(Baroque Oratorio) Handel - Solomon (Armstrong, Palmer, Tear, Diaz - Amor Artis Chorale / English Chamber Orchestra, Somary) - 2003, APE (image+.cue) lossless


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George Frideric Handel (1685-1759) - Solomon
Жанр: Baroque Oratorio
Страна-производитель диска: EU
Год издания диска: 2003
Издатель (лейбл): Brilliant Classics
Номер по каталогу: 99777-6/7
Дата записи: 1973
Аудиокодек: APE
Тип рипа: image+.cue
Битрейт аудио: lossless
Продолжительность: 77'30+74'60
Источник: собственный рип
Наличие сканов в содержимом раздачи: да
Треклист:

CD1

1. Overture
2. ACT 1 - Scene 1 - Chorus of Priests
3. ACT 1 - Scene 1 - A Levite
4. ACT 1 - Scene 1 - Chorus
5. ACT 1 - Scene 1 - Recitative Solomon
6. ACT 1 - Scene 1 - Recitative & Aria Zadok
7. ACT 1 - Scene 1 - Chorus
8. ACT 1 - Scene 1 - Recitative & Aria Solomon
9. ACT 1 - Scene 2 - Recitative Solomon, Aria Queen of Sheba
10. ACT 1 - Scene 2 - Recitative Solomon, Queen of Sheba
11. ACT 1 - Scene 2 - Recitative & Aria, Solomon
12. ACT 1 - Scene 2 - Recitative & Aria Queen of Sheba
13. ACT 1 - Scene 2 - Recitative Zadok, Chorus
14. ACT 2 - Scene 1 - Chorus
15. ACT 2 - Scene 1 - Recitative & Aria, Solomon
16. ACT 2 - Scene 2 - Recitative Attendant, Solomon, Aria 1st & 2nd Harlot, Trio ...

CD2

1. Act 2 - Scene 2 - Recitative & Aria, Solomon and 2nd Harlot
2. Act 2 - Scene 2 - Recitative & Aria, 1st Harlot
3. Act 2 - Scene 2 - Recitative Solomon, 1st Harlot, Solomon
4. Act 2 - Scene 2 - Chorus
5. Act 2 - Scene 2 - Recitative & Aria, Zadok
6. Act 2 - Scene 2 - Recitative & Aria, 1st Harlot
7. Act 2 - Scene 2 - Chorus
8. Act 3 - Sinfonia
9. Act 3 - Scene 1 - Recitative & Aria, Queen of Sheba, Solomon, Chorus
10. Act 3 - Scene 1 - Aria Solomon, Chorus
11. Act 3 - Scene 1 - Recitative Solomon, Chorus
12. Act 3 - Scene 1 - Recitative Solomon, Chorus
13. Act 3 - Scene 1 - Recitative & Aria, Queen of Sheba
14. Act 3 - Scene 1 - Recitative & Aria, Zadok
15. Act 3 - Scene 1 - Recitative & Aria, Queen of Sheba
16. Act 3 - Scene 1 - Recitative & Aria, Solomon and Queen of Sheba, Chorus
Исполнители:
George Frideric Handel (1685-1759) - Solomon
Oratorio in 3 Acts
Pharaoh's daughter - Sheila Armstrong (soprano)
First Harlot - Sheila Armstrong (soprano)
Nicaule, Queen of Sheba - Sheila Armstrong (soprano)
Second Harlot - Felicity Palmer (mezzo-soprano)
Zadok, the High Priest - Robert Tear (tenor)
Solomon - Justino Diaz (bass)
A Levite- Michael Rippon (bass)
Amor Artis Chorale
English Chamber Orchestra
Johannes Somary

Лог создания рипа

CD1

Exact Audio Copy V1.0 beta 6 from 9. April 2015
EAC extraction logfile from 1. July 2015, 16:43
Handel / Solomon CD1
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==== Log checksum 5BC6C572C303020D8B0E6FB6061DEDF4B1AF7471AC39C4F57699C26322595D81 ====

CD2

Exact Audio Copy V1.0 beta 6 from 9. April 2015
EAC extraction logfile from 1. July 2015, 19:53
Handel / Solomon CD2
Used drive : TSSTcorpCDDVDW SE-208AB Adapter: 1 ID: 2
Read mode : Secure
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==== Log checksum 5B5CB1D3E883DE4519E1CED252594E0F5747B1F16B3446AB2BE91C393107EE82 ====

