(Baroque Oratorio) Handel - Messiah (Price, Minton, Young, Diaz - Amor Artis Chorale / English Chamber Orchestra, Somary) - 2003, APE (image+.cue) lossless


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George Frideric Handel - Messiah
Жанр: Baroque Oratorio
Страна-производитель диска: EU
Год издания диска: 2003
Издатель (лейбл): Brilliant
Номер по каталогу: 99777-11/12
Дата записи: 1971
Аудиокодек: APE
Тип рипа: image+.cue
Битрейт аудио: lossless
Продолжительность: 74'56+72'38
Источник: собственный рип
Наличие сканов в содержимом раздачи: да
Треклист:

CD1

1. Part I, No. 1; Sinfonia
2. Part I, No. 2; Recitative-Tenor: Comfort ye my people
3. Part I, No. 3; Air-Tenor: Ev'ry valley shall be exalted
4. Part I, No. 4; Chorus: And the glory, the glory of the Lord
5. Part I, No. 5; Recitative-Bass: Thus saith the Lord
6. Part I, No. 6; Air-Bass: But who may abide
7. Part I, No. 7; Chorus: And He shall purify
8. Part I, No. 8; Recitative-Alto: Behold, a virgin shall concieve
9. Part I, No. 9; Air-Alto & Chorus: O thou that tellest
10. Part I, No. 10; Recitative-Bass: For behold, darkness shall cover the earth
11. Part I, No. 11; Air-Bass: The people that walked in darkness
12. Part I, No. 12; Chorus: For unto us a child is born
13. Part I, No. 13; PIFA (Pastoral Symphony)
14. Part I, No. 14; Recitatives-Soprano: There were shepherds; And lo, the Angel of the Lord
15. Part I, No. 15; Recitative-Soprano: And the angel said unto them
16. Part I, No. 16; Recitative-Soprano: And suddenly there was the angel
17. Part I, No. 17; Chorus: Glory to God in the highest
18. Part I, No. 18; Air-Soprano: Rejoice greatly, o daughter of Zion
19. Part I, No. 19; Recitative-Alto: Then shall the eyes of the blind
20. Part I, No. 20; Duet-Alto & Soprano: And he shall feed his flock
21. Part I, No. 21; Chorus: His yoke is easy
22. Part II, No. 22; Chorus: Behold the Lamb of God
23. Part II, No. 23; Air-Alto: He was despised

CD2

1. Part II, No. 24; Chorus: Surely he hath borne our griefs
2. Part II, No. 25; Chorus: And with His stripes we are healed
3. Part II, No. 26; Chorus: All we like sheep
4. Part II, No. 27; Recitative-Tenor: All they that see Him
5. Part II, No. 28; Chorus: He trusted in God
6. Part II, No. 29; Recitative-Tenor: Thy rebuke hath broken His heart
7. Part II, No. 30; Air-Tenor: Behold, and see if there be any sorrow
8. Part II, No. 31; Recitative-Tenor: He was cut off out of the land
9. Part II, No. 32; Air-Tenor: But thou didst not leave
10. Part II, No. 33; Chorus: Lift up your heads
11. Part II, No. 34; Recitative-Tenor: Unto which of the angels
12. Part II, No. 35; Chorus: Let all the angels of God worship Him
13. Part II, No. 36; Air-Alto: Thou art gone up on high
14. Part II, No. 37; Chorus: The Lord gave the word
15. Part II, No. 38; Air-Soprano: How beautiful are the feet
16. Part II, No. 39; Chorus: Their sound is gone out
17. Part II, No. 40; Air-Bass: Why do the nations?
18. Part II, No. 41; Chorus: Let us break their bonds asunder
19. Part II, No. 42; Recitative-Tenor: He that dwelleth in heaven
20. Part II, No. 43; Air-Tenor: Thou shlat break them
21. Part II, No. 44; Chorus: Hallelujah
22. Part III, No. 45; Air-Soprano: I know that my Redeemer liveth
23. Part III, No. 46; Chorus: Since by man came death
24. Part III, No. 47; Recitative-Bass: Behold, I tell you a mystery
25. Part III, No. 48; Air-Bass: The trumpet shall sound
26. Part III, No. 49; Recitative-Alto: Then shall be brought to pass
27. Part III, No. 50; Duet-Alto & Tenor: O death, where is thy sting?
28. Part III, No. 51; Chorus: But thanks be to God
29. Part III, No. 52; Air-Soprano: If God be for us
30. Part III, No. 53; Chorus: Worthy is the Lamb...Amen
Исполнители:
George Frideric Handel - Messiah
Oratorio, HWV 56
Margaret Price (soprano)
Yvonne Minton (contralto)
Alexander Young (tenor)
Justino Diaz (bass)
Amor Artis Chorale
English Chamber Orchestra
Johannes Somary

