[SACD-R][OF] Pražák Quartet - Ludwig van Beethoven – String Quartets, Vol.7 - 2004 (Chamber)

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Pražák Quartet
Ludwig van Beethoven – String Quartets, Vol.7:
STRING QUARTET No.13 Op.130 with 'GROSSE FUGE' Op.133 (alternative Finale Op.130)

Формат записи/Источник записи: [SACD-R][OF]
Наличие водяных знаков: Нет
Год издания/переиздания диска: 2004
Жанр: Chamber
Издатель(лейбл): Praga Digitals
Продолжительность: 00:55:22
Наличие сканов в содержимом раздачи: Да-Треклист:
1. First Movement - Adagio ma non troppo
2. Second Movement - Presto
3. Third Movement - Andante con moto ma non troppo
4. Fourth Movement - Alla danza tedesca
5. First movement - Cavatina
6. STRING QUARTET Op.130/133 - Grosse Fuge in B flat (alternative Finale Op.130)-Оркестр: Prazák String Quartet-Контейнер: ISO (*.iso)
Тип рипа: image
Разрядность: 64(2,8 MHz/1 Bit)
Формат: DST64
Количество каналов: 5.1, 2.0
Доп. информация: Praga Digitals PRD/DSD 250 206 (2004)
Recording type: DSD
Источник (релизер): ManWhoCan (PS³SACD)


Vaclav Remes, Vlastimil Holek, violin
Josef Kluson, viola
Michal Kanka, cello

Об исполнителе (группе)

The Prazak Quartet—one of today´s leading international chamber music ensembles—was established in 1972 while its members were students at the Prague Conservatory. Since then, the quartet has gained attention for its place in the unique Czech quartet tradition, and for its musical virtuosity.
The 1974 Czech Music Year saw the Prazak Quartet receive the first prize at the Prague Conservatory Chamber Music Competition. Within twelve months their international career had been launched with a performance at the 1975 Prague Spring Music Festival. In 1978 the quartet took the first prize at the Evian String Quartet Competition as well as a special prize awarded by Radio France for the best recording during the competition. Further prizes were awarded at various other Czech competitions.
For more than 30 years, the Prazak Quartet has been at home on music stages worldwide. They are regular guests in the major European musical capitals—Prague, Paris, Amsterdam, Brussels, Milan, Madrid, London, Berlin, Munich, etc.—and have been invited to participate at numerous international festivals, where they have collaborated with such artists as Menahem Pressler, Jon Nakamatsu, Cynthia Phelps, Roberto Diaz, Josef Suk, and Sharon Kam.
The quartet has toured extensively in North America, having performed in New York (Carnegie Hall, Lincoln Center, 92nd St. Y), Los Angeles, San Francisco, Dallas, Houston, Washington, Philadelphia, Miami, St. Louis, New Orleans, Berkeley, Cleveland, Tucson, Denver, Buffalo, Vancouver, Toronto, and Montreal. They will return to the US and Canada in the 2016-17 season.
The Prazak Quartet records exclusively for Praga/Harmonia Mundi which, to date, has released more than 30 award-winning CDs. In addition to numerous radio recordings in France, Germany, the Netherlands, and the Czech Republic, the Prazak Quartet has also made recordings for Supraphon, Panton, Orfeo, Ottavo, Bonton, and Nuova Era.
In 2015, Jana Vonášková joined the group as first violinist, succeeding Pavel Hula. She is a graduate of the Royal College of Music in London, and was a member of the Smetana Trio for nine years. She appears often as a soloist and in recital throughout Europe. Second violinist Vlastimil Holek has been with the Prazak Quartet for nearly four decades, and also performs independently. Violist Josef Kluson is a founding member of the quartet, and gives masterclasses worldwide. Cellist Michal Kanka joined the group in 1986. He performs and records as a soloist in addition to his work with the quartet. Messrs Holek, Kluson, and Kanka are graduates of the Prague Conservatory and the Academy of Fine Arts.

Об альбоме (сборнике)

Praga Digitals has packaged together all of the quartet recordings in a box comprised of hybrid 2ch/Mch SACDs. In fact, only 3 of the 7 discs contain Mch mixes; nonetheless, the performances are so exceptional that the entire set is recommended. The sound quality on each disc is consistent & of very high quality, with only a tinge of edginess affecting the strings.
Amazon review by Peter P. Fuchs on January 22, 2012:
I bought the original Nuova Era separate CDs of the late quartets in this cycle recently, & was so surprised to be surprised by them. These are far & away the happiest performances of those famously profound works I have ever heard. Proving again the truly astonishing human ability to interpret music differently, these exquisitely contented-sounding readings are a real phenomenon. The reading was so consistent in those late works that are often read as gloomy or at least anguished, that it almost felt like I had finally been let in on some joke Beethoven had hidden in the works. Whoa, when you can make the Grosse Fuge sound lilting & fun you are some sorts of magicians. The weird thing is that the works don’t seem less profound this way. To try to create an image for their approach, it is almost the common film trope, a character in a movie recollecting the past in kaleidoscopic fast-motion & indicating some later insight on his/her part. The pain seems almost happy then, & that is what these readings are like. I am completely convinced. These works have broad smiles. On that happy note let me add that on the original releases they were all younger of course & the cellist was really cute when he was young….well we all tend to be cuter when younger. His cello playing is fabulous!
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