Содержание индексной карты (.CUE)

CD1

REM GENRE Oratorio
REM DISCID DB122A10
REM COMMENT "ExactAudioCopy v1.0b6"
PERFORMER "Handel"
TITLE "Solomon CD1"
FILE "Handel - Solomon CD1.ape" WAVE
TRACK 01 AUDIO
TITLE "Overture"
PERFORMER "Diaz, Armstrong, Tear - Amor Artis Chorale_English Chamber Orchestra, Somary"
INDEX 01 00:00:00
TRACK 02 AUDIO
TITLE "ACT 1 - Scene 1 - Chorus of Priests"
PERFORMER "Diaz, Armstrong, Tear - Amor Artis Chorale_English Chamber Orchestra, Somary"
INDEX 01 06:31:52
TRACK 03 AUDIO
TITLE "ACT 1 - Scene 1 - A Levite"
PERFORMER "Diaz, Armstrong, Tear - Amor Artis Chorale_English Chamber Orchestra, Somary"
INDEX 01 10:09:42
TRACK 04 AUDIO
TITLE "ACT 1 - Scene 1 - Chorus"
PERFORMER "Diaz, Armstrong, Tear - Amor Artis Chorale_English Chamber Orchestra, Somary"
INDEX 01 15:39:37
TRACK 05 AUDIO
TITLE "ACT 1 - Scene 1 - Recitative Solomon"
PERFORMER "Diaz, Armstrong, Tear - Amor Artis Chorale_English Chamber Orchestra, Somary"
INDEX 01 20:58:70
TRACK 06 AUDIO
TITLE "ACT 1 - Scene 1 - Recitative & Aria Zadok"
PERFORMER "Diaz, Armstrong, Tear - Amor Artis Chorale_English Chamber Orchestra, Somary"
INDEX 01 23:59:25
TRACK 07 AUDIO
TITLE "ACT 1 - Scene 1 - Chorus"
PERFORMER "Diaz, Armstrong, Tear - Amor Artis Chorale_English Chamber Orchestra, Somary"
INDEX 01 30:09:45
TRACK 08 AUDIO
TITLE "ACT 1 - Scene 1 - Recitative & Aria Solomon"
PERFORMER "Diaz, Armstrong, Tear - Amor Artis Chorale_English Chamber Orchestra, Somary"
INDEX 01 32:28:65
TRACK 09 AUDIO
TITLE "ACT 1 - Scene 2 - Recitative Solomon, Aria Queen of Sheba"
PERFORMER "Diaz, Armstrong, Tear - Amor Artis Chorale_English Chamber Orchestra, Somary"
INDEX 01 39:10:27
TRACK 10 AUDIO
TITLE "ACT 1 - Scene 2 - Recitative Solomon, Queen of Sheba"
PERFORMER "Diaz, Armstrong, Tear - Amor Artis Chorale_English Chamber Orchestra, Somary"
INDEX 01 45:52:50
TRACK 11 AUDIO
TITLE "ACT 1 - Scene 2 - Recitative & Aria, Solomon"
PERFORMER "Diaz, Armstrong, Tear - Amor Artis Chorale_English Chamber Orchestra, Somary"
INDEX 01 50:40:35
TRACK 12 AUDIO
TITLE "ACT 1 - Scene 2 - Recitative & Aria Queen of Sheba"
PERFORMER "Diaz, Armstrong, Tear - Amor Artis Chorale_English Chamber Orchestra, Somary"
INDEX 01 54:49:07
TRACK 13 AUDIO
TITLE "ACT 1 - Scene 2 - Recitative Zadok, Chorus"
PERFORMER "Diaz, Armstrong, Tear - Amor Artis Chorale_English Chamber Orchestra, Somary"
INDEX 01 57:36:12
TRACK 14 AUDIO
TITLE "ACT 2 - Scene 1 - Chorus"
PERFORMER "Diaz, Armstrong, Tear - Amor Artis Chorale_English Chamber Orchestra, Somary"
INDEX 01 61:30:32
TRACK 15 AUDIO
TITLE "ACT 2 - Scene 1 - Recitative & Aria, Solomon"
PERFORMER "Diaz, Armstrong, Tear - Amor Artis Chorale_English Chamber Orchestra, Somary"
INDEX 01 66:29:65
TRACK 16 AUDIO
TITLE "ACT 2 - Scene 2 - Recitative Attendant, Solomon, Aria 1st & 2nd Harlot, Trio ..."
PERFORMER "Diaz, Armstrong, Tear - Amor Artis Chorale_English Chamber Orchestra, Somary"
INDEX 01 71:14:37