Лог создания рипа

CD1

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CD2

Exact Audio Copy V1.0 beta 6 from 9. April 2015
EAC extraction logfile from 13. July 2015, 15:08
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Содержание индексной карты (.CUE)

CD1

REM GENRE Oratorio
REM DISCID 4D118D17
REM COMMENT "ExactAudioCopy v1.0b6"
PERFORMER "Handel"
TITLE "Messiah CD1"
FILE "Handel - Messiah CD1.ape" WAVE
TRACK 01 AUDIO
TITLE "Sinfonia Overture"
PERFORMER "Part 1 - Sinfonia"
INDEX 01 00:00:00
TRACK 02 AUDIO
TITLE "Comfort Ye My People"
PERFORMER "Part 1 - Recitative-tenor"
INDEX 01 03:08:02
TRACK 03 AUDIO
TITLE "Ev'ry Valley Shall Be Exalted"
PERFORMER "Part 1 - Aria-tenor"
INDEX 01 06:56:40
TRACK 04 AUDIO
TITLE "And the Glory, the Glory of the Lord"
PERFORMER "Part 1 - Chorus"
INDEX 01 10:53:02
TRACK 05 AUDIO
TITLE "Thus Said the Lord"
PERFORMER "Part 1 - Recitative-bass"
INDEX 01 13:30:70
TRACK 06 AUDIO
TITLE "But Who May Abide"
PERFORMER "Part 1 - Aria-bass"
INDEX 01 15:00:45
TRACK 07 AUDIO
TITLE "And He Shall Purify"
PERFORMER "Part 1 - Chorus"
INDEX 01 19:38:07
TRACK 08 AUDIO
TITLE "Behold A Virgin Shall Conceive"
PERFORMER "Part 1 - Recitative-alto"
INDEX 01 22:30:30
TRACK 09 AUDIO
TITLE "O Thou That Tellest"
PERFORMER "Part 1 - Aria-alto & chorus"
INDEX 01 23:01:45
TRACK 10 AUDIO
TITLE "For Behold, Darkness Shall Cover The Earth"
PERFORMER "Part 1 - Recitative-bass"
INDEX 01 29:16:25
TRACK 11 AUDIO
TITLE "The People That Walked In Darkness"
PERFORMER "Part 1 - Aria-bass"
INDEX 01 30:54:47
TRACK 12 AUDIO
TITLE "For Unto Us A Child Is Born"
PERFORMER "Part 1 - Chorus"
INDEX 01 35:19:45
TRACK 13 AUDIO
TITLE "Pifa (Pastoral symphony)"
PERFORMER "Part 1"
INDEX 01 39:33:40
TRACK 14 AUDIO
TITLE "There Were Shepherds"
PERFORMER "Part 1 - Recitative-soprano"
INDEX 01 43:16:25
TRACK 15 AUDIO
TITLE "And The Angel Said Unto Them"
PERFORMER "Part 1 - Recitative-soprano"
INDEX 01 44:03:35
TRACK 16 AUDIO
TITLE "And Suddenly There Was With The Angel"
PERFORMER "Part 1 - Recitative-soprano"
INDEX 01 44:40:65
TRACK 17 AUDIO
TITLE "Glory To God In The Highest"
PERFORMER "Part 1 - Chorus"
INDEX 01 45:01:40
TRACK 18 AUDIO
TITLE "Rejoice Greatly, O Daughter Of Zion"
PERFORMER "Part 1 - Aria-soprano"
INDEX 01 46:41:40
TRACK 19 AUDIO
TITLE "Then Shall The Eyes Of The Blind"
PERFORMER "Part 1 - Recitative-alto"
INDEX 01 51:45:25
TRACK 20 AUDIO
TITLE "And He Shall Feed His Flock"
PERFORMER "Part 1 - Duet alto & soprano"
INDEX 01 52:19:42
TRACK 21 AUDIO
TITLE "His Yoke Is Easy"
PERFORMER "Part 1 - Chorus"
INDEX 00 58:05:22
INDEX 01 58:05:62
TRACK 22 AUDIO
TITLE "Behold the Lamb of God"
PERFORMER "Part 2 - Chorus"
INDEX 00 60:53:00
INDEX 01 60:55:10
TRACK 23 AUDIO
TITLE "He Was Despised"
PERFORMER "Part 2 - Aria-alto"
INDEX 01 63:56:32

