(Modern Classical, Vocal Music, Medieval) Voxnova - Scelsi, Byzantium, The Alchemists (Giacinto Scelsi, Latin Prayers, Michael Maier) - 1994, FLAC (tracks+.cue) lossless


 

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Voxnova - Scelsi, Byzantium, The Alchemists (Giacinto Scelsi, Latin Prayers, Michael Maier)
Жанр: Modern Classical, Vocal Music, Medieval
Страна-производитель диска: Switzerland
Год издания диска: 1994
Издатель (лейбл): Hat Hut Records
Номер по каталогу: hat ART CD 6148
Дата записи: 1993
Аудиокодек: FLAC
Тип рипа: tracks+.cue
Битрейт аудио: lossless
Продолжительность: 48:51
Источник: собственный рип
Наличие сканов в содержимом раздачи: нет
Треклист:
1. Byzantine Alleluia Of The Roman Rite (ca. 700 AD) 8:54
Five Fugues From Atlanta Fugiens by the Alchemist Michael Maier
2. No. 1 1:08
3. No. 2 1:07
4. No. 3 2:28
5. No. 4 2:14
6. No. 5 2:22
Giacinto Scelsi
Three Songs Of Capricorn
7. I Bass + Thai Gong In F 3:12
8. II Bass 3:51
9. III Bass 3:13
10. CKCKC I Bariton Playing A Mandolin As Percussion 2:01
11. CKCKC II Bariton Playing A Mandolin As Percussion 2:50
12. Le Grand Sanctuaire I Tenor 1:51
13. Le Grand Sanctuaire II Tenor 1:17
Three Latin Prayers (Three Male Voices In Unison)
14. I 3:57
15. II 2:55
16. III 5:55
Исполнители:
Voxnova:
Nicholas Isherwood: bass
Julian Pike: tenor
Pascal Sausy: bariton