CD2

REM GENRE Oratorio
REM DISCID F4118810
REM COMMENT "ExactAudioCopy v1.0b6"
PERFORMER "Handel"
TITLE "Solomon CD2"
FILE "Handel - Solomon CD2.ape" WAVE
TRACK 01 AUDIO
TITLE "Act 2 - Scene 2 - Recitative & Aria, Solomon and 2nd Harlot"
PERFORMER "Diaz, Armstrong, Tear - Amor Artis Chorale_English Chamber Orchestra, Somary"
INDEX 01 00:00:00
TRACK 02 AUDIO
TITLE "Act 2 - Scene 2 - Recitative & Aria, 1st Harlot"
PERFORMER "Diaz, Armstrong, Tear - Amor Artis Chorale_English Chamber Orchestra, Somary"
INDEX 01 04:28:70
TRACK 03 AUDIO
TITLE "Act 2 - Scene 2 - Recitative Solomon, 1st Harlot, Solomon"
PERFORMER "Diaz, Armstrong, Tear - Amor Artis Chorale_English Chamber Orchestra, Somary"
INDEX 01 09:44:20
TRACK 04 AUDIO
TITLE "Act 2 - Scene 2 - Chorus"
PERFORMER "Diaz, Armstrong, Tear - Amor Artis Chorale_English Chamber Orchestra, Somary"
INDEX 01 15:55:05
TRACK 05 AUDIO
TITLE "Act 2 - Scene 2 - Recitative & Aria, Zadok"
PERFORMER "Diaz, Armstrong, Tear - Amor Artis Chorale_English Chamber Orchestra, Somary"
INDEX 01 19:07:25
TRACK 06 AUDIO
TITLE "Act 2 - Scene 2 - Recitative & Aria, 1st Harlot"
PERFORMER "Diaz, Armstrong, Tear - Amor Artis Chorale_English Chamber Orchestra, Somary"
INDEX 01 25:28:07
TRACK 07 AUDIO
TITLE "Act 2 - Scene 2 - Chorus"
PERFORMER "Diaz, Armstrong, Tear - Amor Artis Chorale_English Chamber Orchestra, Somary"
INDEX 01 33:32:27
TRACK 08 AUDIO
TITLE "Act 3 - Sinfonia"
PERFORMER "Diaz, Armstrong, Tear - Amor Artis Chorale_English Chamber Orchestra, Somary"
INDEX 01 36:35:00
TRACK 09 AUDIO
TITLE "Act 3 - Scene 1 - Recitative & Aria, Queen of Sheba, Solomon, Chorus"
PERFORMER "Diaz, Armstrong, Tear - Amor Artis Chorale_English Chamber Orchestra, Somary"
INDEX 01 39:50:02
TRACK 10 AUDIO
TITLE "Act 3 - Scene 1 - Aria Solomon, Chorus"
PERFORMER "Diaz, Armstrong, Tear - Amor Artis Chorale_English Chamber Orchestra, Somary"
INDEX 01 45:03:62
TRACK 11 AUDIO
TITLE "Act 3 - Scene 1 - Recitative Solomon, Chorus"
PERFORMER "Diaz, Armstrong, Tear - Amor Artis Chorale_English Chamber Orchestra, Somary"
INDEX 01 46:55:42
TRACK 12 AUDIO
TITLE "Act 3 - Scene 1 - Recitative Solomon, Chorus"
PERFORMER "Diaz, Armstrong, Tear - Amor Artis Chorale_English Chamber Orchestra, Somary"
INDEX 01 51:06:50
TRACK 13 AUDIO
TITLE "Act 3 - Scene 1 - Recitative & Aria, Queen of Sheba"
PERFORMER "Diaz, Armstrong, Tear - Amor Artis Chorale_English Chamber Orchestra, Somary"
INDEX 01 55:18:07
TRACK 14 AUDIO
TITLE "Act 3 - Scene 1 - Recitative & Aria, Zadok"
PERFORMER "Diaz, Armstrong, Tear - Amor Artis Chorale_English Chamber Orchestra, Somary"
INDEX 01 56:33:15
TRACK 15 AUDIO
TITLE "Act 3 - Scene 1 - Recitative & Aria, Queen of Sheba"
PERFORMER "Diaz, Armstrong, Tear - Amor Artis Chorale_English Chamber Orchestra, Somary"
INDEX 01 60:47:62
TRACK 16 AUDIO
TITLE "Act 3 - Scene 1 - Recitative & Aria, Solomon and Queen of Sheba, Chorus"
PERFORMER "Diaz, Armstrong, Tear - Amor Artis Chorale_English Chamber Orchestra, Somary"
INDEX 01 66:26:47
Доп. информация:
Handel wrote 'Solomon' after a group of martial oratorios to texts by the Revd. Thomas Morrell. Morrell's libretti all helped Handel to mine the national mood in the wake of the 1745 Jacobite uprising and Cumberland's subsequent victory. But Morrell's rather broad-brush libretti restricted the scope of Handel's writing. For his next pair of oratorios ('Solomon' and 'Susanna') Handel turned to another, anonymous librettist. It is one of the curiosities of Handel's life that despite the not inconsiderable documentation for some areas of his career, there are glaring lacunae such as this.