CD2

REM GENRE Oratorio
REM DISCID E312231E
REM COMMENT "ExactAudioCopy v1.0b6"
PERFORMER "Handel"
TITLE "Messiah CD2"
FILE "Handel - Messiah CD2.ape" WAVE
TRACK 01 AUDIO
TITLE "Surely he hath borne our grieves"
PERFORMER "Part 2 - Chorus"
INDEX 01 00:00:00
TRACK 02 AUDIO
TITLE "And with his stripes we are healed"
PERFORMER "Part 2 - Chorus"
INDEX 01 03:14:70
TRACK 03 AUDIO
TITLE "All we like sheep"
PERFORMER "Part 2 - Chorus"
INDEX 01 04:54:17
TRACK 04 AUDIO
TITLE "All they that see Him"
PERFORMER "Part 2 - Recitative-tenor"
INDEX 01 08:24:72
TRACK 05 AUDIO
TITLE "He trusted in God"
PERFORMER "Part 2 - Chorus"
INDEX 01 09:10:45
TRACK 06 AUDIO
TITLE "They rebuke hath broken His heart"
PERFORMER "Part 2 - Recitative-tenor"
INDEX 01 11:12:72
TRACK 07 AUDIO
TITLE "Behold, and see if there be any sorrow"
PERFORMER "Part 2 - Aria-tenor"
INDEX 01 13:07:12
TRACK 08 AUDIO
TITLE "He was cut off out of the land"
PERFORMER "Part 2 - Recitative-tenor"
INDEX 01 14:52:12
TRACK 09 AUDIO
TITLE "But thou didst not leave"
PERFORMER "Part 2 - Aria-tenor"
INDEX 01 15:15:62
TRACK 10 AUDIO
TITLE "Lift up your heads"
PERFORMER "Part 2 - Chorus"
INDEX 01 17:53:72
TRACK 11 AUDIO
TITLE "Unto which of the angels"
PERFORMER "Part 2 - Recitative-tenor"
INDEX 01 21:07:25
TRACK 12 AUDIO
TITLE "Let all the angels of God worship Him"
PERFORMER "Part 2 - Chorus"
INDEX 01 21:26:50
TRACK 13 AUDIO
TITLE "Thou art gone up on high"
PERFORMER "Part 2 - Aria-alto"
INDEX 01 22:44:22
TRACK 14 AUDIO
TITLE "The Lord gave the word"
PERFORMER "Part 2 - Chorus"
INDEX 01 26:04:50
TRACK 15 AUDIO
TITLE "How beautiful are the feet"
PERFORMER "Part 2 - Aria-soprano"
INDEX 01 27:12:67
TRACK 16 AUDIO
TITLE "Their sound is gone out"
PERFORMER "Part 2 - Chorus"
INDEX 01 30:14:57
TRACK 17 AUDIO
TITLE "Why do the nations?"
PERFORMER "Part 2 - Aria-bass"
INDEX 01 31:28:65
TRACK 18 AUDIO
TITLE "Let us break their bonds asunder"
PERFORMER "Part 2 - Chorus"
INDEX 01 34:27:05
TRACK 19 AUDIO
TITLE "He that dwelleth in heaven"
PERFORMER "Part 2 - Recitative-tenor"
INDEX 01 36:19:02
TRACK 20 AUDIO
TITLE "Thou shalt break them"
PERFORMER "Part 2 - Aria-tenor"
INDEX 01 36:35:45
TRACK 21 AUDIO
TITLE "Hallelujah"
PERFORMER "Part 2 - Chorus"
INDEX 01 38:51:42
TRACK 22 AUDIO
TITLE "I know that my Redeemer liveth"
PERFORMER "Part 3 - Aria-soprano"
INDEX 00 42:28:45
INDEX 01 42:29:62
TRACK 23 AUDIO
TITLE "Since by man came death"
PERFORMER "Part 3 - Chorus"
INDEX 01 49:47:65
TRACK 24 AUDIO
TITLE "Behold, I tell you a mystery"
PERFORMER "Part 3 - Recitative-bass"
INDEX 01 51:46:72
TRACK 25 AUDIO
TITLE "The trumpet shall sound"
PERFORMER "Part 3 - Aria-bass"
INDEX 01 52:29:40
TRACK 26 AUDIO
TITLE "Then shall be brought to pass"
PERFORMER "Part 3 - Recitative-alto"
INDEX 01 61:13:70
TRACK 27 AUDIO
TITLE "O death, where is thy sting"
PERFORMER "Part 3 - Duel alto & tenor"
INDEX 01 61:33:50
TRACK 28 AUDIO
TITLE "But thanks be to God"
PERFORMER "Part 3 - Chorus"
INDEX 01 62:44:30
TRACK 29 AUDIO
TITLE "If God be for us"
PERFORMER "Part 3 - Aria-soprano"
INDEX 01 65:09:50
TRACK 30 AUDIO
TITLE "Worthy is the lamb... Amen"