Лог создания рипа

Exact Audio Copy V1.0 beta 3 from 29. August 2011
EAC extraction logfile from 20. July 2014, 22:48
Voxnova / Scelsi, Byzantium, The Alchemists
Used drive : PIONEER DVD-RW DVR-115D Adapter: 0 ID: 0
Read mode : SecureUtilize accurate stream : YesDefeat audio cache : YesMake use of C2 pointers : No
Read offset correction : 48Overread into Lead-In and Lead-Out : NoFill up missing offset samples with silence : YesDelete leading and trailing silent blocks : NoNull samples used in CRC calculations : YesUsed interface : Installed external ASPI interfaceGap handling : Appended to previous track
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TOC of the extracted CD
Track | Start | Length | Start sector | End sector --------------------------------------------------------- 1 | 0:00.00 | 9:04.62 | 0 | 40861 2 | 9:04.62 | 1:08.00 | 40862 | 45961 3 | 10:12.62 | 1:07.00 | 45962 | 50986 4 | 11:19.62 | 2:28.00 | 50987 | 62086 5 | 13:47.62 | 2:14.00 | 62087 | 72136 6 | 16:01.62 | 1:30.00 | 72137 | 78886 7 | 17:31.62 | 3:12.00 | 78887 | 93286 8 | 20:43.62 | 3:51.00 | 93287 | 110611 9 | 24:34.62 | 3:21.00 | 110612 | 125686 10 | 27:55.62 | 2:01.00 | 125687 | 134761 11 | 29:56.62 | 2:59.00 | 134762 | 148186 12 | 32:55.62 | 1:51.00 | 148187 | 156511 13 | 34:46.62 | 1:17.00 | 156512 | 162286 14 | 36:03.62 | 3:57.00 | 162287 | 180061 15 | 40:00.62 | 2:55.00 | 180062 | 193186 16 | 42:55.62 | 5:55.13 | 193187 | 219824
Track 1
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Peak level 36.9 % Extraction speed 4.6 X Track quality 99.9 % Test CRC 5D8B644A Copy CRC 5D8B644A Accurately ripped (confidence 1) [83CFD9A0] (AR v1) Copy OK
Track 2
Filename D:\zzz\02 - Five Fugues From Atlanta Fugiens - No. 1.wav
Pre-gap length 0:00:09.62
Peak level 45.0 % Extraction speed 3.7 X Track quality 100.0 % Test CRC 284E0522 Copy CRC 284E0522 Accurately ripped (confidence 1) [D3F4E1A8] (AR v1) Copy OK
Track 3
Filename D:\zzz\03 - Five Fugues From Atlanta Fugiens - No. 2.wav
Peak level 39.7 % Extraction speed 3.8 X Track quality 100.0 % Test CRC 2129A7AD Copy CRC 2129A7AD Accurately ripped (confidence 1) [DC5F91BB] (AR v1) Copy OK
Track 4
Filename D:\zzz\04 - Five Fugues From Atlanta Fugiens - No. 3.wav
Peak level 48.5 % Extraction speed 4.9 X Track quality 100.0 % Test CRC E3BDFC9F Copy CRC E3BDFC9F Accurately ripped (confidence 1) [9E396453] (AR v1) Copy OK
Track 5
Filename D:\zzz\05 - Five Fugues From Atlanta Fugiens - No. 4.wav
Peak level 45.2 % Extraction speed 5.0 X Track quality 100.0 % Test CRC 4AAEE25A Copy CRC 4AAEE25A Accurately ripped (confidence 1) [E4E18140] (AR v1) Copy OK
Track 6
Filename D:\zzz\06 - Five Fugues From Atlanta Fugiens - No. 5.wav
Peak level 51.2 % Extraction speed 4.5 X Track quality 100.0 % Test CRC 853BE6EE Copy CRC 853BE6EE Accurately ripped (confidence 1) [867DE6E7] (AR v1) Copy OK
Track 7
Filename D:\zzz\07 - Three Songs Of Capricorn I.wav
Pre-gap length 0:00:07.62
Peak level 100.0 % Extraction speed 5.7 X Track quality 100.0 % Test CRC 3400B9E2 Copy CRC 3400B9E2 Accurately ripped (confidence 1) [3147A5EB] (AR v1) Copy OK
Track 8
Filename D:\zzz\08 - Three Songs Of Capricorn II.wav
Peak level 38.0 % Extraction speed 6.0 X Track quality 100.0 % Test CRC 14347FF0 Copy CRC 14347FF0 Accurately ripped (confidence 1) [54FEBC5C] (AR v1) Copy OK
Track 9
Filename D:\zzz\09 - Three Songs Of Capricorn III.wav
Peak level 77.2 % Extraction speed 6.2 X Track quality 100.0 % Test CRC 8A783E24 Copy CRC 8A783E24 Accurately ripped (confidence 1) [67B1F472] (AR v1) Copy OK
Track 10
Filename D:\zzz\10 - CKCKC I.wav
Pre-gap length 0:00:07.62
Peak level 97.8 % Extraction speed 5.7 X Track quality 100.0 % Test CRC 735336E2 Copy CRC 735336E2 Accurately ripped (confidence 1) [63145487] (AR v1) Copy OK
Track 11
Filename D:\zzz\11 - CKCKC II.wav
Peak level 100.0 % Extraction speed 6.4 X Track quality 100.0 % Test CRC D00C6460 Copy CRC D00C6460 Accurately ripped (confidence 1) [C3BA0AB0] (AR v1) Copy OK
Track 12
Filename D:\zzz\12 - Le Grand Sanctuaire I.wav
Pre-gap length 0:00:08.62
Peak level 27.9 % Extraction speed 5.9 X Track quality 100.0 % Test CRC 6F82BE35 Copy CRC 6F82BE35 Accurately ripped (confidence 1) [E61043CF] (AR v1) Copy OK
Track 13
Filename D:\zzz\13 - Le Grand Sanctuaire II.wav
Peak level 32.7 % Extraction speed 4.1 X Track quality 99.8 % Test CRC F82057ED Copy CRC F82057ED Accurately ripped (confidence 1) [AF00ED96] (AR v1) Copy OK
Track 14
Filename D:\zzz\14 - Three Latin Prayers I.wav
Peak level 11.3 % Extraction speed 7.0 X Track quality 100.0 % Test CRC D8BFBDC1 Copy CRC D8BFBDC1 Accurately ripped (confidence 1) [ACCE1658] (AR v1) Copy OK
Track 15
Filename D:\zzz\15 - Three Latin Prayers II.wav
Peak level 13.2 % Extraction speed 6.8 X Track quality 100.0 % Test CRC 6865D065 Copy CRC 6865D065 Accurately ripped (confidence 1) [2BCA0C35] (AR v1) Copy OK
Track 16
Filename D:\zzz\16 - Three Latin Prayers III.wav
Peak level 17.1 % Extraction speed 7.8 X Track quality 100.0 % Test CRC E75079F8 Copy CRC E75079F8 Accurately ripped (confidence 1) [C3C1D56B] (AR v1) Copy OK
All tracks accurately ripped
No errors occurred
End of status report
==== Log checksum 4FF97EB432E73E320FCF1FE55F406422431BCFE5A80FE26B538FB9A566DC4429 ====

Содержание индексной карты (.CUE)

