeur Bwv 872 (1:48)
07. Prelude No.4 en Do diese mineur Bwv 873 (3:38)
08. Fugue No.4 en Do diese mineur Bwv 873 (2:05)
09. Prelude No.5 en Re majeur Bwv 874 (3:17)
10. Fugue No.5 en Re majeur Bwv 874 (2:40)
11. Prelude No.6 en Re mineur Bwv 875 (1:33)
12. Fugue No.6 en Re mineur Bwv 875 (2:05)
13. Prelude No.7 en Mi bemol majeur Bwv 876 (2:27)
14. Fugue No.7 en Mi bemol majeur Bwv 876 (1:44)
15. Prelude No.8 en Mi bemol mineur Bwv 877 (3:18)
16. Fugue No.8 en Mi bemol mineur Bwv 877 (3:22)
17. Prelude No.9 en Mi majeur Bwv 878 (4:29)
18. Fugue No.9 en Mi majeur Bwv 878 (2:59)
19. Prelude No.10 en Mi mineur Bwv 879 (3:48)
20. Fugue No.10 en Mi mineur Bwv 879 (2:48)
21. Prelude No.11 en Fa majeur Bwv 880 (3:21)
22. Fugue No.11 en Fa majeur Bwv 880 (1:38)
23. Prelude No.12 en Fa mineur Bwv 881 (3:56)
24. Fugue No.12 en Fa mineur Bwv 881 (1:42)

CD2 {1:10:46}

01. Prelude No.13 en Fa diese majeur Bwv 882 (2:48)
02. Fugue No.13 en Fa diese majeur Bwv 882 (2:15)
03. Prelude No.14 en Fa diese mineur Bwv 883 (2:51)
04. Fugue No.14 en Fa diese mineur Bwv 883 (3:57)
05. Prelude No.15 en Sol majeur Bwv 884 (2:22)
06. Fugue No.15 en Sol majeur Bwv 884 (1:12)
07. Prelude No.16 en Sol mineur Bwv 885 (2:13)
08. Fugue No.16 en Sol mineur Bwv 885 (2:57)
09. Prelude No.17 en La bemol majeur Bwv 886 (3:25)
10. Fugue No.17 en La bemol majeur Bwv 886 (2:55)
11. Prelude No.18 en Sol diese mineur Bwv 887 (3:58)
12. Fugue No.18 en Sol diese mineur Bwv 887 (4:17)
13. Prelude No.19 en La majeur Bwv 888 (1:40)
14. Fugue No.19 en La majeur Bwv 888 (1:22)
15. Prelude No.20 en La mineur Bwv 889 (4:57)
16. Fugue No.20 en La mineur Bwv 889 (1:43)
17. Prelude No.21 en Si bemol majeur Bwv 890 (7:10)
18. Fugue No.21 en Si bemol majeur Bwv 890 (2:18)
19. Prelude No.22 en Si bemol mineur Bwv 891 (2:41)
20. Fugue No.22 en Si bemol mineur Bwv 891 (4:20)
21. Prelude No.23 en Si majeur Bwv 892 (1:56)
22. Fugue No.23 en Si majeur Bwv 892 (3:35)
23. Prelude No.24 en Si mineur Bwv 893 (2:01)
24. Fugue No.24 en Si mineur Bwv 893 (1:53)
Исполнители:
Zhu Xiao-Mei - piano
Recorded at Ferme de Villefavard, Villefavard (Haute-Vienne), France in April 2007.

Об альбоме (сборнике)

The second volume of J S Bach's 'Well-tempered Clavier' is the earlier volume recorded by French-Chinese pianist Zhu Xiao Mei (Volume I comes later).
This is the first 'Well-tempered Clavier' recording I heard played by a Chinese pianist. Other veteran Chinese pianists seldom (if not never) left any J S Bach reocrdings, let alone the complete 'Well-tempered Clavier'.
So Ms. Zhu's is almost the first set of this composition being done by Chinese pianist (she has an earlier Goldberg Variations recording).
Is there any 'racial difference'?
Not so much racial than cultural, i think. I have not much difficulty in discerning the Chinese (eastern) approach to this music. Yet it is also very unique - in an unique way, the Chinese approach by Zhu suits Bach's works!
It is a much more inner feeling that permeats the performance of this set, a set that I have came to love as much as S. Richter's.
There are not many good 'Volume II' recordings around, and yet Zhu's 'Volume II' seems to be even better than her 'Volume I'.
The difference is that Zhu injects even more feeling into the music in this volume. Each prelude and fugue has its own life, and breathes with an almost Zen-like philosophy. They are serene, lively, yet also stark and unmannered. The pianist never has any 'agenda' with any of the pieces - they simply breathe under her fingers. Richter's set achieves the same end - he approached them from the authentic Western perspective.
So no matter east or west, they are pure music, and that is the primary important thing about this work.
-- Abert (amazon)
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