PERFORMER "Part 3 - Chorus"
INDEX 01 70:39:17
Доп. информация:
Despite its popularity, ‘Messiah’ is atypical of Handel’s oratorios.
‘Messiah’ was written at a time when he was producing a masterly sequence of dramatic oratorios which are nearly stage works.
But, strictly, it has no dramatic structure (though it does have drama).
Instead, Jennens’ fine assemble of scriptural texts explores a series of themes relating to the Messiah.
But the circumstances surrounding its creation were unusual as well.
Written for Handel’s trip to Dublin, the initial version was sketched out for four unknown soloists, hence the soprano, alto, tenor, bass line-up.
Handel’s usual method was to write for the soloists that he knew he would be likely to have available for the forthcoming season.
But the Dublin trip was different, Handel was taking a welcome respite from problems in London, there were even rumours in the press that he was going to quit London.
So he took with him a work suitable for a group of, as yet, unspecified soloists and in a dramatic form that was unusual.
Though a success in Dublin, when the work finally reached London it was not a great success.
The scriptural nature of the text disturbed some people.
And Jennens was never completely reconciled to it.
Amazingly, in the light of the work’s subsequent popularity, he considered some of the music did not rise to the sublimity of the text.
The performance recorded here is in many ways traditional, large forces play at slowish speeds.
But Somary’s speeds, though on the moderate side, are generally acceptable and sometimes they are ideal.
The Amor Artis Chorale give us a very big sound, but manage to sing with shape and style and most importantly, with a springy rhythmic bounce.
They make a good choral society sound, with a firm alto line.
The tenors are quite strong, but they can sound a little strained in the higher lying passages.
The choir’s sound has rather more vibrato than would be used in Handel nowadays.
The English Chamber Orchestra play in a very stylish manner.
In the right hands the soprano’s opening recitatives can be one of the high points of ‘Messiah’ and Margaret Price gives a ravishing account of them.
Somary’s speeds here are ideal and this continues into the ‘Glory to God’ chorus.
Price and Somary also give a fine account of ‘Rejoice Greatly’, sung in the familiar common time version.
Her phrasing is a times rather romantic rather than baroque, but all of her solos are a joy to listen to.
Yvonne Minton is similarly impressive, her opening recitative ‘Behold a virgin shall conceive’ is sung with a creamy tone and a shapely line.
And this high standard continues into the following aria.
‘He was despised’ is sung at a surprisingly modern speed it is finely done but does not quite raise the hairs on the back of your neck.
Tenor, Alexander Young, opens the work with a recitative characterised by great beauty of tone and a lovely shape.
The Bass, Justino Diaz, is the most variable of the soloists.
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