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Лог проверки качества

d:\>d:\aucdtect -d/-m0 d:\zzz\*.wavauCDtect: CD records authenticity detector, version 0.8.2Copyright (c) 2004 Oleg Berngardt. All rights reserved.Copyright (c) 2004 Alexander Djourik. All rights reserved.------------------------------------------------------------Processing file: [01. Byzantine Alleluia Of The Roman Rite.wav]
------------------------------------------------------------This track looks like CDDA with probability 100%
------------------------------------------------------------Processing file: [02. Five Fugues From Atlanta Fugiens - No. 1.wav]
------------------------------------------------------------This track looks like CDDA with probability 99%
------------------------------------------------------------Processing file: [03. Five Fugues From Atlanta Fugiens - No. 2.wav]
------------------------------------------------------------This track looks like CDDA with probability 100%
------------------------------------------------------------Processing file: [04. Five Fugues From Atlanta Fugiens - No. 3.wav]
------------------------------------------------------------This track looks like CDDA with probability 100%
------------------------------------------------------------Processing file: [05. Five Fugues From Atlanta Fugiens - No. 4.wav]
------------------------------------------------------------This track looks like CDDA with probability 100%
------------------------------------------------------------Processing file: [06. Five Fugues From Atlanta Fugiens - No. 5.wav]
------------------------------------------------------------This track looks like CDDA with probability 100%
------------------------------------------------------------Processing file: [07. Three Songs Of Capricorn I.wav]
------------------------------------------------------------This track looks like CDDA with probability 100%
------------------------------------------------------------Processing file: [08. Three Songs Of Capricorn II.wav]
------------------------------------------------------------This track looks like CDDA with probability 100%
------------------------------------------------------------Processing file: [09. Three Songs Of Capricorn III.wav]
------------------------------------------------------------This track looks like CDDA with probability 99%
------------------------------------------------------------Processing file: [10. CKCKC I.wav]
------------------------------------------------------------This track looks like CDDA with probability 100%
------------------------------------------------------------Processing file: [11. CKCKC II.wav]
------------------------------------------------------------This track looks like CDDA with probability 100%
------------------------------------------------------------Processing file: [12. Le Grand Sanctuaire I.wav]
------------------------------------------------------------This track looks like CDDA with probability 100%
------------------------------------------------------------Processing file: [13. Le Grand Sanctuaire II.wav]
------------------------------------------------------------This track looks like CDDA with probability 99%
------------------------------------------------------------Processing file: [14. Three Latin Prayers I.wav]
------------------------------------------------------------This track looks like CDDA with probability 100%
------------------------------------------------------------Processing file: [15. Three Latin Prayers II.wav]
------------------------------------------------------------This track looks like CDDA with probability 100%
------------------------------------------------------------Processing file: [16. Three Latin Prayers III.wav]
------------------------------------------------------------This track looks like CDDA with probability 100%
------------------------------------------------------------Final Conclusion:------------------------------------------------------------These tracks looks like CDDA with probability 100%
Доп. информация:

Album Info & AMG Review

Co-production: Hessischer Rundfunk, Frankfurt / Hat Hut Records Ltd, Therwil
Recording supervisor: Christoph Classen
Sound engineer: Rudiger Orth
Production assistant: Elena Krankus
Digital recording at Hessischer Rundfunk Sendesaal, Frankfurt on October 30 and 31, 1993
CD-master by Peter Pfister
Liner notes by Art Lange, Franck Mallet & Peter N. Wilson
Photo by Heinz Joachim Schluter
Cover typography by Ann Holyoke Lehmann
Produced by Ernstalbrecht Stiebler and Pia & Werner X. Uehlinger
Special thanks to Marcel Peres of the Ensemble Organum for his help with the Byzantine music as well to Luciano Martinis of the Scelsi Foundation for his help with the Alchemist music.
This collection by the vocal group Giacinto Scelsi formed in Reims, France, is a precursor to many of the more obscure collections of music released by both well-known and nearly anonymous vocal ensembles during recent years. Scelsi is not interested in boundaries; his group, comprised of three men and three women, here take on liturgical music in monody from the Byzantine Rite circa 700 A.D., and it is so close to its Far Eastern counterparts as to be almost frightening. Yes, "amen," does sound, when echoed in drone from the two-voice chorus, like "om." As if this weren't enough, they jump nearly a century into the future, tossing in Atlanta Fugiens by the alchemist Michael Maier (who composed 50), where polyphony is represented by a two-part canon and a cantus firmus. Not so odd, really, in that Maier's work echoes the earlier pieces while being more complex melodically, if not harmonically. Then comes the truly weird and wonderful stuff: Giacinto Scelsi's choral works. Truly 20th century, but at once completely out of time, Scelsi composed vocal music that underscored his belief that the ritual echo itself was a key to the transformation of human consciousness (much like the Hindus and the Buddhists). First up are his "Three Songs of Capricorn" -- along the complex line of Eastern, near Tuvan throat singing -- in which a mandolin is used as a percussion instrument, and Thai gongs in 'F' are employed. Much of Scelsi's program is for baritone and bass singers, but there are works (such as "Le Grande Sanctuaire I & II") for tenor. Pieces such as "CKCKCC I & II" are not choral works in any conventional sense, but they do intersect on the plane of being non-Western in approach. The less experimental works, such as "Le Grande Sanctuaire" and "Three Latin Prayers," prefigure -- and perhaps even predict -- the choral work of John Tavener. These are prayers, written mystically with their only motivation for this "inner light" to be made manifest, and again, the ritual echo of the human voice being the only instrument capable of revealing it. There are passages of plainchant and Tibetan line prayer entwined with Gregorian and Byzantine monody woven through passages that are designed for their voices, and the harmonic and melodic complexity is near astonishing, considering that they're paired up to drones. Voxnova did well in presenting the Augustinian approach and Renaissance method before a program of Scelsi. It makes them seem more connected to the music of the later 20th century, and Scelsi seems not quite so weird and disaffected. In fact, Voxnova, with this excellent set, makes quite a convincing argument in the other direction.



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