The librettist for 'Solomon' may have been Newburgh Hamilton who did the necessary alterations to the original texts on which were based 'Alexander's Feast' and 'Semele'. The libretti for 'Solomon' and 'Susanna' have much in common, particularly their use of descriptions of Nature and the Natural world. Handel was quite susceptible to such sentiments and produced some highly evocative music in both the works. Morell's libretti tended to be rather full of pious platitudes and abstract ideas. So it is not surprising that given the libretto to 'Solomon', Handel gives us a wonderfully rich piece with double choruses and a remarkably large orchestra (Strings, flutes, oboes, bassoons, horns, trumpets and timpani). Though he uses his orchestra with remarkable restraint, the trumpets and drums not performing until the opening of Act II.
'Solomon' is based on II Chronicles and I Kings together with a few hints from Josephus's Antiquities of the Jews and is essentially an undramatic piece. In Act I, Solomon and Zadok, the High Priest celebrate the completion of the Temple. Solomon goes on to consummate his marriage with Pharaoh's daughter. This later section is remarkable for the explicitness with which it hymns the joys of the marriage bed (Something that may have led Handel to drop this act entirely when he revived the piece later on in his career). Act II deals with the story of Solomon's judgement of the case of the two harlots, each one laying claim to a baby. This is the only dramatic section in the oratorio. Act III starts with the famous Arrival of the Queen of Sheba and the remainder of the act details her visit and Solomon's entertainment for her. 'Solomon' may have had an underlying narrative in glorifying the Augustan Age of George II, but given that we have little basic knowledge about the genesis of the oratorio, such ideas must remain suppositions. What the piece does do though, is give us a picture of a golden age, picturing its religion, the bliss of happy marriage, justice, noble buildings and lovely countryside along with the envy of neighbouring states.
Sheila Armstrong is by turns ravishing, appealing and charming as the three heroines (Pharaoh's daughter, the first Harlot and the Queen of Sheba).
Handel almost certainly viewed Solomon principally as a lover, after all there is no martial element in the in the oratorio. As in the operas, lovers were almost certainly high voices. It is unlikely that he was constrained by available personnel, after all if he had wanted Solomon to be a low voice then he could simply have allocated the alto to one of the priestly roles, something he did in other oratorios. Solomon was originally sung by a female contralto, but on recent recordings the role has most successfully been sung by both female and male altos. On this recording the role is sung by a bass. Diaz has a very dark voice, which renders Solomon even less youthful than would have been the case with a lighter voiced baritone. His English is admirable but, coupled with the illogical tessitura, the slight accent unfortunately becomes just another thing to get annoyed about. Singing solo he makes a decent stylist, it is just a pity that he was not singing a real bass part.
As Zadok, Robert Tear is in bright, fearless form. In the passage work, he was probably attempting to give the notes a little more weight, commensurate with the nature of the general performance. As a Levite Michael Rippon performs decently, but occasionally sounds uncomfortable.
The English Chamber Orchestra turn in another stylish performance. A little heavy by today's standards, but the orchestral contribution remains one of the most listenable parts of this recording. Somary's speeds remain on the steady side without ever getting too heavy.
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